â.ŕłŕż*:シ Mat and Nikita call most nights that they're free. Mat will always fall asleep first no matter what, and Nikita won't hang up the phone until she knows he's asleep. Sometimes she doesn't hang up and will just listen to him breathing, it reassures her that he's alive, that she won't lose him, at least not tonight.Â
ŕź*ÂˇË Mat and Nikita regularly make playlists for each other. Nikita always has the aux cord when they drive together. Mat claims he wants it one day but he never puts up a fight when she takes it from him, he doesn't see it as a battle worth winning.
feat. some of his playlists
â.ŕłŕż*:シ Nikita paints Mat's nails, he has to beg her to paint them and eventually she caves and brings her nail polish to his apartment. He always chooses the brightest color.
ŕź*ÂˇË When she has rough days, Mat washes Nikita's hair. He spends around an hour doing it because of how slow he goes on purpose. He'll ramble to her whilst doing it, about a new theory, or the concept of alien planets, and she listens closely to him every time.
â.ŕłŕż*:シ The two of them can't play monopoly or any competitive board games because they argue every single time they play.Â
ŕź*¡Ë Mat calls Nikita darling, but rarely in public, although he'll occasionally throw it into a text.
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fiyeraba au where they never met at shiz and so fiyero believes the wicked witch narrative. he becomes captain of the gale force and elphaba âcapturesâ him (idk why, maybe heâs critically injured and shes healing him or something?) and they fall in love from there
how can you think fiyeraba is anything but wonderful when throughout like 90% of wicked for good fiyero looked like he was on the verge of a panic attack every goddamn second he wasnt with elphaba and she was in danger but the second he's safe with her at the end he looks as happy as he could ever be even though he just got turned into a fucking scarecrow like. yesterday
like. fucking look at him and hes so happy and the moment he starts to worry that she doesnt love him anymore he's TERRIFIED
Fiyero didnât get in the way of Gelphie, Glinda did.
Fiyero isnât the reason Gelphie couldnât be together, Glinda was.
And itâs a tragedy, it really is, and itâs part of why Glindaâs character is so fascinating to me and I love her so much. But the amount of people who hate Fiyero simply because heâs a love interest who is male is crazy to me, especially when you consider that he represents to Elphaba what Glinda chose not to be for her.
Elphaba and Glinda will always love each otherâwhich is part of why Iâm so glad they added the âI love youâ moment in the movieâbut Fiyero chose her. And Glinda eventually chose her, too, but Fiyero did it first. And Elphaba loved him, too.
And thatâs why even though no one gets a happy ending, Glinda gets her bittersweet ending alone, and Elphaba and Fiyero get theirs together.
thinking about Steve buying Jonathan a replacement camera for Nancy to give him vs Jonathan donating a sweater of Nancy's??? that she loved??? because he hated the color pink???????????
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Author's note: Here is Chapter 3 (and Chapter 4 đ) of imgonnagetyouback! Sorry if it took a while, I was having a hard time writing Chapter 3. And so, as a compensation, I also wrote Chapter 4 heheng~~
đŹ 6  đ 3  â¤ď¸ 24 ¡ Clois Multi-Chapter Fanfiction #1 ¡ "imgonnagetyouback"
Authorâs note: Here is chapter 2 of imgonnagetyouback! Since it
PS: the link above is the link of Chapter 2 where the link of Chapter 1 is already attached so you can find them easily :))
--
Chapter 3
The next morning, Lois Lane arrived at the Daily Planet five minutes early, a rarity that immediately made Clark suspicious.
Clark looked up from his desk just in time to see Lois breeze in, coffee in hand, hair slightly windswept, cheeks flushed from the cold. And right behind her, like a very well-timed shadow, was of course Chase Grant.
âMorning, Lane,â Chase said, matching her stride with a grin that was way too bright for this hour.
âGrant,â Lois responded with a half-glare, half-smirk. âIf youâre going to tag along, at least walk quieter. You clomp like a Clydesdale.â
Chase blinked. âA⌠what?â
âBig horse. Big.â She gestured widely. âFeet. Stompy. Keep up,â she said rolling her eyes, like what she always does to me before Clark thought. He watched the exchange with a tightening jaw. That was his kind of banter with Lois â the insults with affection tucked between the syllables. The sparks hidden beneath sarcasm.
Now it was Chase who got that.
Not him.
Lois caught Clarkâs stare and quickly looked away, cheeks tinging pink. Chase smirked because he noticed, his eyes flicking between them with sudden, quiet interest.
âMorning, Kent,â Chase said.
âChase,â Clark responded neutrally.
Then Lois shoved a file against Chaseâs chest. âCome on, Grant, weâve got interviews.â
âWe?â Clark repeated, standing, before he could stop himself.
Lois froze, so does Chase.
Clark blinked, willing himself not to sound like he was interrogating her. âI mean... usually Tess assigns partners forââ
âI volunteered,â Lois cut in. âItâs fine.â
Clark nodded, trying to look casual while internally he felt like someone had yanked his heart sideways. Chaseâs eyebrows rose slightly, as if putting one more piece of the puzzle in place.
âLetâs go,â Lois muttered to Chase.
And they were off, walking side by side, bickering lightly all the way to the elevator, the familiar Lois rhythm, now with a different partner.
And Clark hated it.
--
Lois pushed open the door of the press venue and immediately groaned when Chase bumped her shoulder.
âThat was intentional,â she accused.
âIt was proximity,â Chase shot back. âTry having spatial awareness.â
âTry walking without leaning into people like some rom-com lead.â
âI donât lean,â Chase said, leaning.
Lois shoved him, hard.
Chase laughed under his breath. âYou always this violent with coworkers, Lane?â
âOnly the ones who annoy me, Grantâ
âOh good. So Iâm special.â
Lois rolled her eyes, but she wasnât entirely annoyed.
And from outside the venue, Clark Kent, camera in hand for backup shots, saw it too. He swallowed. This was supposed to be his spot next to her. His shoulder she shoved, his jokes she batted away, his space she filled with irritation and warmth. But now she kept him at armâs length.
Except when Chase was around, then she kept Chase close enough to shove.
Clark lowered the camera and looked away, that simmering inside him rising again, slow and unwanted.
---
âGroup dinner. No excuses.â Chloe was unstoppable when she wanted to be, which was why Lois, Clark, and Jimmy soon found themselves at a cozy booth at their favorite Metropolis diner.
Lois was already on her second drink. Jimmy and Chloe were glowing, finally healing and happy. Clark sat across from Lois, trying not to notice how she avoided meeting his eyes.
Conversation flowed easily until Chloe, without meaning to, dropped a verbal bomb.
âSo, remember our wedding day?â
Lois choked on her drink immediately.
Jimmy perked up. âOh boy.â
Clark froze.
Chloe continued, oblivious. âItâs wild thinking about how everything happened at once like Lana coming back, the explosion, all that chaosââ
Lois stiffened. Clarkâs shoulders tightened, the memory a flicker of pain.
âAnd Clark,â Chloe went on, smiling at him warmly, âyou were dealing with so much. Lana returning, the breakââ
âChloe,â Clark cut in, his voice gentle but edged.
She blinked. âOh. Sorry. I didnâtââ
âNo, itâs fine,â Clark said quickly, trying to steady the air before it cracked Lois in half. âItâs just⌠that was a long time ago.â
Lois stared into her glass, expression unreadable.
Jimmy, noticing the situation decided to spice things up. Maybe someone would grab the opportunity to saym something, directly or indifectly. âBut Lana was, like⌠the Lana. I mean, you must stillââ
âNo,â Clark said immediately, both Chloe and Jimmy surprised with the amount of confidence and surety of his response. Lois didn't show any reaction, she refused to be on that position again -- the one where she thought they're finally moving towards something past friendships. But still, she watched Clark.
