The types of shots in a film, also known as shot sizes, are what makes cinema so entertaining. Shots are pieced together so the story unfolds before your eyes, revealing information to tell a tale that makes an impact.
The basic types of shots in a film are:
The wide, also known as a long shot
The extreme close-up shot
Still via Django Unchained.
The extreme wide shot or extreme long shot is all about showing the world in which the story takes place. In an extreme wide you will see large landscapes in the frame. Whether it is the desert or outer space, the audience should get a feel for the time and the place they are about to spend the next two hours. Though characters can be introduced in an extreme wide, they would be very tiny in context to the backdrop, which is what you are highlighting with this shot. An extreme wide shot can often be used as an establishing shot
2) The Wide Shot (or Long Shot)
Still via Days of Heaven.
A wide shot, often referred to as a long shot, puts characters in context to the backdrop you establish in an extreme wide shot. The characters can be seen from head to toe and you see them in relation to the location or each other. You can use a wide shot to show how your character is small in relation to the vast surroundings. Of course, a wide shot might not have a character in it at all and it, too, can be used as an establishing shot.
A wide shot can also be a master shot, which is used to introduce a new location like a dining room or restaurant. It gives the audience a sense of geography so when the camera goes in tighter, they can understand who is where.
A full shot is different from the wide because it focuses more on the character in the frame. The character is full body from head to toe again, but the location is no longer the focus. In this shot you might want to show how a character dresses or how a character moves: awkwardly, confidently, etc. You can also reveal what they are doing, like packing a suitcase or ordering a train ticket.
The medium shot shows your character from the waist up. In the old westerns, the character was often shown from the hip up which is now known as a cowboy shot. Again, this shot is about revealing information. You can see more detail than you can in a wide shot. The reason the westerns had to reveal the hips is because of the gun holsters. If you didnât show the hips, when a cowboy was ready to draw you would lose a lot of important action.
Medium shots are often used in dialog scenes. As we get closer to our subjects we can see things that we wouldnât catch in a wide, like body language. We can see crossed arms or someone who talks with their hands.
A close-up frames the characterâs face. In a close-up shot one can see even more detail that tells us how a character feels. A close-up highlights emotional clues in the eyes and you can see a twitch or a tear that you might miss in a medium shot. It is by its nature more intimate so the effect is often that the audience can feel what the character is feeling.
A close-up can also be used to show things such as a tapping foot or the sliding of a ring on a finger, but these shots should be used sparingly and have a flow, otherwise, they can be jarring. Most importantly, they should mean something because the audience will be looking for importance in anything you decide to show them.
Halfway between the close-up and the medium shot is the medium close-up that frames the subject from the shoulders up. This shot might be used if you want to show more body language as you capture some emotion and facial expressions. You might also use it if you are building up to an emotional climax. You can reveal more information with a medium close-up, but it is not as intimate as a close-up.
Still via Requieum for a Dream.
An extreme close-up frames even tighter on a face (or subject), highlighting facial features more. It usually frames a particular part of the face like the eyes or the mouth. It is even more intimate than the close-up and is almost uncomfortably close, so the viewer is more apt to feel whatever the actor is conveying, which is why it is used to show more intense emotion and is often used as drama increases.
The establishing shot is included in this list because itâs so important to let the viewers know where they are as the story moves from location to location in a film. The establishing shot can be a mixture of shot sizes, so it is technically not a shot type.
It tells the viewer where in the world the story takes place. It can be an extreme wide sweeping shot with a crane or a drone to show a particular time period or details of a location, like a burned forest or traffic jam or it can be a wide exterior of a building like a museum. You can also use tighter shots that show pieces of a location like an office. For example, you can show a close-up shot of wheelchair wheels, an IV and an MRI machine to show you are in a hospital. But one must choose those shots wisely. A shot of an MRI machine should mean something. Perhaps someone is getting diagnosed, or perhaps the main character is the operator of the MRI machine. Deciding what information you want to reveal to the audience can be the difference between hooking viewers or confusing them.
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