found this on Twitter a while ago and it hit me like a truck
KIROKAZE
macklin celebrini has autism
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almost home
let's talk about Bridgerton tea, my ask is open


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Sweet Seals For You, Always
$LAYYYTER
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ellievsbear
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@aureentuluva70
found this on Twitter a while ago and it hit me like a truck

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For the past few years, Jamie Campbell Bower has been in all-out villain mode – as Stranger Things’ monstrous Vecna, he flayed minds, bodies and souls alike. But as he enters another mammoth streaming series, Bower is switching things up. He’s one of the new cast additions to Season 3 of The Lord Of The Rings: The Rings Of Power, entering the Tolkien-verse in a role that has, until now, been kept tightly under wraps (and much rumoured-over by fans). Empire can finally confirm Bower’s role: meet Celeborn, Elf lord and warrior.
And, notably, the husband of Morfydd Clark’s Galadriel. The character – briefly portrayed in Peter Jackson’s films by Marton Csokas – is something of a “lover-boy”, says Bower. The anti-Vecna, then. How they introduce Celeborn – who canonically married Galadriel in the First Age, and in TROP has been apart from her for centuries – remains to be seen. But their dynamic is partly inspired by Tolkien and his wife, Edith. “This idea of longing and yearning is so pervasive in Tolkien’s relationship with Edith for the time that they were apart,” says Bower. “I really feasted on that idea. Celeborn has had to find a way to survive whilst longing for something that he so dearly loved and so dearly missed as well.” And Clark was more than game to contribute to the pair’s sparkling interplay. “She’s kind of rude to him in the books,” she chuckles. “She’s the queen! But Jamie looks exactly like how I would imagine Celeborn. He’s such an Elf.”
Showrunners J.D. Payne and Patrick McKay saw hundreds of tapes for Celeborn – but even without Elf ears and the rest, it was clear that Bower had the stuff. “He has this voice that is rich and hypnotic and sonorous that feels it has the wisdom of the ages buried inside of it,” says Payne. “And then we did a chemistry read [with Clark], and instantly it just felt like he loved her so much. It felt so natural, and so organic, and so right.” In the age of Sauron, Middle-earth could use a few more lover-boys."
Just saw this truck on the road and did a double take 😆
“This is why the Enemy wants you to think you have no song to write, no story to tell, no painting to paint. He wants to quiet you. So sing. Let the Word by which the Creator made you fill your imagination, guide your pen, lead you from note to note until a melody is strung together like a glimmering constellation in the clear sky. Love the Lord your God, and love your neighbor, too, by making worlds and works of beauty that blanket the earth like flowers. Let your homesickness keep you always from spiritual slumber. Remember that it is in the fellowship of saints, of friends and family, that your gift will grow best, and will find its best expression. And until the Kingdom comes in its fullness, bend your will to the joyful, tearful telling of its coming. Write about that. Write about that, and never stop.” ― Andrew Peterson, Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making
first impression of the silmarillion

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I posted about it the other day, but I love how Elrond’s like:
“But my memory reaches back even to the Elder Days. Eärendil was my sire, who was born in Gondolin before its fall; and my mother was Elwing, daughter of Dior, son of Lúthien of Doriath.”
“I will say that your [Frodo’s] choice is right; and though all the mighty elf-friends of old, Hador, and Húrin, and Túrin, and Beren himself were assembled together, your seat should be among them.”
He goes out of his way to trace his lineage back to Lúthien! Beren “himself”! <3333
Thinking about that line in Valaquenta about how Varda can hear those crying out in the dark places Melkor made, and about Maedhros crying out upon Thangorodrim when he hears the host of Fingolfin and of Finduilas crying out with Túrin being unable to hear him, and the sons of Fëanor in the older drafts hearing the murder of their grandfather but being helpless to stop it and Húrin cursed to see and hear everything
Is it worse to scream into the void hearing only bloodstained echoes or be trapped unable to respond? Or like so many others, to simply never know at all