Clark held her gaze, steady, sincere, careful. âSome things⌠theyâre like old photographs. Important when you took them. But eventually you put them in a box, because they donât match the life youâre living anymore.â
Clark wished so hard that Lois could pick up what he meant, that he wasnât talking for himself, but that he was talking to her.
But she looked away, shrugging lightly, âGood for you, Clark,â was what she said, like a good friend would say. Let's see once she comes back though, she willed herself not to let her intrusive thoughts win.
He swallowed. She didnât believe him, or didnât want to, he thought.
Chloe mouthed sorry at Clark. Jimmy sipped his milkshake loudly.
And then Jimmy, sweet, oblivious Jimmy, struck again.
âSo, Lois,â he said brightly, âwhoâs this Chase guy youâve been hanging around with?â he ashed as Lois was taking a sip of her drink. This caused Lois to choke violently, coughing and nearly spilling her drink.
Clark instantly reached out, steadying her elbow. âLois, you okay?â
She swatted him halfheartedly. âIâm fine! I'm fine guys,â
Jimmy blinked. âI didnât know it was that serious.â
âItâs not!â Lois said, voice cracking like glass. âNot," cough "serious, or anything. Heâs just⌠a coworker. A coworker who is new. And annoying. And tall. Andââ
Chloe raised an eyebrow. âTall?â
âShut up.â
Clark looked down at his plate, jaw tight.
Lois cleared her throat, regaining her composure. âChase is just a guy who happened to be on my flight. And now heâs here. Thatâs all.â
Clark didnât miss how her eyes darted away when she said it.
Chase didnât miss it either, because at that moment he was entering the diner, spotting them by accident, and pausing at the door.
He watched Lois laugh nervously at Jimmyâs teasing, watched Clark watching Lois like she was the only person in the room, watched Lois pretend she didnât feel Clarkâs gaze burning through her barriers.
And Chaseâs eyes narrowed thoughtfully.
Ah, this is getting interesting, Chase thought, smirking, a plan in mind.
---
Lois stepped outside first, the night air cooling her flushed cheeks. Clark followed more slowly, clutching the leftover pie Chloe forced on him.
âLois,â he called softly.
She turned, not meeting his eyes. âClark⌠donât. Iâm tired.â
âI just wanted to say⌠you donât have to avoid me.â
Lois stiffened. âIâm not avoiding you.â
He smiled sadly. âLois, you havenât called me Smallville except once by accident.â
She opened her mouth, closed it, opened it again.
âI justâŚâ she exhaled slowly, âI donât want to make anything more complicated than it already is.â
Clark stepped closer, carefully and respectfully, but close enough for her to feel the sincerity.
âItâs only complicated,â he said gently, âif we pretend weâre strangers.â
Her breath hitched.
Before Lois could reply, a voice cut in.
âLane.â
Lois turned. Chase stood there, hands in pockets, expression unreadable but eyes sharp.
Clark stiffened.
Lois blinked. âChase? What are you doing here?â
âWas picking up takeout.â His gaze lingered on her, then slid to Clark. âDidnât expect to see you two⌠like this.â
Clarkâs jaw tightened.
Lois forced a smile. âOh uhm, we had dinner with our friends. We were just leaving actually," Lois clarified. And Clark hated how Lois had to clarify that to Chase.
Chase nodded slowly, a knowing edge in his gaze. âRight. Good night then.â
He walked off, but Clark caught the look on Chaseâs face.
He recognized something now.
Something about Lois and Clark that she was trying very hard to hide.
And Clark realized with a sinking weight... that he was running out of time before Chase, the charming and confident Chase, figured out everything Clark had only just begun to admit to himself.
Lois shoved her hands in her pockets. âIâm heading home, Clark. See you tomorrow.â
He nodded, watching her walk away again.
Still slipping through his fingers.
Still calling him Clark.
Still not knowing that the photograph he boxed awayâŚ
âŚwas because the picture he wanted now was of her.
Chapter 4
The bullpen had never felt so loud.
After two months of avoiding complicated feelings and even more complicated men, Lois Lane walked into the Daily Planet expecting a normal day. A sarcastic comment here, a spilled coffee there, mild existential dread sprinkled in between.
What she did not expect was Tess Mercer standing at the center of the newsroom like a redheaded thunderstorm.
âLane, Kent, and Grant,â Tess barked. âMy office. Now.â
Three heads snapped up at once, Lois freezing mid-sip, Clark straightening in his chair, and Chase closing his laptop with a grin sharp enough to slice tension.
Lois groaned silently. Here we go.
Tess didnât wait for them to get comfortable before launching into the briefing.
âMetropolis has a new underground medical exchange. High-tech equipment, no traceable funds, and someone with serious resources backing it.â She gave Chase a look. âYour hospital connections might give us a lead. Howeverââ she turned her gaze on Lois ââa source requested to speak only to a âcouple.â So two of you are going undercover, while the other one can try getting information from the other med personnels in the hospital," Tess finished.
Behind Lois, she felt the temperature spike. Clark stiffened. Chase perked up.
Tess continued, oblivious to the emotional minefield sheâd just activated. âI donât care which two of you pose as the couple. Choose quickly. And donât destroy my newsroom in the process.â
She left the room without another word.
Three seconds of silence followed.
Thenâ
âIâll do it,â Clark said.
âNo way, Kent, Iâm doing it,â Chase said at the exact same time.
Lois stared between them. âOh goodness,â she muttered.
Clark crossed his arms. âIâve known Lois for years. We already have a believable dynamic.â
Chase scoffed. âSure, if the assignment calls for posing as estranged siblings,â he teased provokingly.
Lois nearly choked. Clarkâs jaw tightened.
âAnd besides,â Chase continued breezily, âLois and I have been getting close. Weâve worked together a lot recently. It makes sense.â
Clarkâs eyes narrowed. âYouâve known her for two weeks.â
Chase smirked. âQuality over quantity, Kent.â
Lois interjected, âHey, you two donât have to fightââ
But Chase wasnât done.
âAnd letâs be honest. Donât you have a girlfriend somewhere? Wouldnât she get jealous watching you pretend to be Loisâ boyfriend?â
The words hit Clark like a punch.
Lois felt itâsaw the flicker of shock, then irritation, then something darker.
Clark stepped forward, voice low. âChase. My personal life isnâtââ
ââanyoneâs business?â Chase finished, tone deceptively light. âFunny, considering you make my business your business every time Lois and I talk.â
Lois winced. Okay. This is getting bad.
Clarkâs voice sharpened. âIf you thinkââ
âHey!â
All three turned.
Oliver strode across the bullpen like he walked into bar brawls every day, which knowing Oliver, he probably did.
And he looked ridiculously handsome doing it.
---
Oliver raised a brow at the two men, each inches away from throwing a punch. âDid I interrupt a testosterone competition or is this a Planet team-building exercise?â he teased.
Before Clark or Chase could answer, Lois practically launched herself toward him.
âOliver! Oh my goodness hi!â She threw her arms around him in a hug that was way more dramatic than necessary, "thank you came just right in time," she whispered before pulling away from him.
Oliver blinked. âUh. Hello?â
Lois spun toward Clark and Chase, tightening her grip on Oliverâs arm like he was a flotation device. âYou know what, boys? I think itâs best if Oliver and I go undercover. He can handle me as a girlfriend.â
Oliver, catching on instantly, smirked. âWell, sheâs not wrong.â
Lois tugged him toward the hallway. âGreat! Settled! Behave you two,â she said. Clark and Oliver looked at each other, Oliver smirked because the last few words uttered by Lois were exactly the same words she said t him and Clark the first time they met.
