Elaine Lustig Cohen Homage
Music by Christian Wiles
Video by Teagan Wood
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@artisticatombomb
Elaine Lustig Cohen Homage
Music by Christian Wiles
Video by Teagan Wood

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Elaine Lustig Cohen Script
Elaine Lustig Cohen
Born in 1927
She fell in love with modern art at a young age
In 1948 she married designer Alvin Lustig and worked in his office doing small tasks.Â
When he died seven years later, she was expected by his clients to take over his business.Â
In trial by fire,
she proved her talent and intuitive eye as a designer and rose to the challenge.Â
She went on to specialize in book cover designÂ
and create over 100 covers for Meridian Books Publishing,
She cultivated her unique design style, drawing on the Avant-Garde and New Typography movements.Â
“a living link between design’s modernist past and its continually changing present.”
This Spring at the MAD, come see the modernist designer that broke glass ceilings.
April 21st through August 18th
Elaine Lustig Cohen Style Frames
Bea Feitler Designer Promo
Great Things About It:
The constant movement of secondary and tertiary movements. Something is always moving
The textures and overlays
The color schemeÂ
The use of old photography
The fast pacing
Herbert Bayer Exhibition Promo
Great Things About It:
The reusing and reshaping of one composition to the other, i.e. incorporating the aspects of one comp in another as a smooth transition
Giving the comps room to breathe with the transitions being used space and space to see the designs created
The interesting, multidimensional type layouts

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
(via https://www.youtube.com/watch?v=w3Qe7w1cI7k)
Great Things About It:
The multi-dimensional aspect of it
The inclusion of process
Iffy, but interesting use:
The web scroll transition/lack of transitions. Does it make it stagnant?
CONCEPTS/STORYBOARDING
For Elaine Lustig Cohen Promo Video
Open with one of her more avant grade type faced that builds into its final form and info on her life arranged in her famous b&w ad designs for Meridian Books. In the background as a secondary animation
It will start with only black and white designs
The video will scroll downÂ
The designs will begin to incorporate color, going from b&w, monochromatic to color and her more intricate compositions
The more complex designs she did for Meridian will put themselves together into their final compositions, and the focus will be on the books covers she designed throughout her life
Between each new book cover design piecing itself together, will be the info on her life and the influences, successes and quotes she has made on design
The type will build itself intermittently and an emphasis on New Typography and modernist type layouts that she was so influenced by will be the primary focus
She was the wife of Alvin Lustig when, after his untimely death at the age of 40, she was expected to finish the work he had left for clients. In a trial by fire, she took over the commissions for her husband’s clients and applied what she had unconsciously absorbed from watching him, and obviously had a natural intuition for herself. She then went on to design more than a hundred book covers for Meridian Books, later marrying Arthur Cohen the book publisher of Meridian. The two later founded Ex Libris, a rare-book dealership of design books and pamphlets.Â
She has gone on to do various designs and projects for museums and architecture firms and designing her own typefaces. She is highly influenced by Avant Grade design the New Typography and Modernist design movements of the 40s through the 50s blending them into her own personal, playful, eclectic style.Â
“Elaine Lustig Cohen began in her husband’s shadow, yet emerged among her male counterparts as an exemplar of contemporary graphic design and typography. Through Ex Libris, she became a fount of design history and a wise and generous resource for scholars and students of design. She is a living link between design’s modernist past and its continually changing present.” - AIGA Recognition Article. She won the award for her accomplishments in the design world in 2011.Â
“I’ll Give You the Sun” - Final Title Sequence
Video by Teagan Wood

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I’ll Give You the Sun, Jandy Nelson
The novel is about twins, Jude and her brother Noah. Although the twins were incredibly close at thirteen, three years later they are hardly speaking to each other. The early years are narrated by Noah as he struggles with a secret that affects his past, present, and future and the later years are narrated by Jude as she comes to terms with the events separating the two sibling’s narrations. This book, at its heart, is about art, and family, and overcoming.
I’ll Give You The Sun rough final version-MOV
Mediums:
- film
- photography
- illustration
The planning stage: Title Sequence - "I'll Give You the Sun"
(via Dunya & Desie title sequence - Watch the Titles)
Title Sequence Inspiration:
for
- stagnant stills timed to music for first 20 seconds
- followed by overview of an environment in stillsÂ
- cohesive color schemeÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
(via Taking Chance title sequence - Watch the Titles)
Title Sequence Inspiration
for:
- simplicity, cohesion, and hand-done elements
Kyle Cooper designed this title sequence for Wimbledon - a romantic comedy - back in 2004. Not his most spectacular work, not the most discussed, yet it is a very clever, entertaining, and, dare we say, perfectly executed title sequence. “It doesn't always have to be about blood and eyeballs”.
Title Sequence InspirationÂ
for:
- typography integration and photographic cuts