video game and film fandoms will come and go for me but the Silmarillion fandom will never die. because that book came out like 50 years ago and we're all still trying to figure out what the hell is going on there.
Fai_Ryy

Kiana Khansmith

tannertan36
Cosimo Galluzzi
Color Me Curious
The Bowery Presents


Discoholic 🪩

if i look back, i am lost
Noah Kahan
untitled
Show & Tell


shark vs the universe

#extradirty

Origami Around
h

blake kathryn
almost home

Game Changer & Make Some Noise

seen from Germany

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seen from United States

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@arctophyllax
video game and film fandoms will come and go for me but the Silmarillion fandom will never die. because that book came out like 50 years ago and we're all still trying to figure out what the hell is going on there.

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JPJ and his basses.......
Since we were speaking about toxic traits earlier, another toxic trait of mine: I’m unfortunately really into the heroin skinny type of guys in the late rock industry… let’s hope it’s an accidental pattern.
I mean I’m not gonna deny that it’s concerning to be able to see a grown man’s ribs but I’ve never been one to mind gnawing on bone
Pamela Des Barres on Jimmy Page
Part 8: PAMELA DES BARRES
The groupie supreme and member of the GTO’s. Despite her relationship with Page, her husband, Michael Des Barres, fronted Detective - the first band signed to Zeppelin’s Swan Song label.
Pamela Des Barres: Some people just have it. Jimmy obviously has insane charisma and his talent is unsurpassed, innovative and majestic. Not to mention he was the epitome of what a British Rock God should look like: delicate, mysterious, androgynous, sensuous. And he made sure you never really knew what was on his mind. He loved being in control of every situation, still somehow remaining an elegant, intense gentleman. One wild night, he gave me a dose of mescaline and didn’t take any himself. He enjoyed being my provider, lover, teacher. It went on for hours, all night long. And I was a joyous, blissed-out basketcase when the sun came up.
UNCUT: Can you tell me about Jimmy’s interest in Aleister Crowley? What did he particularly admire about him and how deeply do you think Jimmy immersed himself in that “black vibe”? There’s the story of you helping him buy a Crowley manuscript once for $1700.
First of all, Crowley’s vibe isn’t ‘black.’ He was a seeker of things beyond our five senses and so was Jimmy. He was fascinated with the search into all things occult and hidden, but not necessarily dark or evil in any way. Crowley was actually attempting to bring understanding to what people deemed 'dark.’ Jimmy liked living very close to the danger zone, curious about secrets that most of us haven’t even heard about. I knew an old gentleman bookseller on Hollywood Boulevard, also entranced with Crowley, and I found a handwritten manuscript of Crowley’s tucked away on a high shelf. I remember getting that huge sum of money and being honoured to be sending Jimmy something so important to him. I imagined him reading that thing deep into the night, roaming around in Crowley’s castle in Scotland, flapping around in his cape.
Before we met, I was afraid of Jimmy and determined not to fall for his charms when Led Zeppelin hit LA. Deserved or not, their reputation as debauched naughty boys preceded them. But he was intent on getting me to fall for him, and it didn’t take much. He sent me notes, got hold of my phone number and easily convinced me he would be worth the trouble. He did keep whips coiled up in his suitcase on the road, but never attempted to use them on me. He definitely had a wicked sexual side, which made him a transcendent lover. Even when you were intimately involved with him, he held back, which made you want to delve into him even deeper.
And he didn’t disappoint in any way until he broke my baby heart. He did that to a lot of adoring females. I have no regrets, and I treasure that heady time with Jimmy and being a part of all that was Led Zeppelin. There was never any soul-selling to the devil or anything like that - ever. It’s part of the mythology though and fans seem to want to believe it. What did I make of his dark side? He was very focused and powerful and played with it, played with people in his midst. He relished and enjoyed his heightened place in the rock pantheon immensely. He had a supreme gentleness masking a deceptive strength and determination. Indeed, in some ways, Jimmy was unattainable.
Watching Led Zeppelin on stage, I was one of the lucky few to be sitting atop Jimmy’s amp, with a groupie’s eye view of his violin bow coming apart in the shimmering air, sashaying backstage with him and Robert while Bonzo thrashed away on “Moby Dick”. Besides the magnificence of the music, just being a part of that formidable, unparalleled scene was an enervating, indescribable feeling. When they went back to England after a long tour here, the let down was very troubling to say the least. They split open and shredded previous musical boundaries and other musicians happily took advantage of it. I was very aware I was in the middle of musical history being made and in awe of each moment. It was like being wrapped up in a thunderous hurricane of expanding, contracting holy sound. Aaahhhhhh….
ROB HUGHES
Read more at http://www.uncut.co.uk/led-zeppelin/pamela-des-barres-on-jimmy-page-interview#0I0tHFZQPU4WjlOe.99
This is what the beginning of Your Time Is Gonna Come sounds like to me