Once they were safely out of sight, Oliver burst into laughter.
âHandle you as a girlfriend?â he repeated. âWow, you mustâve been desperate.â
Lois groaned. âDesperate doesnât even begin toâugh!â She dragged her hands through her hair. âThey were about to duel or something. Clark was two seconds away from heat visioning Chase.â She said dramatically, Oliver smirked, if you only knew, he thought.
Oliverâs eyebrows shot up. âSo Clark was jealous?â
âNO,â Lois said instantly, and far too defensively. âHe was just⌠being Clark.â
Oliver gave her a knowing look. âRight. And I go to board meetings for the coffee.â
Lois glared. He raised his hands in surrender but couldnât stop smiling.
âSo,â he said, âwanna tell me why youâre avoiding letting either of them play pretend boyfriend?â
Lois sighed, letting the weight settle. âBecause⌠itâs messy. The whole thing. Clarkâs acting weird. Chase is acting weirder. And Iâm⌠I donât know what Iâm doing.â
Oliver softened. âLois. You donât have to figure it out today. You just have to get through one undercover act without your life turning into a soap opera.â
Lois snorted. âWith my luck? Impossible.â
Oliver chuckled and nudged her forward. âCome on, girlfriend. Letâs plan our date.â
---
Chase was the first to cut through the heavy silence. âWell,â he said with a low whistle, âthat was dramatic.â
Clark didnât respond. His eyes were still fixed on the hallway Lois and Oliver had vanished into, his jaw clenched.
Chase shoved his hands in his pockets. âYou know she didnât pick Oliver because she actually wanted him, right?â
Clarkâs head snapped his way. âWhat are you talking about?â
Chase shrugged with infuriating calm. âShe picked him because she didnât want to deal with us.â He cocked his head. âOr rather⌠with you,â he teased.
Clark felt his pulse spike. âWhat exactly is that supposed to mean?â
âIt means Lois Lane doesnât run unless somethingâs chasing her,â Chase said, voice smoothing into something almost knowing. âOr someone.â
Clark stiffened, not trusting himself to respond.
Chase started to turn away, but Clark stepped forward, âHold on.â
Chase stopped on his track, raising a brow.
âLois mentioned you and her met on the plane,â Clark asked, struggling for neutrality. âHow did that happen?â
A slow smile pulled at Chaseâs mouth. âYou really want to know?â
Clark didnât look away. âYes.â
Chase decided to start executing his plan, half lie and half truth is not bad he thought. Hhase leaned casually against a desk, like he had all the time in the world. âShe sat beside me, and I tried saying hi. She brushed me off. Completely..." typicall Lois, Clark though. "...but then turbulence hit, she grabbed my arm, andââ he shrugged, âafter that, she let me talk to her.â
Something in Clark tightened, jealousy prickling sharp and unwelcome. Chase watched it with interest.
âYou know,â he continued lightly, âshe kept insisting she didnât want to talk, but her eyes said something different. She was⌠distracted. Like her mind was somewhere else. Or someone else.â
Clark swallowed. âLois doesnât get distracted.â
âWith most people? No.â Chase pushed off the desk, stepping closer. âBut she does when sheâs trying not to think about someone she actually cares about.â Clark, whether he admits or not, hates that he's able to read Lois like that.
âAnd honestly,â Chase added with a small, provoking smirk, âa woman like Lois? She deserves someone whoâs sure about her. Someone who actually knows what he wants.â
Clarkâs hands curled into fists.
Chase kept going, tone deceptively casual. âSheâs too extraordinary to wait around for a guy who canât figure himself out.â His gaze flicked over Clark, evaluating, challenging. âIf someone wasnât sure about her? Iâd say theyâre about one step away from losing her.â
Clarkâs heart thudded hard and uneven.
âAnd if there were someone who was sure about herâŚâ Chase let the sentence hang, his smile widening just enoughâ ââŚwell. Heâd be smart to take his chance.â
Clarkâs breath froze. He knew exactly what Chase was implying.
Chase gave a small, polite nod, like theyâd just discussed the weather. âAnyway. Thought youâd want to know how we met.â
He took a few steps away, then paused and looked back over his shoulder.
âJust a piece of advice, Kent,â he said softly. âFeelings donât stay unspoken forever. Someone always says them first.â
Then he left Clark standing alone, pulse pounding, the hallway where Lois disappeared suddenly feeling much farther away.
And for the first time⌠Clark wasnât entirely sure Chase Grant wasnât going to go after her.
How anyone doubts Fiyero and his love is just insane. The man walked through a tornado to find his green girl wife some fierce and loyal protection. Saved her AGAIN from the Gale Force. He took the time to EXPLICITLY SAY: âProtect HERâ. Reaffirming to everyone present of his love for Elphaba and thus confirming his intention to die for her safety. Held a gun to heâs ex fiancĂŠâs head to buy her time to escape. In that 5 minutes of screen time he does more for Elphaba than anyone else in both films.
J*ncy & âThe Four Horsemen of the Apocalypseâ [toxic communication patterns that predict divorce/relationship deterioration]
One of the most common things I hear from people who staunchly oppose Stancy getting back together is their assertion that "Steve and Nancy arenât good for each other and have already proven that they donât work as a coupleââa line that is constantly recycled to praise J*ncy, which they claim is the healthier relationship because Jonathan and Nancy âunderstand each other betterâ and interact in mature, productive ways.
To be quite frank, itâs genuinely concerning to see so many fans portraying J*ncy as this paragon of health and compatibility when you actually take the time to scrutinize their verbal interactions/behavioral patterns throughout the seasons. From there, it becomes glaringly obvious how Jonathan and Nancy exhibit prime examples of conflict-avoidant behavior and adopt passive-aggressive communication styles that fail to bring any true sense of resolution between themâa couple that consistently flees from internal conflict and avoids direct, honest communication with each other, bottling up their emotions and frustrations until they eventually explode and injure each other in the process.
Though this passive approach to conflict resolution may extend the longevity of a relationship (if we define âlongevityâ purely as a duration of time vs. a true reflection of the closeness between partners), it also fosters an environment in which sweeping problems under the rug is normalized rather than directly addressing them for the sake of strengthening a couple's bond. This never-ending cycle is then perpetuated, one where recurring issues become festering wounds that arenât properly treated. The relationship is dragged out until everything that was good about it slowly corrodes over time. Resentment builds when partners no longer communicate and fail to address the root cause of their issues. What was once a genuine partnership gradually morphs into two people going through the motions without feeling any emotional attachment to each otherâa relationship based on obligation and circumstance rather than love. Altogether, this attests to the perils of engaging in arguments without the intention of truly resolving problems, a toxic communication pattern that breeds emotional distance, misunderstanding, and underlying resentment. In contrast, maintaining an open dialogue allows partners a safe space to convey their struggles with emotional honesty, generating intimacy, appreciation, empathy, gratitude, and mutual respect between them.
