The Toilet of Venus, Konstantin Makovsky
Medium: oil,canvas
occasionally subtle

Love Begins
taylor price
Not today Justin
EXPECTATIONS
Cosimo Galluzzi
RMH
noise dept.

roma★

pixel skylines

Game Changer & Make Some Noise

oozey mess
KIROKAZE
Keni
YOU ARE THE REASON


#extradirty
Monterey Bay Aquarium

shark vs the universe
seen from Indonesia

seen from Australia
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seen from United States
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seen from Finland

seen from Türkiye

seen from Canada
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@artist-manet
The Toilet of Venus, Konstantin Makovsky
Medium: oil,canvas

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Jacques Lefevre (1773-1856), Banker, Deputy, Regent of the Banque de France, Honore Daumier
The Tragedian Actor, 1866, Édouar Manet
Medium: oil,canvas
Swallows, plate 8 from Le Fleuve, Édouard Manet, 1874, Art Institute of Chicago: Prints and Drawings
Gift of Robert M. Light in memory of Harold Joachim Size: 36 × 52 mm (image); plate: 42 × 58 mm (plate); 278 × 240 mm (sheet) Medium: Etching, drypoint and aquatint in black on ivory laid paper
https://www.artic.edu/artworks/191528/
Madame Manet in conservatory, 1879, Édouar Manet
Medium: oil,canvas

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Edgar Allan Poe, Edouard Manet, c. 1875, Smithsonian: National Portrait Gallery
Size: Image: 10 × 9.5 cm (3 15/16 × 3 3/4") Medium: Drypoint
https://npg.si.edu/object/npg_NPG.82.120
Portrait of Berthe Morisot, Édouar Manet
Medium: oil,canvas
View of the Lot of Saint Cirq Lapopie, 1913, Henri Martin
Medium: oil,canvas
The Dead Christ with Angels, Edouard Manet, 1866-1867, Cleveland Museum of Art: Prints
Similar to a painting the artist exhibited at the Salon of 1864, The Dead Christ with Angels is Manet's largest etching and exists in only a few impressions. The print accurately translates the realism of Christ's fleshy body, an effect that prompted critics of the painting to complain that the figure was vulgar. As with lithography, Manet used etching in a new, expressive manner, and varied marks were used to delineate the subject. While short lines conform to the muscular body's curves, a dense network of parallel lines describes the feathers of the angels' wings. In the lighted areas at the top of the image, there are also a few bold, crudely crosshatched lines. Size: Image: 32.9 x 38 cm (12 15/16 x 14 15/16 in.); Plate: 39.4 x 32.9 cm (15 1/2 x 12 15/16 in.) Medium: etching and aquatint
https://clevelandart.org/art/1961.151
Mountain stream in Auvergne, 1830, Theodore Rousseau
Medium: oil,paper

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At the Café (unpublished plate), Édouard Manet, 1874, Art Institute of Chicago: Prints and Drawings
Gift of Mr. and Mrs. Edward McCormick Blair and Stanley Field Fund Size: 270 × 339 mm (image); 325 × 482 mm (sheet) Medium: Gillotage in black on ivory China paper
https://www.artic.edu/artworks/109689/
At the Café, 1878, Édouar Manet
Medium: oil,canvas
Philippe IV, Edouard Manet, 1862, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Duplicate Sales Fund Size: 35.1 x 23.8 cm (13 13/16 x 9 3/8 in.)
https://www.harvardartmuseums.org/collections/object/272337
Odalisque, Édouard Manet, 1868, Art Institute of Chicago: Prints and Drawings
Gift of Robert M. Light Size: 122 × 192 mm (image); 129 × 200 mm (plate); 279 × 347 mm (sheet) Medium: Etching and aquatint in warm black on buff wove paper
https://www.artic.edu/artworks/103113/
Hop-Picking No.1, 1946, Laura Knight

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Study of Flowers, 1866, Frederic Bazille
Medium: oil,canvas
Exotic Flower (Woman in a Mantilla), Édouard Manet, 1868, Art Institute of Chicago: Prints and Drawings
The Charles Deering Collection Size: 162 × 106 mm (image); 174 × 116 mm (plate/primary support); 387 × 274 mm (secondary support) Medium: Etching and aquatint in brown on ivory chine, laid down on ivory wove paper (chine collé)
https://www.artic.edu/artworks/46785/