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@astudyinimagination
how were you created?
wheel and clay
paper and pigment
cords and sound
needle and cloth
yarn and sticks
wood and whittle
hammer and anvil
light and reflection
fire and glass
soil and sun

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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— Hadestown, Anaïs Mitchell
Hi, I'm not at all obsessed with the workers' lines from "Chant (Reprise)," why would you say that?
I’m like a full decade late BUT I saw the hadestown pro shot over the weekend and felt the greatest urge to draw everyone’s lovely faces !!
Chant 🔨
Not enough people talking about Andre De Shields. That man has such a presence, such a graceful way of moving. Blessed are those who see the proshot for they have experienced thee one and only Andre De Shields.

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If you are interested in disability and theater or creative accomodations in general, I urge you to watch the Hadestown proshot
Not only is it perhaps the best proshot ever made, constructed with the visual language of a concert film in a way that perfectly suits the material, it was filmed while Patrick Page was recovering from an injury that necessitated putting him in a walking boot.
What they've done with it is so perfect for the character that, if you hadn't been told that it was a medical device, it would look like the costume had always had this sick-ass mech boot. I'm not familiar with the exact kind of boot, because it's not shaped like the ones that I've had to use before (having seriously injured the same leg three separate times). Whatever it is forces his heel not to contact the floor, and they've compensated somewhat with a very high heeled dress boot on the other leg.
As you can imagine, because knees exist, it forces him forward, making him move in almost a goat-like way, and it is sheer perfection. The boot is done up with a bunch of sparkly tubes and bullshit that absolutely nail the aesthetic, and it gives him a weird spindly kind of movement that is so incredibly on point for the character. It only underlines his alienation from everyone else, and were it not for the documented history of actors injuring themselves by portraying a disability, looking at you Dear Evan Hansen and basically every production of Richard III, I would say that we should put every Hades in a sick-ass mech boot
This is not the first time that Hadestown West End had injured or disabled cast members, and the way they handled it here it was masterful and really underlines that you can make accommodations and enhance the work
And also goddamn Patrick Page is a hoss, do you know how heavy those motherfuckers are, because I fucking do
Of all things, it was his Achilles' Tendon that was injured.
I saw the Hadestown pro recording last night and I am vibrating god I love this musical SO MUCH. This is the best of the fanart I made like 7 years ago when it first came to Broadway. I've been so burned out lately but I was so excited after seeing Hadestown again I'm like... MAN I should try to make something cool today.
If you're ever up to making more Hadestown fanart, I would love to see it! These pieces are GORGEOUS!!!!
They 100% look like they could have come from an animated Hadestown movie.
Suddenly I'm holding the world in my arms
wait for me ~
waiting for the proshot to come to the UK it hurts
Guys Hadestown was so good

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Frank Hurley, SY Aurora alongside the ice off Western Base during the Australasian Antarctic expedition, 1911-1914
When I'm not listening to the Hadestown soundtrack*, I've got the songs stuck in my head, and right now, I do not have a problem with this.
*original Broadway cast recording
"Pushing Your Luck"
painted with acrylic gouache and every shade of green paint marker i got lying around :^) painted on the mat frame too and it came out better than i thought!
Georges Hobeika | Fall/Winter 2026 Couture

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Vanilla Cold Brew Ice Cream Latte
Lake Louise, Alberta Canada - Author: ReginaTwirl