From a sociological perspective, Jonathan and Nancy's relationship dynamic is very much a product of the environment they were born into. On the outside, Hawkins poses as this perfectly normal, peaceful town, but its unassuming appearance is a deceptive facade that conceals the ugly truths rotting at its core. Similarly, j*ncy are perceived as this âunstoppable power coupleâ with perfectly compatible values and aspirations as they cling to each other during times of crisis (âEverything between us is-â âPerfect!â / âYou think Iâm not happy?âŚJonathan and I are fine! Weâre good!â)âŚbut they also refuse to acknowledge their trauma/the source of their recurring relationship issues, which leaves them stagnating in times of peace rather than healing and growing closer as a couple. Though their âshared traumaâ bond may provide them with a momentary sense of comfort and connection, it also prevents them from being emotionally honest with themselves and truly confronting their problems. Regardless of their social class distinctions, both Nancy and Jonathan (and Steve) know firsthand what a loveless, stagnant relationship looks like from the models set by their parents. They maintain a critical view of their parents' marriages, and Nancy explicitly condemns being in a relationship that prioritizes keeping up pretenses of happiness/normalcy as a cover-up for deep, underlying issues. It's an emotionally sterile, obligatory kind of arrangement that can so easily culminate into the toxic, abusive environment that Jonathan associates with his childhood. Because of this, they both harbor fears about becoming their parents and having a relationship that fits the cultural milieu of the time i.e. conforming to a society that discourages authentic displays of "weakness" and vulnerability in order to preserve the illusion of normalcy/perfection/success/happiness. But, in spite of their adamance about breaking the toxic cycle, we saw this same kind of passive, conflict-avoidant behavior return in full force during s4, when time and distance only exposed the cracks in j*ncy's relationship:
"I just can't take that, you know? This huge knot of resentment would build like some cancer until eventually she hates me! And then, before you know it, we're just like my mom and dad! We're divorced, my kids hate me...yes, shit! I mean, it's all shit! The cycle never ends!"
"But what is your approach here? To just slow-motion break up with Nancy?" "I guessâŚâ
Itâs quite illuminating to hear Jonathanâs s4 cynical monologue about his future because the ânightmare cycleâ he describesâa slow, inevitable relationship deteriorationâis the kind of outcome commonly linked to couples that have poor conflict resolution skills. In this hypothetical scenario, he deprives himself of the agency to fix any problems that arise between him and Nancy, maintaining a passive, fatalistic attitude towards it all. This should come as no surprise when you look back on all of j*ncyâs past fights and recognize how they never truly resolve their underlying issues. Both of them lack the tools and communication skills to properly reconcile due to the poor example set by their parents, instead choosing to distance themselves and ignore their problems until the next crisis pushes them to cling to their shared trauma bond for comfort. At the end of s3, when Nancy conveys her anxieties about Jonathan moving away, he assuages her fears by telling her, "It's gonna be okay. As a wise man once said, we've got shared trauma." (âSo whatâs a little more?â) Once again, this kind of bond is romanticized, but itâs an incredibly passive, avoidant approach to dealing with insecurities. Rather than making a concentrated effort to solidify their bond by devising concrete plans to ensure that they remain close as a couple, they fall back on their traumatic experiences together and somehow expect that connection to be a stable enough foundation for their relationship.
But, as we saw in s4, that was not the case.
Jonathanâs fear of them becoming another divorce statistic shows his subconscious awareness that, with their established way of dealing with problems (i.e. sweeping them under the rug), they are doomed to become their parents. Both of them enable each otherâs behavioral tendencies to suppress emotions, masochistically reveling in their shared guilt/trauma rather than choosing to confront it together for the sake of bettering themselves. This failure to address their emotional wounds will inevitably perpetuate the cycle of generational trauma (âweâre divorced, my kids hate meâŚitâs all shit!â) when Jonathan and Nancy donât put in the effort to self-reflect together and refrain from taking the necessary steps towards healing and growth.
Such complacent behavior is a stark contrast to Steveâs speech in s4 âIf we were meeting together for the first time right now part of me thinks we wouldâve made it,â which I find particularly pertinent to this issue because, unlike Jonathan, Steve has undergone the grueling process of self-reflection and personal improvement. Heâs proven he is more than willing to change and put in the work to maintain a healthy, supportive relationship. He cultivates hope and a sense of optimism because he recognizes he has the agency to be a better partner than he was before, identifying his character flaws and devoting himself to growing beyond them. Even before he underwent such a drastic character transformation he was still fully invested in the future of his and Nancyâs relationship; in s2 he conveys his potential plans to stay in Hawkins instead of going off to college in order to be close to her, actively including her in this decision-making processâŚwhereas Jonathan outright lies to Nancy about applying to Emerson in s4 and completely excludes her from his plans for the future.
Jonathan presents this eventual relationship breakdown as something entirely out of his control, all because he hasnât done the work of identifying the deep-seated, problematic patterns in their relationship and dedicated himself to fixing them alongside Nancy. Much like his broken-down car that he puts off repairing in s4, he avoids confronting their issues to delay an impending breakup. Both of them are stuck in this never-ending cycle of complacency and miscommunication, hoping to progress in life but unable to move forward together.
Speaking of their communication issues, I want to highlight a relevant psychological study that was conducted by Dr. John and Julie Gottman (known for their longitudinal research on couples/relationship stability), who have identified âThe Four Horsemenâ of toxic communication patterns a.k.a. the most reliable predictors of divorce/relationship deterioration over decades. These kinds of behaviors erode trust and breed resentment between partners, illustrating just how significant a coupleâs communication style is when it comes to resolving conflict:
Criticism: âverbally attacking personality or character rather than addressing behavior" (making âyouâ vs âIâ statements ex: âyouâre always too lazy to clean up!â vs âI feel underappreciated when you donât make the effort to help around the house.â)
Contempt: âattacking sense of self with an intent to insult or abuseâ (superiority, sarcasm, eye-rolling, name-calling, etc)
Defensiveness: âvictimizing yourself to ward off a perceived attack and reverse the blameâ (refusing to take responsibility and counter-attacking)
Stonewalling: âwithdrawing to avoid conflict and convey disapproval, distance, and separationâ (shutting down/freezing/withdrawing from interactions)
I find this particular study crucial to dissecting Jonathan and Nancyâs relationship because so often do I come across fans who misconstrue their fights as âhealthyâ behavior because it shows that they âunderstand each otherâ more than her and Steve do and actually confront their problems/hold each other accountable. This assessment is concerning because it outright dismisses how toxic j*ncyâs communication styles are when both of them prey on each otherâs deepest vulnerabilities and directly exploit them in their fights with each other; they know exactly where to hit each other where it hurts, and they target those specific soft spots in order to inflict the most damage. In that regard, I think people mistake Jonathan and Nancyâs awareness of each otherâs backgrounds and insecurities as true empathy when, in reality, those fans conflate surface-level judgment with genuine understanding, proximity with intimacy, stagnation with stability.
Nancy and Jonathan even address this lack of understanding between them in s3 during what is objectively the worst of all their fights in the show: âWell then I guess we just donât understand each other anymore.â âYeah, I guess not.â Above all, it underscores how j*ncy donât take the time and effort to truly empathize with each other, put each other first, and assume the other personâs position to see things from their point of view. Nancy explicitly confesses that she wasnât thinking about him at all throughout her s3 investigation, and Jonathanâs actions clearly indicate he also wasnât thinking about her, considering how he failed to stand up for her against their misogynistic bosses when it meant potentially jeopardizing his job security to provide for his family.
And so I have to laugh when I constantly see people claiming that this was a âgood fightâ for j*ncyâŚa realistic fight, yes, a complex and nuanced fight where both parties have the right to feel justified in their hurt, also yes, but âgoodâ?
âGood fightsâ are verbal forms of communication that allow partners to convey their emotions/frustrations in an honest, productive manner for the sake of understanding each other better, working together to solve their problems, and developing tools to aid them in the future. J*ncyâs fight in s3 was a far cry from thatâan antagonistic verbal assault where both of them invalidate each otherâs feelings of hurt, mock each otherâs backgrounds, capitalize on each otherâs insecurities, and fail to address the root cause of their issues. A fight that they âresolveâ when Nancy apologizes for calling him an asshole and Jonathan admits that Nancy was right about the case, but both parties refrain from acknowledging the grudges they hold towards each otherâs character flaws and how they can improve their behavior to prevent future conflicts.