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I love this picture so bad I wish he was still with us :((
He’s all legs
Say what you will about JPJ singing Sandy Denny’s part on the 1977 live performance of The Battle Of Evermore but I’m gonna defend that performance with my life. It feels more like sitting around some campfire with all of them than a live performance but that’s specifically the charm this has and should have in my opinion.
Yes, his vocal performance in this is, objectively, not that good. But he’s literally next to Robert Plant. Most established singers would seem like weak singers next to Robert plant. Sandy is ranked in the top 200 singers of all time on Rolling Stone so that gives her enough credit to more or less keep up with Robert in my opinion.
JPJ is a reserved individual, he sticked to the shadows of the stage and hid behind an array of instruments most of the time, obviously a reserved guy from the rhythm section of the band won’t have the vocal projection to match that of the radiant, extroverted singer of the same band who improved his projection further every time they performed… c’mon guys.
Dare I say that with the amount of instruments JPJ is able to play, he’s allowed to sing as badly as he wants?
And it’s not even that it’s really bad per se. JPJ isn’t Sandy, when we listen to the studio-recorded track we hear Sandy, we hear a higher pitched voice, we’re used to that. We’re used to hearing Sandy sing those parts the way she sings them, so JPJ adapting a lower register just sounds wrong at first. Try listening two or three times though. It’s something you get used to. And once you’re used to it, you’ll probably start to see some good in it.
I actually like that JPJ didn’t force his voice into an unnatural range. He just used his natural register for that and it worked just fine. I think it’s honestly endearing how he looks at Robert for approval between lines and smiles through his singing as if he knows what people are gonna say about it. But he does it anyways. And that does take something, let’s be real.
1977 The Battle Of Evermore might actually just be one of my favourite Led Zep live performances ever and that’s saying a lot because their live performances were all pretty great. It’s just such a warm, cozy, intimate performance and JPJ’s voice does well to complement that vibe.
JIMMY PAGE performing at the Dallas Memorial Auditorium, April 1977
One thing about me is when a rockstar is like “i’m gonna hide back here in the shadows and contribute from the dark please don’t mind me” I’m absolutely gonna mind them
There’s a pattern to my preferences and it means that one day I’ll starve from a lack of content
(Jonesy)

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I love when musicians refuse to let go of their cigarette while playing their instruments
You’ve not seen someone make love to a guitar till you’ve seen Jimmy Page do this lol
I don’t know where to start honestly…
ROBERT PLANT performing at Earl’s Court Arena in London, May 1975
Times are still the same in some ways

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I’m not a Page girly however I am a demonology girly which makes me wanna fuck that guy silly…
Christopher Cross shared a "touching" story about Jimmy Page on The Questlove Show in May 2026.
He'd previously told it to Goldmine in an interview which was published on 14 March 2014.
GM: You also opened for Led Zeppelin early in their career.
CC: I had a band called Flash. We were like Brian Wilson meets Frank Zappa. It was an attempt at complicated pop. I’m a big fan of Frank’s as well as Brian Wilson. Frank covered “Ride like the Wind” at one of his shows and asked me to sing, but I couldn’t make it. I do have a tape of it. In those days, they would have two acts and a local band playing 30 minutes before those bands went on. So the main acts on the bill were Led Zeppelin and Jethro Tull. Joe Miller was sort of managing us at the time and gave us the opportunity to open about seven shows for Tull and Zeppelin. It was really cool. We weren’t very good. The second day we were on the tour, Jimmy (Page) and Robert (Plant) came up to me and Jimmy said, “How do you kids follow us around? Do your parents have money or something?” They didn’t realize we were on the show. I said, “We have a band, and we’re opening for you.” And so the next night we’re playing and I look over, and there’s Page and Plant, standing in the wings watching us. They were only there for a short time; I almost sh*t my pants when I saw them watching us. As the next week or 10 days went on, I spent a little time with the guys in Zeppelin; they were all very nice. I got to watch them play over that period, and they were just unbelievable. I’d sit and watch them at sound check, too. (John) Bonham would show up and play for 45 minutes by himself, and it was crazy. Jimmy would come up and be warming up and wailin,’ and it was pretty fantastic. Back when my band opened for Zeppelin, they were using these rare Hiwatt amplifiers; no one had them beside Page and (Pete) Townshend. I said to Jimmy, “These amplifiers are really cool, and I’ve seen them in magazines but nobody really carries them over here.” He said, “Yeah, they’re made by this guy, and right now he only makes them for Pete and I.” I told him, “It’s my dream to have one of those amps! He said, “Well, give some money to my roadie, Clive, and we’ll send you one.” So I gave Clive $700, which was a lot of money back then. Everybody said that I’d never see my money again. A month or two later, I came home from school, and there were these boxes in my living room. It was a 4-by-12 cabinet and a Hiwatt head, and they shipped it to me. So not only was I the coolest guy in town with a Hiwatt amp, but I’d gotten it from Jimmy Page. Years later, I came up and played with The Beach Boys at a huge July Fourth show in Philadelphia in 1985, and Jimmy Page was a special guest on that show; he also played with The Beach Boys that day. I grabbed him at the show and introduced myself, and then he knew me as Christopher Cross. He was very nice. I said, “Let me tell you this story,” and he had no recollection of the story, but he said, “You know what I love about this story, man? It sounds like I was really nice to you, and I haven’t always been the nicest guy.”