Haha whoops
I realize that my follow-up posts to the text blog always come after I've posted it, so those scrolling down just see 2-3 seemingly out of context reposts before finally getting to see how it comes together. Aha my bad đ
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@aplitfam
Haha whoops
I realize that my follow-up posts to the text blog always come after I've posted it, so those scrolling down just see 2-3 seemingly out of context reposts before finally getting to see how it comes together. Aha my bad đ

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For reference:
Tombstone The Town To Tough To Die 1942
TODAY IN GINNY! - Clem Bevans
Clem Bevans (1879) was a codger. I donât know if he was in real life, but he certainly was in the movies. IMDb mentions that he got his start in a boy/girl double in vaudeville in 1900 and didnât make his first movie until age 55 (ginnyfanâs current age, BTW). They prefer to call his signature character an âold cootâ rather than a codger, but I think thatâs just Tomato-Tomahto stuff. He did get to play a voyeuristic millionaire in HAPPY GO LUCKY and a Nazi spy in SABOTEUR, but at least two of his three ginnyroles were of the coot/codger variety. The only one Iâm unsure of is Smedley in OUTSIDE THESE WALLS (1939) because I havenât seen that film. His other roles were as Mr. Waddell the mailman in YOUNG TOM EDISON (1940) and the aptly named âPopâ Greybeard in GOLD RUSH MAISIE (1940). He was especially good in a 1958 episode of PERRY MASON in which he played Captain Hugo. The photo is from YTE.  Â
Clem Bevans the MVP
I was thinking the other day about Clem Bevans, an actor best known for playing âeccentric, grumpy old menâ, according to Wikipedia. Upon further investigation, I noticed that he died in 1963 and was born in 1879. 1879. Eighteen seventy nine?! thatâs like 14 years after slavery was abolished, I thought, and he died in the sixties?! Thus ensuing a late night rabbit hole and discussion with my friends on how quickly time moves and how close the past really is. As a lover of history, I am constantly flabbergasted at how much of it melts together. Things happen simultaneously that you would never expect.  Itâs like that famous tumblr post where it lists stuff like how the guillotine was last used the year Star Wars came out, or how Oxford University had been around for 300 years when the Aztec empire was formed. Stuff like that blows my mind, but, apparently, even more so is the timeline of Clem Bevans. He could easily have heard stories from his dad fighting in the Civil War, have Victorian childhood memories, served in WWI, lived through the Great Depression, have had one of his sons serve in WWII, see the rise of the suburbanism, the baby boom, the start of the civil rights era, the rise of the Beatles. One of his daughters died in 2007, the same year the first iPhone came out. Cars were only invented when he was 7 years old. That's wild.
Maybe just thatâs a lot to say very little, but the constant interweaving of historical events reminds me how time is less of a thread and more like a tapestry, with millions of stories happening all at once, thousands of beginnings, endings, changes, and choices happening every second. Itâs amazing and overwhelming at the same time, and reminds me again of the wonderful complexity of being human.

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how to finish your novel
Step 1: open word document
Step 2: stare blankly at it for 30 seconds
Step 3: summon a demon and sell your soul in exchange for infernal ghostwriting services
my girlfriend and i listening to its called freefall and realizing its about the devil telling someone to kill themselves
It's Called Freefall- Rainbow Kitten Surprise
A song Iâve really been into lately would be âItâs Called Freefallâ by Rainbow Kitten Surprise. Right from the start, it brings you into the tone of the song with instrumentals and lyrics on the first beat. In a soft, almost mumbled voice, the singer tells us, âCalled to the Devil and the Devil did come,â which immediately has us assuming thereâs some shady deal about to take place, yet the warm monotonous voice tells us otherwise. âI said to the devil, Devil do you like drums? Do you like cigarettes, dominoes, rum?â The singer twists the classic narrative by trying to converse with the demon he summoned. The Devil himself seems uninterested in worldly escapes and tries just talking with the man, presumably to convince him it might be better in hell. A good use of syntax can be found here as the lyrics are mostly structured around dialogue, with casual language and short sentences. Each stanza repeats the introductory âCalled to the Devil...â however by the third verse, the Devil retorts, âHey! Why you been calling this late? It's like 2 AM and the bars all close at 10 in hell...â marking the progression of relationship between the two. It amusing to me to picture a man that keeps summoning the devil to rant about to his problems, while the demon slowly gets more frustrated and gives more and more exasperated advice.  The chorus is pretty simple by comparison, just repeating the line, âyou could let it all go, you could let it all go, Itâs called: freefallâ, which seems to be a reference to falling into hell, as well as a âfalling outâ of friendships. Diction is again used throughout the song to create a natural banter between the two characters, shown in the last line of the chorus, âCause ain't s--- free but falling out, and that s---âs easy let me show you how, itâs like...â which works with the relaxed tone of the song as a whole. Neither figure is trying to be someone theyâre not, as both are exhausted, lonely people that have no need for fancy language. All these factors work together in such a way to create a song that I canât get tired of listening to.