And this problem isnât even something that can be reduced to one major fight between them...a single, isolated event. Jonathan and Nancy have consistently demonstrated unhealthy, unproductive approaches to conflict resolution with each other even before they were officially a couple, beginning from s1 and spanning all the way to the end of s4. Their toxic communication styles instigate this rapid escalation of conflict as they exchange pointed personal attacks that tarnish the other personâs dignity instead of upholding a mutual sense of respect. Itâs a recurring theme, and it seems to stem from underlying feelings of resentment about their differences in worldview/background.
A core part of Nancyâs identity is her relentless pursuit of truth to uphold justice, help others, and, in doing so, change the world for the better. Jonathan, on the other hand, finds a deep sense of fulfillment in protecting his own family from the world because trying to change it is a futile endeavor in his eyes. Their priorities and worldviews are not in alignment. Because of this, misunderstandings inevitably arise when both of them fail to recognize each otherâs motivations and feel hurt that the other person isnât validating them/seeing things from their own perspective. Such dissonance then causes them to reflexively lash out and fixate on their different backgrounds to color their perceptions of each other. To Jonathan, Nancyâs optimism/sense of hopefulness about the world is viewed as naĂŻvetĂŠ, proof that she is far too privileged to understand the hardships of the real world. To Nancy, Jonathanâs cynicism/wariness towards others is viewed as a symptom of his victim mentalityâthe kind of trust issues and close-mindedness born out of a jaded childhood. J*ncy widen the rift between them by repeating this pattern of toxic, unsupportive communication, but when both are put in a life-or-death situation that bonds them and distracts them from their relationship issues once again, the unhealthy behavior is only reinforced. Itâs a continuous loop of them ignoring their problems, holding grudges/distancing themselves, then waiting for the next crisis to bring them back together againâŚthat is, until they eventually encounter the same problem as before, and the loop restarts.
Nancy: âHe was supposed to be here for the break, and then he backed out at the last minute for some vague, mumbly Jonathan reason. And, to be honest, Iâm not even that surprised because Iâve been feeling him pulling away lately. And I don't know if it's because we're 2,000 miles away or if he met someone new or what. And now I can't find out why because apparently he's blown up his family's house phone or something!â - [STONEWALLING] (Jonathan shutting down communication w/ Nancy to delay their breakup)
Jonathan (+ Argyle): "What was I supposed to do?" "Not lie!" "Not lie?" âYeah!â âNot lie?â âYeah!â âSo I just tell her the truth?â âYes!â âNo!â - [STONEWALLING] (distancing himself and refusing to tell her the truth so he can avoid conflict)
Jonathan: âI just think it's kind of incredible...itâs incredible how you continue to convince yourself.â - [CONTEMPT] (derogatory comment intended to ridicule Nancy for her lack of self-awareness)
Jonathan: âI told you over and over again to drop this story, that it was a bad idea. But you refused. And now Iâm screwed.â - [CRITICISM] (blaming her and claiming a sense of superiority over her)
Nancy: âItâs a summer job. Your life is hardly over.â - [DEFENSIVENESS] (invalidating his frustrations and diminishing his feelings of loss as an overreaction)
Jonathan: âI donât live in a two-story house on Maple Street. My dad doesnât earn six figures. Hell, he isnât even around!â - [DEFENSIVENESS] (harboring resentment towards her privilege and establishing himself as the victim in this situation)
Nancy: âGod, here comes the Oliver Twist routine.â - [CONTEMPT] (mocking him for his preoccupation with his financial background)
Jonathan: âMortgage. College tuition. Theyâre real things, Nancy! Things that you donât care about, only because you donât have to.â - [CRITICISM/CONTEMPT] (resenting her for her privileged upbringing and derisively targeting her sense of dignity)
Nancy: âI didnât realize I lived in a bubble!â
Jonathan: âWell, you do!â - [DEFENSIVENESS/CRITICISM] (more resentment for her sheltered background/lack of self-awareness)
Nancy: âI waited.â
Jonathan: âYeah, for like only a month.â - [CRITICISM/CONTEMPT] (mocking Nancy's attempt at defending herself for "retreating" into a relationship with Steve)
Nancy: "I want [the lights] off." - [STONEWALLING] (coldly shutting down any further attempts at continuing the conversation)
Jonathan: âYou shouldâve thought about that before you talked to them. Theyâre assholes, okay? I get it. But itâs just some stupid story.â
Nancy: âOh, it's stupid?â
Jonathan: "It's stupid to get fired over." -[CRITICISM] (implying that the work Nancy is doing is âstupidâ and not worth their time/invalidating the significance of a case Nancy feels passionate about by prioritizing his own job security)
Jonathan: âWell, Iâm here now, arenât I?â
Nancy: âHallelujah!â - [CONTEMPT] (mocking Jonathan and conveying her feelings of resentment towards his absence)
Jonathan: âYou want everything handed to you on a silver platterâŚWhat did you expect? That you would make star reporter in a month? Crack the big case?â - [CRITICISM/CONTEMPT] (more condescension and belittlement, diminishing her sense of value)
Nancy: âYou sound just like them, you realize that right? Just like Bruce and those assholes.â
Jonathan: âYeah, those assholes gave us jobs.â - [CRITICISM/DEFENSIVENESS] (Nancy comparing Jonathan to their asshole bosses + Jonathan defending said asshole bosses to discredit Nancy's feelings of hurt)
Nancy: âIs that what that was? That was humiliating. Humiliating!â
Jonathan: âYeah, the real world sucks. Deal with it like the rest of us.â - [CONTEMPT] (completely dismissing her humiliation, belittling her for her naĂŻvetĂŠ while maintaining a condescending attitude and sense of superiority)
Nancy: âYou donât know what itâs like.â
Jonathan: âNeither do you.â - [DEFENSIVENESS] (unwillingness to empathize and see things from each other's perspectives)
Jonathan: âItâs 6 AM and, uh, I had a late night with Fagin and the gang, so...â - [CONTEMPT] (snarky remark in response to her âOliver Twist routineâ comment, coldly attempting to end the conversation instead of making an effort to reconcile with her)
Nancy: âYou know, I was actually starting to think you were okay. I was thinking, âJonathan Byers...Maybe heâs not the pretentious creep everyone says he is.â - [CRITICISM/CONTEMPT] (name-calling and escalating the conflict with a personal attack)
Jonathan: "Well, I was just starting to think you were okay. I was thinking âNancy Wheeler...Sheâs not just another suburban girl who thinks sheâs rebelling by doing exactly what every other suburban girl does until that phase passes, and she marries some boring one time jock who now works sales, and they live out a perfectly boring little life at the end of the cul-de-sac exactly like their parents, who they thought were so depressing but now, hey, they get it." - [CRITICISM/CONTEMPT] (using the insecurities that she conveyed to him a scene prior as ammunition to hurt her back)
I bring all of these up not to unfairly denigrate j*ncy as a couple, but to illustrate just how entrenched certain communication/behavioral patterns can become when no conscious attempt is made to address the underlying issues in a relationship. It is possible to break the cycle of toxic habits and overcome these relationship pitfalls, but it requires self-awareness and a willingness to change. Both parties must fully devote themselves to unlearning their maladaptive behaviors and unhealthy defense mechanisms for the sake of growing closer as a couple. This involves therapeutic guidance, constant self-reflection, and commitment to cultivating a stronger relationship/improving oneself to be a better partner. The problem is that, above all else, the relationship needs to be prioritizedâŚand both Jonathan and Nancy havenât done that in their lives. There are no shortcuts to true behavioral change when itâs an ongoing, nonlinear process that takes time, energy, mutual effort, and proactivity. Even more so in the case of Jonathan and Nancy, who have experienced deep emotional trauma at such an early stage in life and were raised in an environment that encouraged emotional suppression. Those two factors alone make tackling their problems as a couple/as individuals that much more difficult.