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“Your ancestors are amazed at all your spices!”
“Your ancestors are impressed that you are an educated woman!”
“Your ancestors are proud that you are thriving in spite of what society did to them and you”
It’s all very sweet! But! Necromancy! Is! Still! Illegal! Your ancestors are going back in the ground!
Stop resurrecting them to show off!
I find it so mind-numbingly frustrating whenever I see people (particularly on twitter and tiktok) being like "Zelda abandoned Link in the child timeline" or that "Link had no strong connections with Zelda in the child timeline" when it is so blatantly NOT TRUE. Like dude maybe if you had eyes and actually paid attention to anything aside from what you personally wanted to see, you would know that Majora's Mask says the exact opposite about their relationship. And there's only one single scene in the entire game I need in order to prove it.
This is a flashback that Link has of Zelda in Majora's Mask when he retrieves the Ocarina of Time from Skull Kid at the top of the Clock Tower, and it singlehandedly says so much, and all of it very positive, about Link and Zelda's friendship post-oot. This is what Zelda has to say to Link before he leaves:
"You are already leaving this land of Hyrule, aren't you? Even though it's only been a short time, I feel like I've known you forever. I'll never forget the days we spent together in Hyrule. And I believe in my heart that a day will come when I shall meet you again. Until that day comes, please...take this...[Zelda pulls out the Ocarina of Time] I am praying...I am praying that your journey be a safe one. If something should happen to you, remember this song. [Zelda starts playing the Song of Time] This reminds me of us...the goddess of time is protecting you. If you play the song of time, she will aid you..."
There's nothing cold or distant about Zelda's words whatsoever for this entire exchange. This isn't some random stranger she's speaking to or someone she's bound to by duty alone, this is someone who she's formed a close bond with and clearly cares deeply about and in her heart doesn't want him to leave. But despite that she doesn't force him to stay, doesn't even try to convince him with words to stay with her in Hyrule, but simply accepts that this is what Link wants and that she shouldn't try to stop him. Heck, maybe deep down she knows that this journey of Link's is what he needs in order to really heal and grow from his past adventure.
And then she gives him the Ocarina of Time, which far too few people seem to understand the true scope of and what it means. There's no way in the world Zelda would have just handed over the Ocarina of Time, the royal family's priceless treasure, to a complete stranger or someone she didn't trust. Zelda giving Link the Ocarina, not because she had to but simply in the hopes that its power would help and protect Link, displays a profound sense of trust and affection for him on Zelda's part.
She then teaches him the song of time, which Zelda herself says "reminds me of us", a testament to their bond. At the end of the flashback, a dialogue box then appears saying, presumably from Link's own pov, that "this melody, lingering on the edges of your mind, is a song of memories of Princess Zelda." So not only do we have Zelda telling Link that the song of time is their song, we have Link less than a minute later agreeing with what she says. And it's this song, the song of their friendship, that literally saves Link's life.
In short, despite what most people have deluded themselves into believing, Link does NOT hate Zelda and he and Zelda formed a close bond between Ocarina of Time and Majora's Mask and that is made very obvious in Link's flashback of her. It's literally right there in the game and I'm sick and tired of people pretending it's not.
I think MM's ending also hints that Link is going back to Zelda.
The game starts with Link searching for a friend. And in doing so, he leaves Zelda behind.
At the end of the game, the Mask's salesman says the following:
"Shouldn't you be returning home"
I want to highlight the word "home" there. Adult Zelda also advised Link that he should return home, and what does Link do? He goes straight to Zelda.
Now. The next part always struck me as curious, because Link was about to leave Termina.
Whenever there is a meeting, a parting shall follow. But that parting need not last forever. Whether a parting be forever or merely for a short while... that is up to you"
The quote makes sense when paired with the "home" part. Link parted with Zelda and returning to her was up to Link.
Was actually gonna mention that scene but you beat me to it!
"And I believe in my heart that a day shall come when I will meet you again."
"Shouldn't you be returning home as well? Whenever there is a meeting, a parting is sure to follow. But that parting need not last forever. Whether a parting be forever or merely for a short while... that is up to you."
The wording of both lines of dialogue are so similar, focusing primarily on meetings, I doubt that it's a coincidence. I wouldn't be surprised at all if returning to Zelda is exactly what the HMS meant and exactly what Link did.
I find it so mind-numbingly frustrating whenever I see people (particularly on twitter and tiktok) being like "Zelda abandoned Link in the child timeline" or that "Link had no strong connections with Zelda in the child timeline" when it is so blatantly NOT TRUE. Like dude maybe if you had eyes and actually paid attention to anything aside from what you personally wanted to see, you would know that Majora's Mask says the exact opposite about their relationship. And there's only one single scene in the entire game I need in order to prove it.
