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Between-songs Transcript - New York City, USA (9 August 2026)
God bless Gen and archer.archival and instagram live and Zohran Mamdani… if anyone knows what city they mentioned when talking about the Mets pls let me know. Under the cut 🙏
FIRST SET
[before Draag national anthem]
[Projection Guy]: Hello my friends, and good morning. It is another beautiful day in Draag. A chance, once more, to get things right; and push beyond our best. So, rise with the sun, and take your medication. Here is your schedule for today, and we will start by observing the Draag National Anthem.
[before disappear]
[Gerard]: I can’t see you, but I can hear you.
[before sharpest lives]
[Gerard]: Hello!
[before wttbp]
[Projection Guy]: The humorous thing about learning to be what you hate, and learning to do what you fear; is that someone you’ve been your whole life, doing something you’ve always been good at, could feel so entirely new. That brutality so second-nature could feel so alien, so foreign to you, it’s astounding to witness first-hand. So let’s remind you, for a moment, exactly what you are, and the thing that you do best. The lesson is: a man knows how to forgive, but a leader knows how to instruct. And since through pain we learn, let’s be student, then be a teacher. Now, take your place, use your words, and produce for the crowd a respite.
[before cancer]
[narrated from Clerk reading postcard]: Hello from Gubrick. It’s really not that bad here. You don’t notice the smell after a few days. Sadly, there’s nothing I can do for you. All my love, Dad.
[mama interlude]
[introducing dagger part]
[Gerard]: Mama! Hi! Hello! How you doin’ tonight?! It’s nice to be here, you guys are looking good! Yeah, we—we came from pretty far away, you know? Been on airplanes, they served too many drinks, you know how it gets, you start flying the plane! Anybody ever fly the plane before? We’re not just musicians. We tell jokes. Yeah, I know, it’s funny stuff. Funny stuff. But we’re gonna sing right now. It’s something—a little something that goes like this, I’ll tell you all about it.
[introducing dr. Sylvia and counting her in]
[Gerard]: We’re also magicians, like I said. Yeah, I know. I know! This lovely young woman right here is our assistant, ‘cause we do a lot of magic tricks, you know! Poof! Goodbye! Poof, poof! Goodbye! Heehee! I love to drive a car. You know? I’d love to—blaa! So, she is going to let us make her disappear. Pretty spectacular. We make that pretty good in New York[?]. Anyway, of course, we need to say the magic words, right? Or numbers. I’m gonna show them to you right now. We’re gonna practice them, it goes like this, are you ready? I say one, two, you say one-two-three-four. Let’s do it again. You’re really good, we can get it louder though, are you ready? I said one, two, you say… now, this time, for real. Are you ready?
[mama outro]
[Gerard]: [laughing] [laughing hysterically] [sobbing] that was great! That was so great! Thank you, doctor! That was so… [laughing] so great! Here, do you want—you can have them. That bad. Yes, very special. Thank you! [laughing]
[during big sky]
[Projection Guy]: There is a planet, so it spins. And it’s moving so fast, it’s not worried at all. Very busy. People, people hurry. And the child who has the chalk, and sang: let me sing. So we see them. We say, let me see who loves you. And the chalk, it moves in a circles. Many circles, great big circles! Hugging arms and smiling eyes! And what of the child? Let’s subtract. And again. And what if we subtract them all? Who is left to love you? There is only the hands that wipe the chalk clean.
[before sleep]
[Projection Guy]: And I feel, all this time you are making drawings someone else must now erase. But I’m glad that we are friends, and that now you understand. This is the worst day of your life, but the first day of yourself.
[before disenchanted]
[Projection Guy]: Come close, my friend, I say. But, no, we’ve never met. They gave to me a picture, and I’ve had it quite some time. In fact, before you said a word, I’ve always heard your voice. Have you heard mine? That makes me smile. There is one last seat. And one more ticket. It’s hiding in your coat. Yes, you. You are here. So take your seat, get comfy, here is my hand.
[before famous last words]
[Real Boy]: A figure sits in a chair made of wood. And it’s sobbing. You think it’s you. You’re pretty sure it’s you. But it’s weak. It’s broken. And it’s covered in gasoline. Now, picture yourself lighting a match.
SECOND SET
[before not okay]
[Gerard]: New York, how the fuck are you? Yo, fuckin’ top notch job, all around, on the A-side. We were supposed to be playing in prison on that, so, you guys aren’t all supposed to be here, you know? We gotta, like—anyway. But it’s all getting fucked up, anyway. At least if you’re paying attention to the show. And not fucked up like it’s bad, or uncomfortable, you know, maybe. Let’s keep fucking going, I wanna try keep it going today, not because I’m in a rush, or anything, [indistinct], but let’s get some momentum going. I was thinking about this song, like, fuck, I gotta really come up with another intro, but, I mean, it is the greatest summer jam of all time, so. Let’s fucking do it. Let’s go with that.