And J*ncyâs underlying issues are even harder to fix because they boil down to the fundamental, ideological divide between themâŚwhich, more often than not, causes them to fall back on superficial stereotypes and prejudices about the other person instead of trying to empathize with them during their fights. They donât prioritize each other and, as a result, donât take the time to truly understand each other. They are on opposing teams when they attack each other, struggling to find common ground because of their conflicting worldviews/fixation on their social class distinctions.
Out of all the toxic communication patterns mentioned before, contempt is the number one predictor of divorce for couples because of the pernicious way it erodes trust and respect between partners over time. Knowing this, itâs concerning (but also unsurprising) to see how often contempt plays a role in J*ncyâs fights as they constantly mock and belittle each other while playing on each otherâs insecurities. And you can see how a lack of respect for Nancy as a partner/as a person manifests itself in Jonathanâs actions in s4 when he doesn't include her in his decision-making process and continues to lie to her about his plans for the future (âSheâd just throw her dreams out the window to come out here and be with me!â). Though he frames it as a selfless, noble act, it doesnât disguise the fact that he ultimately has no faith in her ability to overcome her stereotype and doesnât trust her judgment when it comes to choosing between her career and her relationship. In this situation, Nancyâs caring, selfless nature is seen as a weakness because it somehow undermines her sense of ambition/the strength of her convictionsâaccording to Jonathan, she is the type of person who will drop everything and discard all of her dreams/plans for the future to follow her boyfriend (does that sound like Nancy to you??). Despite how much sheâs grown as a fiercely independent, driven individual who doesnât let other people hold her back, deep down Jonathan still perceives Nancy as this naive suburban girl who doesnât have the backbone to truly be âherself.â She will passively let lifeâs adversity derail all of her career aspirations, choosing not to pursue the things she wants to pursue and, instead, retreat into her relationship (just like how she âretreatedâ back to Steve at the end of s1âŚevidently he still holds a grudge about that đ¤ˇđťââď¸).
Jonathanâs compulsive urge to shut down communication with Nancy in s4 is the kind of behavior that can be traced back to their conversation about photography in s1 when he confesses that "[he'd] rather observe people than, you know...â âTalk to them?â The way he understands and relates to others inherently requires distance/detachment. He harbors this fear of trust and intimacy because he doesnât want to get too close to the situation, close enough to expose himself and reveal his own vulnerabilities, instead choosing to hide behind his camera i.e. his safe, protective barrier from the real world. Because of his disillusionment with the world that stems from a traumatic childhood, he likes to think he has this all-knowing, unbiased, rational perspective on people but, in reality, heâs only making surface-level assumptions about them. His cynicism is just as limiting as Nancy's "naĂŻvetĂŠ", as he projects his own feelings/prejudices onto other people and lets his mistrust cloud his judgment. Such insular, black-and-white thinking then causes him to catastrophize about his future with Nancy in s4. Heâs singlehandedly convinced himself that they are doomed to become their parents rather than recognizing how certain compromises can be made that allow both of them to have a future together and still accomplish what they want out of life. He chooses to shut down communication between them and swallow down his fears instead of actually talking to her about them. Considering how conflict-avoidant and emotionally suppressive both Nancy and Jonathan are, it is easy to see how Jonathanâs indirect form of communication and failure to confront his problems are detrimental to Nancyâs growth/healing journey. Because of her own emotional baggage, she would greatly benefit from having a supportive partner who is direct in his communication, honest and transparent about his feelings, and, consequently, inspires her to be the sameâŚ
Enter Steve.
Steve, who consistently goes out of his way to find Nancy and apologize to her when he messes up, hoping to reconcile by changing his behavior instead of sweeping their problems under the rug. Whose directness culminates in his s4 love confession as he bares his soul to her and lays his feelings out on the line despite having his heart shattered beforeâŚthe same kind of courage he displayed when he chose to risk his life by reentering her world back in s1, a dangerous world filled with monsters and supernatural forces, all because he wanted to be by her side to protect her. Who relinquishes so many of the things he once held dear in his life (his status, his reputation, his friends, his worldview) but doesnât see it as a great sacrifice because his love for Nancy inspires him to embrace the best version of himself. Who shows up for her in s4 when sheâs dealing with her unresolved trauma all alone, both physically and emotionally present for her. Who expands Nancy's support system by connecting her with friends that look out for her, a remedy to her feelings of isolation from losing her best friend and being in a relationship with a self-proclaimed misanthrope. Who shows his gratitude/appreciation for Nancy by thanking her for the âproper thumpâ that completely changed the trajectory of his life.
He's the kind of person who takes accountability for his actions, owns up to his mistakes, and dedicates himself to fixing them. Even after their biggest fight in s2, Steve is willing to set his anger, hurt, and pride aside because he loves her and wants to put in the effort to reconcile with her. He isnât satisfied with letting their problems fester and allowing grudges/grievances to create distance between them. And the way Steve selflessly lets her go by encouraging her to be with Jonathan shows that, above all, he wants Nancy to be happy.
Self-discovery, self-growth, and vulnerability are all written into the DNA of Stancy's relationship, as two people who constantly surprise each other, challenge each other to explore their own identities, and feel drawn towards each other in spite of the many people who discourage that connection. Their dynamic is a perfect metaphor for forging your own unique identity even when the world bombards you with oppressive ideas about who you should be and what you should feel. Their past sources of conflict ultimately boil down to these internal struggles/questions of identity: Nancy, with her struggle to discover her own voice as she copes with her guilt/trauma by suppressing her emotions/keeping up pretenses of normalcy; Steve, with his personal growth journey as he learns to accept himself and redefine his sense of value/worth/identity. The reason Steve and Nancy fit so well together in s4 is because, once theyâve reunited after spending so much time apart establishing their own separate identities, you realize that the "bones" of their relationship were not entirely flawed. There is no contempt between them, no lingering resentment, no sense of judgment about the other person's worldview/background. No recurring tendencies to inflict damage on each other through targeted personal attacks.
On the contrary, teasing is an essential part of Steve and Nancy's love language, a playful, humorous form of communication that has proven to be an effective buffer against stress for couples, fostering better problem-solving skills and emotional intimacy (âYou almost shot me with that one.â âYou almost deserved it.â). They repeatedly engage in light-hearted interactions that encourage jokes and laughter between them, interactions that allow them to be young/have fun together (the horror!) instead of being bogged down by the heaviness of the real world. When Nancy calls Steve an âidiot,â she means it with the utmost fondness, a term of endearment reserved for when he is being unabashedly himself around herâsilly and earnest and caring vs the cool popular jock/douchebag-bully people say he is. When Steve teases her about her studious, goody two shoes reputation, he regards her with genuine affection and respect. This is because he recognizes the ways in which she outright defies that label, admiring her bold, adventurous side, her genuine compassion and empathy that negate others' perceptions of her as this cold, privileged princess whoâs a stickler for rules and propriety. Both of them see each other as their honest, authentic selves, in direct opposition to the way society tells them theyâre supposed to see each other. Both acknowledge each otherâs stereotypes with a shared sense of humor, maintaining this unspoken awareness that they are more than what other people say they are. Their mutual respect is displayed in the way that they defend each other from other people's criticism (â[Sheâs] not really [a priss].â âHeâs actually a good guyâŚheâs not like that at all. He was just being protective.â âHeâs actually grown up quite a bit.â) They perform acts of service for each other that demonstrate their love and devotion (âBut Wheeler, right there, she didnât waste a second. Not one second. She just dove right in...that was as unambiguous a sign of true love," Nancy picking out the cobwebs in Steveâs hair, bandaging his wound and expressing concern over him, Steve saving her from Billy in s3, promising to keep the kids safe in s2, going back to protect her from the demogorgon in s1, etc). They validate each otherâs perspectives and create a safe, nurturing space to talk about feelings and dreams (âThat soundsâŚnice.â âYeah?â âYeah.â) They bond over their shared values/optimism for the futureâthis desire to broaden their horizons outside of Hawkins while dedicating themselves to helping others and maintaining an unwavering belief that the world can be changed for the better.
