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Redid my Maya Knux gijinka! Now with notes and sources on how I did the design (It's kinda long, around 2k words jsyk):
The hairstyle:
Knux has pretty long spikes, so I knew I wanted to give him long hair! Braids or dreadlocks look pretty fitting, so I tried looking for references of hairstyles to see if any fit what I was looking for:
While all the vases show a variety of interesting hairstyles, I particularly loved the look of the braids in K694 (the third picture). Being tied upwards wouldnβt really fit Knux however, so something like the man in K1340 (fourth pic) with his hair fully down, or the 5th man from left to right in K1092 (first pic) with a cloth holding the hair would be really nice!
I didnβt want to give him a headpiece, if only to not clutter his head, but also I didnβt think itβd fit Knux as a warrior. The rulerβs headpiece in K1453 (second pic) however allows the hair to come off it, and seems to have some dangly adornments on the end of the strands/braids/locks, which I found super pretty. Plus:
βElite Mayan men and women styled their hair to show off their pointed heads, crafted through the careful head flattening they experienced as children. Women gathered their long hair on top of their heads in flowing ponytails. For special occasions they braided their ponytails and decorated them with ornaments and ribbons. Mayan men grew their hair long but burnt the hair off their foreheads to accentuate their elongated profiles. They would bind their hair into one or many ponytails or tie it in a bundle on top of their head. Mayan slaves had their hair cut short as one visible mark of their inferior status.β p.399
Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.
Taking all of that! I settled on tight braids with a few adornments made of jade and wood, with a red cloth to keep his hair from his eyes. Almost all of the braids are pulled together into a ponytails, but there are some smaller braids loose.
Itβs somewhat of a mixture of styles, combining ornaments of special occasions, with the long hair of elites on a character like Knux. But I kept these βcontradictoryβ aspects of the design to remember that Knux kinda learns about his ancestors on the go, through murals, writings and technology, so I doubt heβd have a great grasp on what he should and shouldnβt wear. I think it adds character as someone whoβs trying to figure out himself, his history and his place in the world.
Shoes and Accessories:
For footwear I kept it simple, just turned Knuxβs existing shoes into sandals:
βAncient Aztecs and Mayans of Central America adopted a thick-soled sandal with a protective legging attached at the heel, while the top of the foot and shin remained exposed.β p.135
Source: Encyclopedia of Clothing and Fashion (Valerie Steele), 2005
Although my gut instinct was to cover Knuckles from head to toe in accessories, I also tried to keep it simple like the shoes. Heβs a very mobile fellow so he canβt have too much weight or annoying bits flying everywhere and getting in his face. So I kept his moon necklace, like in Fleetway, just adjusted the shape to have a bit more of details:
βThe jewelry worn by the Mayan, Aztec and Inca people was rich in variety and quite beautiful. Without metalworking skills, Mayans made jewelry from many materials. Mayan men wore nose ornaments, earplugs and lip plugs made from bone, wood, shells and stones, including jade, topaz, and obsidian. Necklaces, bracelets, anklets and headgear were made with jaguar and crocodile teeth, jaguar claws and feathers.β p.402
Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.
As stated here, Mayans didnβt have metalwork, so I imagine this is an artifact that his ancestors got from another group of people.
Just a page before they also mention how the Maya people used to file points into their teeth, to make their mouths more appealing. This includes shaping them into pointy teeth, (like the classic shark teeth), but they could also file them into other shapes, like in this picture:
Source: https://www.archaeologynow.org/blog-3/blog-post-title-two-txwxl (Iβm pretty sure this isnβt the source of the image, but I couldnβt find an actual source that wasnβt an uncredited blog)
The Maya people are also notorious for their good dentistry, as seen the stone ornaments in the teeth above. I think the filling is something Knux could do on his own, but anything that would involve actual dentistry would be too much. But itβs still interesting to read about!
(Hereβs an article named βMayan Esthetic Dentistry: Using Modern Techniques and Digital Imaging Technologies to Link the Past to the Presentβ by Yassine Harichane if you want to learn more!)
While a non-permanent version of stones on teeth seemed cool, like Jade incisor-coverings, at the end of the day I donβt think Knuckles is too vain, so I didnβt add that to the design. Although I think heβd definitely try out a bunch of things like this, just to try to understand them.
For additional outfits I gave him a red layered cape and a green huipil! The red cape is just to bring back more red into the design, since I gave him a lot of green. And the huipil is a nod to his poncho in the comics! (Although huipiles are commonly associated with women and girls, I still wanted to give him one, not only to bring up his partial detachment to his ancestors, but also because Knux probably wouldnβt think much about gender in general letβs be honest)
Somewhat based the red cape on the 4th man in this picture, from left to right, but I kept it simple, as maybe just some fabric Knux found around the island, nothing too fancy.
For the huipil I wanted to do something more detailed but was having a really hard time coming up with designs. And I didnβt want to straight up plagiarize someoneβs else work, so I kept it vague, maybe some day Iβll sit down and give it a more detailed version. I did come across a very nice store/ catalog that sells traditional Maya textiles, and this one was very gorgeous! Highly recommend give this and the other textiles a look!