[before give ‘em hell kid]
[Gerard]: Fuck yeah. Fuck yeah! This is a beautiful place, by the way. Beautiful, beautiful fucking stadium. It’s, like, one of those scenarios where, like—obviously, th—there are a lot of you, but, you feel close, ‘cause of the way it’s, like, we were saying, it’s like the Colosseum? Where they would use lions to kill people, but you—you know, you guys are really nice to us, so. Anyway. Um, I wanna do some thank-yous really quick. And, uh, we wanna thank from the bottom of our hearts, really, so fucking honoured to have Franz Ferdinand playing with us tonight, [indistinct]. Think I remember this interview backstage, it was some show in LA, it was, like, House of Blues, something, and this song ‘Take Me Out’ had just came out, and I could not fucking handle myself. It was like a—I, these days, call them a ‘break a window song’—I could just, like, I can’t control myself, and I’ll just break a fucking window. Like, uh, uh, ‘Welcome To The Jungle’, that song. Gotta be away from glass, man. I’ll think of other ones. But anyway. Please make some noise for this motherfucker right here, Jarrod Alexander, [indistinct], hell yeah. Make some noise for Jamie Muhoberac. [indistinct] fucking genius. I wanna take this opportunity also to thank the Draag National Auxiliary Band, like I always do, we have a special guest tonight, too, so please make some noise for Clarice Jensen, Kayleigh Goldsworthy, Tucker Rule, and for Cheech fucking Iero. [indistinct] As always, the cast, the crew, thank you so very fucking much. [indistinct] thank you for spending your morning, afternoon, evening with us, let’s fucking go. This song’s off Three Cheers For Sweet Revenge, it’s called ‘Give ‘Em Hell, Kid’!
[before summertime]
[Gerard]: Fuck yeah. Fuck yeah. Ah, here comes a lighter song. I’m old, so I’ll—I’ll say that thing, ohh, they’re not lighters anymore, it’s, handcomputers. Your phones, you know. Man, phones fuck my brain up. My brain is fucked up. Phones. Anyway. Let me see your lights in the air, this song’s off Danger Days. It’s called ‘Summertime’.
[before heaven help us]
[Gerard]: What do we got? Oh, yeah. Uhh—oh. Oh, fuck yeah. This is exciting.
[before na na na]
[Gerard]: That was fucking awesome, thank you guys. That fucking—that was probably my favourite time we did that. For a second I was thinking, ah, shit, the song’s started, I’m already singing, I’m like, I didn’t tell them this was a B-side off Black Parade, just in case, just in case you don’t know this, but you guys knew what it was, that was really cool, fucking awesome. What’s that? Yeah, yea—the—oh, real quick, I wanna talk about the Mets. Because, yo, the Mets are really important to me and Mikey, and, uh, anyways, because, we fucking grew up, and the big thing was the fucking ‘86 Mets. They had this thing in [city] with the ‘69 Mets during that period, because, like, everybody was just so fucking amped out on fucking Mets, and, then, like, Tug McGraw, all these, like, old players from ‘69, they were really fucking awesome, and we just worshipped the fucking ‘86 Mets. I used to play baseball, but. I was the worst player on the team. The only kid who was worse than me was the one who stayed home. Like, I was the fucking worst. I loved Gary Carter so I wanted to be a catcher. They put me everywhere. I sucked so fucking bad, couldn’t even catch a ball. I was a catcher. I like the—I like the masks, though. I like the masks. Masks. Alright, what the fuck—what the fuck’s next? Aw, let’s fucking rip this shit! Woohoo! Yippee! Killjoys! Make some noise!
[before bulletproof heart]
[Gerard]: Fucking beautiful! My box is only doing real low shit, I fixed it. [green box noises] all is right in the world now. Yo, I’m gonna sip the blue shit, we’ll be back—we’ll [laughs] we’ll be back in—eighteen minutes. Ah, I don’t have blue shit. [laughs] Electrolytes. So, today, we were drinking so many electrolytes, I was like, yo, what kinda—what kinda electrolyte drink would they have in Draag? I’m like, Slaterade. Fucking made out of pure slate. Make strong people. Make you strong like the bull. Fuck, anyway. So, yeah, we’re ready to go, we were playing this—fuck, it’s called ‘Bulletproof Heart’.
[before bury me in black]
[Gerard]: Man, I fucking love that song. We were in, like, uh, a—fuck, where were we, Mate’s? And we were, like, I think, like, we’re—I don’t know if we were doing pre-production, or, just, like, rehearsing for stuff, and Frank plays this riff, I’m like, [weird voice] what is that? What is that riff? [normal voice] I got, like, a mental goggles for it[?], and fuckin’—anyway. That’s what it turned into today. Turned into ‘Bulletproof Heart’. Who knows why? Oh, maybe ‘cause I bought a trans-am, and I put it way on, too much trans-am. You know? Too much trans-am. Fuck, let’s rip into this one. There you go. Alright, this one is, fuck, uh, a B-side, or an unfinished demo, I’m not sure, it’s called ‘Bury Me In Black’, let’s fucking go.