People love to harp on about Steve and Nancyâs supposed incompatibility as a couple when, in reality, a future together is very much possible due to the healthy, supportive dynamic that they've cultivated after maturing as individuals. A relationship built on trust, hope, and mutual respect. Any problems that they encounter in the future can be overcome because they work alongside each other as a unified team and share the same optimistic outlook; there is empathy and adaptability, vulnerability and understanding, a willingness to change and grow.
A commitment to seeing each other exactly as they are, without all their defenses, and cherishing that intimacy...rather than using those vulnerabilities as ammunition to hurt each other.
Authorâs note: Here is chapter 2 of imgonnagetyouback! Since it may be hard for you to find chapter 1 on my page, here is its link:
đŹ 4  đ 8  â¤ď¸ 25 ¡ Clois Multi-Chapter Fanfiction #1 ¡Â
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Authorâs note: As promised, hereâs Chapter 1 of the prompt I
PS: idk how to post a story in ao3 so I will use tumblr as my primary medium of posting. I hope you guys like this and let me know your thoughts :))
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Chapter 2
The bullpen was still buzzing after Chase Grantâs dramatic entrance, but Lois Lane heard none of it. Her ears were ringing too loudly with one word, moron!
Chase gave her a knowing little nod, the kind that translated to, relax, Iâm not going to spill your in-flight confessions to the entire newsroom, but she didnât trust that expression. No, not for a second.
Tess scanned the room then said, âSince Mr. Grant is new to Metropolis reporting, I want one of our senior staff to bring him up to speed. Show him the ropes, help him adjust to our workflow.â
Clark, the ever-righteous Clark Kent, took an instinctive half-step forward, but before he could open his mouth, Loisâ voice cut through the room, âIâll do it.â
Clark froze mid-breath. âYou⌠will?â The shock in his tone was an understatement, he was dumbfounded.
Dozens of heads swiveled toward her. Chase blinked, eyebrows raised, pleasantly surprised. Tess didnât even try to mask her shock.
âWell, thenâ Tess said after she recovered from the shock, âthatâs settled.â
Lois plastered on her brightest, fakest smile. âWelcome to the Planet, Grant.â
Chase grinned. âLooking forward to it, Lane.â
Clark stared at her like he was trying to solve a calculus problem. âLois, are you sure? I mean, it doesnât have to beââ
âItâs fine, Clark,â she said, pointedly not calling him Smallville. âTotally fine. Perfectly fine.â
Chase, unfortunately, picked up on the oddity immediately.
âClark?â he repeated, glancing between them. âThat what you call him now?â he teased.
Lois stiffened. Clark blinked, confused. And that was Loisâ cue.
âWeâre leaving,â she barked, grabbing Chase by the elbow and dragging him toward the conference room, âOrientation time. Letâs go. Chop chop Grant!â
Chase followed, amused. Clark watched them go, jaw tightening after hearing that last familiar phrase Lois would always utter to Clark.
When the door shut behind them, Lois spun around, âListen very carefully,â to which Chase raised both hands. âShould I be scared?â
âYes,â she said flatly. âIf you say one thing â I mean ONE â about the plane, I swear I will bury you under the archives room where even the cockroaches donât go.â
Chase chuckled. âRelax, Lois. Iâm not going to mention your metaphorical farm boy.â
âGood,â was what Lois only said.
He leaned against the table, he just can't pass the opportunity to tease one Lois Lane, âThough you should know, I didnât orchestrate this.â
âOh please. You expect me to believe you just happened to show up in my newsroom?â
Shrugging, Chase answered âI applied for the job months ago. Tess called me two days ago with an opening. You being here is a bonus.â He gave her that infuriatingly smooth smile again. âAnd I didnât even know your last name.â
Lois blinked.
"You didnât?â
âNope. You introduced yourself as Lois. No Lane. No Daily Planet. No Pulitzer-candidate aura.â
She swallowed, now feeling slightly stupid. âOh.â
âBut now,â Chase said, âthings make a lot more sense.â
Lois folded her arms. âNothing from the plane leaves this room.â
âScoutâs honor.â
âYou were never a scout.â
âYou donât know that.â
She groaned.
---
Couple days had passed and Clark noticed immediately.
Because Lois Lane had always called him Smallville.
In irritation. In fondness. In habit. In everything in between.
But now? It's always, âClark, hand me that file.â or âClark, weâre late.â
or âClark, not now.â
Every time she said his first name, she flinched, subtly, but enough for Clark to see it. Of course he would see it, he knows her.
And every damn time Lois calls her Clark [and not the nickname he once hated but grew fond of being called by one Lois Lane], Chase was within a ten-foot radius.
Clark didnât know why, but that pattern sank its claws into him more than he wanted to admit.
Chase, meanwhile, took to the bullpen like he'd been born in it. He was charming, fast-thinking, and irritatingly good at making Lois roll her eyes, just like what Clark has been good at doing for years.
âSeriously, Grant?â Lois said one afternoon, snatching a draft from his hands. âYou spell-check with your eyes closed?â
âTheyâre beautiful eyes, though,â Chase said with a grin.
âNot relevant,â she shot back.
Clarkâs jaw tightened from his desk.
Because that was his dynamic with Lois.
The bickering, the sparks disguised as arguments, that belonged to them!
He tried not to watch but he failed. Whenever Lois pretended not to hear something Chase said, whenever she stifled a smile, whenever she nudged Chase with the same exasperated shove she used to give himâŚ
Clark felt it.
A slow simmering burn.
And then there was the coffee machine incident. Clark approached the machine just as Lois and Chase were already there. Chase held two cups.
âBlack, two sugars?â he asked Lois.
âThatâs Clarkâs order,â she snapped, a little too fast.
Clarkâs heart stuttered.
Chase blinked. âOh, my bad.â
Lois grabbed her own cup and muttered, âI take mine however I want to take mine.â
Clarkâs lips quirked. âThat so?â
She glared at him, cheeks pink. âDonât.â
Clark took a sip of his coffee. âDidnât say anything.â
But his eyes said everything.
Chase looked between the two of them and smirked and Clark so hated that smirk.
---
Clark Kent prided himself on being calm under pressure. Alien invasions? Manageable. City-wide disasters? Red and Blue Blur saves the day. Two reporters bantering over coffee? Normally harmless.
But Lois Lane avoiding him like he was made of kryptonite dust?
Plus another guy getting under her skin the same way he used to That was, new, unwelcome, and honestly, kind of torture.
Clark watched Lois from his desk as she leaned over Chaseâs shoulder, pointing sharply at a paragraph on his screen.