In the end I made the huipil look vaguely like the ones shown in page 128 of the following book:
βIn the Museum collection, costumes that looked very much alike usually turned out to be from villages that shared a language. Among Cakchiquel villages, dialect differences were usually mirrored by costume differences. Working on this principle we were surprised by the striking similarity of style in the huipils of San Antonio Aguas Calientes (fig. 195) and San MartΓn Jilotepeque (fig. 196). These villages, while both Cakchiquel, spoke very different dialects and were separated geographically (map, below). The similarity of their huipil was so remarkable we felt the need to investigate these two villages more thoroughly and found that a multi-cultural
history probably accounted for these unexpected similarities of style. Huipils from these villages may well illustrate the earliest examples of pan-Maya acculturation after the Conquest.βp. 127
Source: Threads of identity: Maya costume of the 1960s in highland Guatemala (Patricia B. Altman, Caroline D.West), 1992.
Lastly on accessories, which I donβt know if it counts as an accessory but I didnβt know where to put it: the body paint. Last time I gave Knux a human design I couldn't find a good resource on Maya people painting their bodies. Every source mentioned and was in consensus that some of the people did paint their bodies, but that was the extent of the info. I wasnβt able to find any patterns or meanings of the body paintings, or even good visual reference for it. But! This time I was able to get a bit more:
I of course wanted to give him red paint, and I really liked this design of the red lining the cheeks on the face down to the neckline. However in most of these depictions the red on the body is accompanied by the white face, which I canβt actually tell if the face has white paint, or the body has black paint, like described in the quote before. Either way I chose to only use the red, to keep in line with Knuxβs original design.
(Itβs worth mentioning that these vases shown depict rulers, as you can see the intricate thrones and altars, which isnβt really fitting with Knux. But again, I want to keep some mismatched aspects into his design, not only warrior-related things.)
The main outfit:
Last but not least, the main outfit. Donβt have much notes on this Iβm going to be honest, I just tried to keep in line with descriptions of warriors clothing:
βWhile some warriors may have been resplendent on the battlefield, the common Maya soldier fought with little clothing other than loincloth and body paint, based on battle scenes in the few Maya murals that remain (see figure 2.9, page 54).β p.147
Source: Handbook To Life In The Ancient Maya World Lynn (V. Foster), 2002.
I considered putting him in a loincloth for accuracy, but tbh I was scared people were going to be weird about it, and so I gave him a skirt with some fabric that emulates the look of a loincloth and some scrap fabric around his waist and limbs! He actually ended pulling up a lot from the dude I mentioned in vase K1092 (the very first ref pic in this post) lol!
Aaaaand here some other resources that I skim-read and thought they were interesting! Didnβt use them in specific for this design but I still wanted to shout them out, cause theyβre neat :D
Mexicolore
The Huipil: An everlasting, indigenous cultural emblem
Chuj (Mayan) narratives: folklore, history, and ethnography from northwestern Guatemala
Huipiles de Guatemala (Spanish)
Maya arts and crafts of Guatemala: coloring book
Textiles: a world tour: discovering traditional fabrics and patterns
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I know this sounds dire but it is important to note that the layoffs have still not happened yet! AEGIS is also currently threatening to take SEGA to court for unfair labor practices so don't lose hope and show AEGIS as much support as you can!
SEGA of America accused of mass layoff threats and improper bargaining in new labour complaint
An unfair labour practice complaint has been filed by the Communications Workers of America against Sonic the Hedgehog publisher SEGA of America amid allegations of improper bargaining with its union, the Allied Employees Guild Improving SEGA.
The complaint alleged that SEGA threatened to outsource the jobs of union workers to their Japanese and European departments, in a described "phase out" of all temporary workers at the publisher's Irvine, California office.
The proposal was tendered directly to the employees in a compulsory company meeting, as opposed to bargaining with the guild, potentially in violation of U.S. labour laws.
The layoffs is reportedly expected to eliminate around 80 positions, which is around 40 percent of the newly-formed union. The guild is largely comprised of workers from the departments of QA and localization.
"SEGA will not be allowed to get away with this unlawful behaviour," said SEGA quality assurance tester Elise Willacker in a statement to Kotaku.
"We call on the company to make all temporary employees permanent and return to the bargaining table in good faith. There is no other just alternative," said Willacker.
The complaint will go to the U.S. National Labour Relations Board, but action may not be taken in time before the layoffs occur.
SEGA has not responded to media requests for comment.
(files contributed by MC for the Tails' Channel newsfeed.)
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Sorry if this is a weird thing to say but I love the aromantic team dark art you made a while ago!! I recently discovered that I'm on the aromantic spectrum and something about that art was just so affirming for me (also I saw in the tags you said Shadow was genderfluid, and I'm genderfluid as well so it was like double affirmation lol!) Anyways I hope you have a nice day!!
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