Portrait, Konstantin Makovsky

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Portrait, Konstantin Makovsky

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Hot Summer Day, 1869, Fyodor Vasilyev
Medium: oil,canvas
The Dream, 1910, Henri Rousseau
Medium: oil,canvas
https://www.wikiart.org/en/henri-rousseau/the-dream-1910
Untitled [flowers], Follower of Eugène Delacroix, 19th century, Minneapolis Institute of Art: Paintings
hovering flowering stems of various kinds and colors against a grey ground Size: 26 x 20 3/16 in. (66.04 x 51.28 cm) (sight) 35 ¾ x 29 ¾ in. (90.81 x 75.57 cm) (outer frame) Medium: Oil on board
https://collections.artsmia.org/art/61567/
Inside the Forest under the moonlight, 1830, Caspar David Friedrich

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Elbschiff in early morning fog, 1820, Caspar David Friedrich
Two Men Contemplating the Moon, Caspar David Friedrich, ca. 1825–30, European Paintings
Wrightsman Fund, 2000 Size: 13 ¾ x 17 ¼ in. (34.9 x 43.8 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/438417
Winter landscape, 1811, Caspar David Friedrich
Medium: oil,canvas
Day, 1821, Caspar David Friedrich
The Fountain at Grottaferrata, Adrian Ludwig Richter, 1832, Art Institute of Chicago: European Painting and Sculpture
Although he worked primarily in Dresden, a center for Romantic landscape painting during the early 19th century, Ludwig Richter—like many artists of the period—traveled to Rome as a young art student (1822–26). The Fountain at Grottaferrata, completed some years after Richter’s return to Germany, is based on his detailed drawings of the Italian countryside just outside of Rome and carefully captures the features that made this site famous, such as the fortified monastery in the background. With its classically composed yet acutely naturalistic landscape, folkish figures, and dramatic light, this work epitomizes a generation of artists who viewed the Italian landscape with Germanic sensibilities. Through prior gift of Mrs. Henry C. Woods; through prior gift of Dellora A. Norris; Lacy Armour Fund; through prior gift of Henry Morgen, Ann G. Morgen, Meyer Wasser and Ruth G. Wasser; Louise and Frank Woods Purchase Fund in honor of Mrs. Edward Harris Brewer Size: 113 × 99.5 cm (44 1/3 × 39 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/209942/

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Sur la route de Nice, Paul Huet, 1844, Art Institute of Chicago: European Painting and Sculpture
Bequest of Julius Lewis Size: 28 in.v., 40 ½ in.h. Medium: Oil on canvas
https://www.artic.edu/artworks/250454/
Waterfowl, 1652, Museum of the Netherlands
Watervogels. Een groepje ganzen, eenden en een reiger bij de waterkant. Tussen het gebladerte op de voorgrond zit een kikker en vliegen vlinders en libellen. Op de achtergrond een rivierlandschap met een vervallen toren.
http://hdl.handle.net/10934/RM0001.COLLECT.8736
Yosemite Valley, Albert Bierstadt , 1866, Cleveland Museum of Art: American Painting and Sculpture
During the summer of 1863, Bierstadt visited Yosemite Valley in California and made numerous sketches. Back in his New York studio, he used them to produce many majestic paintings, including this view of Half Dome, one of Yosemite’s most distinctive features. Such scenes thrilled East Coast audiences and helped encourage early movements to save America’s natural wonders. In 1864, President Lincoln signed a bill preserving Yosemite as public property. It became a national park in 1890. Size: Framed: 135.3 x 181 x 15.6 cm (53 ¼ x 71 ¼ x 6 1/8 in.); Unframed: 97 x 142.3 cm (38 3/16 x 56 in.) Medium: oil on canvas on panel-back stretcher
https://clevelandart.org/art/221.1922
Landscape with Cattle, 19??, Museum of the Netherlands
Landschap met vee. Een koe en een stier in een bosachtig landschap.
http://hdl.handle.net/10934/RM0001.COLLECT.10681
Seashore with Fishermen, 1782, Thomas Gainsborough
Medium: oil,canvas

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A Coastal Landscape, 1782, Thomas Gainsborough
Medium: oil,canvas
Wildflowers near the water, 1890, Ivan Shishkin