[before helena]
[Gerard]: Woah, orange stuff! Excellent. I love orange stuff too. I love cold fruit. I just turned into a Gatorade bum.[?] That’s because I don’t have any, um—the bodegas in New York when I was in art school, they had those really cool fucking fruit cups with the fucking water inside ‘em, and I ate them shits, I get dizzy from that shit, it’s so good. Fucking cold fruit, motherfucker. Alright. This song is really special to us. You sing along to the beginning. It’s off Revenge.
[before demolovers]
[Gerard]: You know, one of the coolest things about, uh, doing the—about doing the, this thing, tour, is like, you know, obviously, when it’s this many people, like, you really do see, like, a—a big mix of different ages, there’s young people, and there’s older people, and, like, people from lots of—that’s fucking awesome, it makes us going out to that great, probably one of my favourite things that I got to see was in Europe, was, um, I would just kinda look back past—past the awesome chaos, there’s—what was there was, like, you know, maybe somebody who was like, fifteen or sixteen, who was there with their wife or their girlfriend, having a good fucking time, and it was just fucking joy, man, it brings—it brings us fucking joy. Pretty awesome. You know? It’s just fucking cool, man. I’d like you to please, please, make some more noise for Kayleigh Goldsworthy right here, joining us here, Clarice Jensen, make some noise for them. Really lucky to have them. I’m gonna drink some, uh, some orange stuff, and I know I just said something really positive, but we’re gonna get into some really violent desolation. And that’s how we’re gonna kiss you goodbye. It’s a really fun show. Frank said, this is a really fun show, and I don’t wanna stop. I don’t either, this is fun. Sometimes you have shows, too, where you’re like, even the fucking soundcheck is banging. Like, when you come to a place like this, you can just—this is fucking gorgeous, just looking at everyone. This is badass. This is gonna be good. What I like best is the colour of the seats. Could not get over it. Just love the colour of the seats. Okay, this song is off—they look good, they got some blue to them, right? It’s like a blue-grey, right? I see what I see. Anyway, this song is, uh, the last song, off—off Bullets? It’s called ‘Demolition Lovers’.
I do not promote weight loss mentalities because I believe that if weight loss is going to occur in a healthy way, it's going to occur as a side effect of adopting appropriate fitness habits
Not as the goal, because adopting fitness habits does not always result in weight loss.
And it's the habits, like building muscle, improving flexibility & mobility, increasing nutrient intake & hydration, and getting quality rest & sleep that actually matter.
If you're successfully doing those things your health is quantitatively improving, no matter what your weight is doing. But if the metric your most concerned with is just loosing weight, you may actually be getting less healthy not more.
Because weight loss can occur for many reasons, and most of them are not healthy.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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trying to get out of the mcr concert at citi fields, get back to penn station and then make the train back to jersey felt more like the odyssey than anything christopher nolan could make
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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There’s a reason lots of good parents say to babies stuff like
“You’re excited to go to the park!”
“Oh, it makes you mad that we can’t go outside.”
And then when the babies get a little bit older the parents can say
“You seem upset. Are you sad?”
“Are you excited that gramma is coming over today?”
Which lets the kid (who is learning to utilize speech) respond with yes or no, which may prompt more questions, like
“So you aren’t sad, are you angry?”
“Yes, does it make you happy when gramma is here?”
And then, finally, when the child is learning to use language in a more complex way, the parents can say,
“How does it make you feel?”
“Why are you feeling like that?”
And it’s all about teaching emotional awareness. I really reccomend using the process on yourself. Learn to ask, “am I happy?” “Am I sad?” “Am I anxious?”
Then practice identifying, out loud or on paper if you can, “I’m happy.” “I’m upset.” “I’m sad.” “I’m anxious.”
Final step: “Why am I feeling anxious? I’m still thinking about that awkward conversation earlier.” “Why am I happy? It’s such a beautiful day outside.” “Why am I sad? None of my friends are responding to my messages.”
It really helps you notice patterns (“I’m more likely to be happy when I’m around this person.” “When I haven’t eaten, I often feel angry.” “If I don’t plan ahead, I get anxious.”) which is the first step in avoiding things and people that are bad for you and encouraging things and people that are good.
reducing the entire variety of the bi experience to 'bi culture is only finding 0.0000001% of the male population attractive and thinking every woman is beautiful' posts every week kind of sets me off not gonna lie
i know a lot of it stems from biphobia but you don't have to justify your attraction men to anyone, and liking men doesn't make you any less of a bisexual and if those posts are really what being bi is like to you then good! but trying to pass it as a universal bisexual experience rubs me the wrong way not to mention it fits into a binary view of what bisexuality is but that's just my two cents
you should never date someone for the sake of dating someone. you should be good friends, if not best friends with your partner. if you cant go to your partner for personal advice, if youre afraid to call your partner out on something, if you cant laugh and have fun with your partner, or if your conversations are only ever performative affection, you don’t have a good relationship
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
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