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Gay whalers gay whalers gay whaler-đłď¸âđđłď¸âđđłď¸âđ
"I was only alive to the condensed confidential comfortableness of sharing a pipe and a blanket with a real friend"
- Ishmael, moby dick, chapter 11.
(Art credit: Victoria maderna.)
Queequeg Fan Club
(As of Chapter 12)
For my independent novel, I am reading Herman Melvilleâs Moby Dick. The character that resonates with me so far is Queequeg, the polynesian harpooner that the main character, Ishmael, befriends. Queequeg is introduced very early on when Ishmael is trying to find a place to sleep at an inn. The landlord suggests he âshare a blanket with a harpoonerâ, seemingly as a joke. Then, after trying in vain to sleep anywhere else, Ishmael begrudgingly consents to the harpoonerâs room. By and by, Queequeg stomps in, not realizing there's another already in the bed. Delightful hijinks ensue as Queequeg assumes Ishmael is there to kill him and tries to fight back with a tobacco pipe. On first encounter, Ishmael sees Q as a lowly, âabominable savageâ, pagan, canabalistic, and heathenish, who smokes in bed and has dark, stripey tanned skin. However, as the chapters progress, the two form a bond. Through the cliche âand there was only one bedâ trope, the roommates end up cuddling and appreciating each otherâs warmth and companionship. Ishmael expands his perception of the wider world and starts seeing Queequeg as a person, friend, and confidante, while Q is able to open up, seemingly for the first time since he left his family. Smoking tobacco in bed becomes a bonding ritual for the two instead of an isolating annoyance. Queequeg, although first introduced as an intimidating outsider, is quickly shown to be gentle, tender-hearted, and loyal; a welcome companion to the lonesome Ishmael. I love seeing those aspects of both characters explored in such a delicate way. Ishmael reacts as you'd expect others to respond to native cultures around that time, and yet the author goes an extra step to show the open-mindedness of Ishmael and the unexpected affection from Queequeg. The intimate, often incidentally homoerotic friendship between the two is so refreshing to see between two male characters, especially at the time this book was published. While I don't relate to either character individually, the descriptions of the two together remind me of a cozy sleepover, or when I used to share a room with my sister and weâd share secrets deep into the night. A surprisingly warm and fuzzy start to a book about crazed captains and wild whale chases.Â
Beatrix Potter
Whimsical Wonderment of Beatrix Potter
Thereâs something to be said about the simplistic beauty of childrenâs literature. The stories, books, poems, and fables all achieve what is expected in a more mature novel in a much reduced format that would make sense to the smallest little minds. These are themes like love, ambition, adventure, sympathy, sadness, and the ever present modeling of what is right and wrong. These books teach morals to the young readers in such a way that relates, entertains, and educates all in one. An excellent childrenâs book will do all of this and more: adding another layer of wit or beauty to the stew pot of positives. This is often the case with the works of Beatrix Potter. Her stories take common woodland animals such as rabbits, mice, and hedgehogs and personify them, relating them to the reader by the way they dress, talk, and act. One of my favorites is The Tale of Two Bad Mice, in which a married mouse couple breaks into a dollhouse and ruins all the toy food and furniture once they realize itâs all fake. The story ends with them regretting being so rude and pledging to clean up the mess. Itâs a simple tale of making and fixing mistakes, but adds in the wonder of being inside a splendid dollhouse and exploring the miniatures as if they were the real thing. This story always resonated with me as a child since it whisks the mind away to some other place and time entirely, doing so with the most adorable, exquisitely done illustrations, and descriptive language. The stories may date from as far back as the 1890s, but I still find her books to be refreshing and lively. Such is the precedent I now seek out in other childrenâs books: message, method, and charm.Â

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