âNo, Grant, burying the lede isnât a stylistic choice. Itâs a crime.â
Chase chuckled. âYou say that like youâve never done it.â
âI donât do crimes. I expose them.â
Clark smirked. Always has the last words, he thought. He tried to refocus on his article, but his eyes kept drifting back to them. But if he be honest, thatâs what irritated him the most, how natural Lois' and Chase's rhythm was. Tsk, their names being mentioned together do not even sound pleasing, he pettily said in his mind.
But he recognized it. That was their rhythm. Clark and Lois, Lois and Clark. From before everything got complicated. Before the wedding. Before Lana. Before the hurt. Before Lois left for Star City to accompany Jimmy.
He remembered the parking lot conversation before Chloeâs wedding, the way sheâd looked at him, cautious but open, the way she let him in without realizing she was doing it.
And then heâd messed it up. He. Had. Just. To. Mess. It. Up.
Heâd broken something he didnât even know they were building.
And now, he's watching Lois, laughing lightly at something Chase said, laughing in a way she hadnât laughed at Clark in weeks.
And there it was again, that simmering inside him. He refused to call it jealousy. Because jealousy implied Lois belonged to him. She didnât. Not then, not now, but he wouldn't want it to be not forever.
But the feeling was still there. A knot in his stomach every time Chase made her smile and a pressure in his chest whenever Lois called him âClarkâ instead of âSmallville.â
He missed that nickname more than heâd ever admit. Smallville meant he mattered to her in a way no one else did.
Now she wouldnât even say it in front of Chase. Clark wasnât stupid. He noticed the pattern instantly.
Lois was hiding something. Something that had to do with that plane. Something that made her stiffen every time Chase was around him. Something Clark wasnât part of. And he hated that most of all.
The bullpen had gone silent. Chase had left. The night crew had clocked out. It was finally just the two of them.
Lois typed furiously, pretending she didnât notice Clark walking toward her desk with that determined stride she recognized too well.
âLois?â
She stiffened. âWhat is it Clark?â she asked, without lifting her eyes to look at him.
Even her voice had walls now, he lamented.
Clark winced but pushed on. âWe need to talk.â
âNo, we donât.â
âBut we do,â he said, gesturing toward the empty room. âItâs quiet. No distractions," a pause, "No Chase," he uttered quietly.
Clark caught how Loisâ eyes twitched at the name. She sighed and stood abruptly, grabbing her coat, âFive minutes. Thatâs all you get.â
They walked to the far windows overlooking the cityâs glow, neutral ground, the unspoken Lois-and-Clark negotiating table.
Clark exhaled. âHow did you two meet? You and Chase,â he started.
Lois blinked at the unexpected question. âSeriously?â
âLois, he knew you. Before he walked in here. Before Tess introduced him. And youâve been⌠weird around him... and me. So I just want to know what happened.â
Lois rubbed her temple with a sigh. âHe was just bothering me on the plane, okay? Thatâs it.â
âBothering you?â
âThatâs all you need to know.â Too fast. Too sharp. A dead giveaway.
Clark studied her, concern tightening his brow. âLois, if he made you uncomfortableââ
âHe didnât,â she cut in quickly. âHe was just, talkative,â then she forced a dismissive wave. âEnd of story.â
Clark didnât buy it for a second. But he knew Lois. He knew that if he pushed, sheâd bolt. Hence he shifted, eyes softening.
âLois⌠about Chloeâs weddingââ
âNope.â She stuck a finger out immediately, practically stabbing the air. âWeâre not doing this.â
âWe need to talk about it.â
âNo we donât.â
âLois.â
She froze, jaw tight, bracing herself.
Clark lowered his voice. âYou left to attend Jimmy. And when you were there, you never called me. I had to get updates from Oliver. And when you came back⌠everything was different. And then Lanaââ
âClark,â Lois cut in fast, louder this time, âIâm sorry.â
He blinked. âWhat?â
âFor yourââ she made a vague gesture between him and the air around them, âbreakup. Again. For the thousandth time. Chloe told me what happened.â Deep inside, Lois knew she needed to cut off whatever Clark would've to say about Lana because she does not trust herself and she doesn't trust her lacrimal glands in not producing tears with whatever she would've heard from Clark.
Clarkâs stomach knotted. Lois offered a small, sympathetic smile, the kind she reserved for real hurt. âHey⌠I know it sucked when Lana came back and then things fell apart. But youâll be okay. You guys always find your way back.â
Clarkâs heart dropped, âNo, Loisââ
She laughed suddenly and punched his arm in that teasing, familiar way of hers. âThatâs what you thought before, Smallville.â It was too late when Lois realized the words that came out from her mouth.
The nickname slipped out so naturally she didnât even catch it. But Clark did, for the first time in a couple of weeks, she called him Smallville.
His breath hitched. A smile, nvoluntary, warm, and hopeful tugged at the corner of his mouth. Lois froze when she saw it, gulping down the lump in her throat.
Then rolled her eyes. âSee? There you go. Smiling again. Just be patient.â
Patience. The worst possible advice for the wrong situation.
Because she didnât understand. She didnât realize. She still thought Lana was the reason behind his sadness.
When the truth was standing right in front of him, refusing to meet his eyes.
Clark opened his mouth. âLois, thatâs not what Iââ
But she bulldozed right over him again, stepping forward without even realizing it. The general's advice kicking in, always have the upper hand.
âAnd seriously, Clark, thank you,â Her voice softened, all teasing gone, âfor saving Chloe. For being there when it mattered most. I never got to tell you that.â
She was close now, close enough to hug him. Her hand twitched at her side, like her body moved instinctively toward him.
Clark held still, breath catching. But Lois stopped abruptly, something flickering in her eyes. A sudden, sharp memory of the way his smile a moment ago had twisted something deep in her chest.
Instead of the hug she clearly almost gave, she smiled at him, lifted her hand and just rubbed his arm gently. A ghost of contact. A safe distance.
âReally,â she whispered. âThank you.â
Clark swallowed, overwhelmed, âYou donât have to thank me for that.â
âI do.â She stepped back, wall sliding right back into place. âAnyways⌠itâs late. I should head home.â
He nodded, even though he hated watching her slip away again. Slip, goodness he hated that word.
Lois walked toward the exit, pushing the glass door open. Clark lingered behind, hands in his pockets, mind spinning.
But then, Lois stopped in the doorway. Clark saw her freeze, shoulders tensing. Then he saw why, Oliver Queen stood waiting just outside the bullpen. Hand in pocket, suit immaculate, smiling at Lois.
Clarkâs chest tightened as Lois stepped out to meet him. Oliver greeted Clark and he greeted back. He knew the two were friends regardless of their history.
The glass door shut between them, Loisâs silhouette framed beside Oliverâs as they walked down the hallway together.
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i'm thinking; Fiyero probably became some sort of martyr in the eyes of the ozians, right? Like, it would make more sense that once Morrible gets word of what he did and how the guards handled it she decided to make up a lie that Elphaba kÂĄlled him rather than announce that the beloved and respected prince/captain of the guard decided of his own mind to abandon THE Glinda The Good and his duty to the people and The Wizard to be with the witch. His death is much more beneficial to the wizard and Morrible's plans if they can use it to further their agenda even more.
The idea that even Fiyero's most noble sacrifice, his bravest, purest, biggest act of love for Elphaba could be twisted and turned into yet another thing that adds fuel to the fire of the ozians' hate for Elphaba... I'm not ok
And they probably would make up something so vile too, like claiming that the witch was obsessed with Fiyero so she put a spell on him and when he resisted it she killed him because if she couldn't have him no one else would or something like that omfg I'm making myself sick
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