This is a flashback that Link has of Zelda in Majora's Mask when he retrieves the Ocarina of Time from Skull Kid at the top of the Clock Tower, and it singlehandedly says so much, and all of it very positive, about Link and Zelda's friendship post-oot. This is what Zelda has to say to Link before he leaves:
"You are already leaving this land of Hyrule, aren't you? Even though it's only been a short time, I feel like I've known you forever. I'll never forget the days we spent together in Hyrule. And I believe in my heart that a day will come when I shall meet you again. Until that day comes, please...take this...[Zelda pulls out the Ocarina of Time] I am praying...I am praying that your journey be a safe one. If something should happen to you, remember this song. [Zelda starts playing the Song of Time] This reminds me of us...the goddess of time is protecting you. If you play the song of time, she will aid you..."
There's nothing cold or distant about Zelda's words whatsoever for this entire exchange. This isn't some random stranger she's speaking to or someone she's bound to by duty alone, this is someone who she's formed a close bond with and clearly cares deeply about and in her heart doesn't want him to leave. But despite that she doesn't force him to stay, doesn't even try to convince him with words to stay with her in Hyrule, but simply accepts that this is what Link wants and that she shouldn't try to stop him. Heck, maybe deep down she knows that this journey of Link's is what he needs in order to really heal and grow from his past adventure.
And then she gives him the Ocarina of Time, which far too few people seem to understand the true scope of and what it means. There's no way in the world Zelda would have just handed over the Ocarina of Time, the royal family's priceless treasure, to a complete stranger or someone she didn't trust. Zelda giving Link the Ocarina, not because she had to but simply in the hopes that its power would help and protect Link, displays a profound sense of trust and affection for him on Zelda's part.
She then teaches him the song of time, which Zelda herself says "reminds me of us", a testament to their bond. At the end of the flashback, a dialogue box then appears saying, presumably from Link's own pov, that "this melody, lingering on the edges of your mind, is a song of memories of Princess Zelda." So not only do we have Zelda telling Link that the song of time is their song, we have Link less than a minute later agreeing with what she says. And it's this song, the song of their friendship, that literally saves Link's life.
In short, despite what most people have deluded themselves into believing, Link does NOT hate Zelda and he and Zelda formed a close bond between Ocarina of Time and Majora's Mask and that is made very obvious in Link's flashback of her. It's literally right there in the game and I'm sick and tired of people pretending it's not.
Dangers of working on a set.
That’s what I said.
Okay but you forgot the best part! During the scene where Aragorn, Gandalf and the other Main CharaktersTM ride ahead to go shout at the gate (and talk to the mouth of sauron in the extended edition) they were very firmly told only to ride up ahead “this far” because that area was cleared and beyond that it wasn’t.
But. Viggo Mortensen is absolutely mad and lead them just…. a bit farther than that. Everyone else was very scared they might blow up any second. Viggo said it “added a little extra tension”.
#they just don’t make behind the scenes stories like lotr anymore
Viggo was just Like That™ for the whole trilogy, taking method acting to extreme levels:
he would spend multiple days walking overland to locations in full pack, sword, & armour when everyone else was travelling in trucks
refused to use any prop swords that weren’t actual steel
basically lived in the forest in-costume, sleeping rough under the sky, even fishing & foraging for his food when possible
often spent hours in the barn just bonding with the horses. He adopted the horse he rode, Uranus, after filming ended
repaired all his own gear by hand, which was often since he never took it off
had a tooth knocked out during filming but had the crew simply glue it back in place so they could keep filming
the instructor who taught everyone swordplay said Viggo was the best swordsman he had ever trained
carried his sword literally everywhere & practiced non-stop, resulting in the cops being called when locals reported “a wild man swinging a sword around his head" outside a gym in Wellington
an orc actor fucked up & accidentally threw a dagger directly into Viggo’s face, but Viggo just deflected it with his sword. They kept that shot
infamously broke 3 toes kicking that helmet but stayed in-character & sold his very real scream as part of the scene. They also kept that shot
Viggo insists on doing his own stunts; in The Two Towers where Aragorn is unconscious & floating down the river, the strong current pulled him underwater for so long that a rescue team had to go in to save him. Viggo survived by grabbing a boulder on the riverbed and pulling himself to the surface
It’s probably more accurate to say that Aragorn played Viggo Mortensen in the off season, so I’m 100% unsurprised to hear he put a whole crowd of fellow actors in genuine mortal peril for a 12% increase in authenticity

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What are your thoughts on the origins of Ungoliant? Tolkien had a couple of ideas for her after all
I like to think she is a primordial being. A kin of the Valar so to speak. Here, I have portrayed her creation. She is born of the darkness between stars. I was inspired for this by all those beautiful pictures that come from the Hubble Telescope
Ngl I partially blame all the movies and books and media in general romanticising high school for making me feel like I had to have my life all sorted out before age 20. That kind of crap has done irreversible damage