Animation Fans Unite!

The Incredibles lightning study by Lou Romano (x)

Here are some story vignettes that I did for Moana– Moana sailing off to sea, The bioluminescence of the sea rescuing Moana, and a take on the “Underworld”. Fun fact: There used to be a totem sculpture/tiki-inspired character in the early stages of development, that you can spot in the third underworld piece.

Here is a visual research I did for SING. To be honest I am not sure if I can already post some of my art on the movie. I am only gonna post that image for now, until someone tells me to remove it :) But In few month from now I’ll definitely be able to show some more. So everything will work out at the end. Peace

We were lucky to have amazing collaborators for the project: Alexis Liddell, Jeremy Baudry, Nelson Domingues, Miki Montllo, Juliette Oberndorfer, Geoffroy Moneyron, Pierre Pinon, Pierre de Menezes.

2 from my concept art on Titan A.E.

- Courtney (harmonicacave)

2 concept art pieces from Laika’s Boxtrolls in pencil only.

lol sorry about all the posts in a row =______=

“Animation is pure creative expression. It is pure artistry in that every single thing you see and hear in a frame, is out of someone’s imagination.” – Jeffrey Katzenberg, Executive Producer of The Prince of Egypt

Sanjay’s Super Team tumblr headers | Credit is highly appreciated! (request here: x)

Happy Earth Day! 💚

More #Powerpuffgirls bg paintings from “Little Octi Lost” & “Strong Armed”

New pictures of “The Red Turtle” animated feature film by Michael Dudok De Wit (coproduced by Studio Ghibli).

Kiki’s Delivery Service [ 2 of  ✿ ]

Walt Disney Animation Studios is excited to announce that their all-new short “Inner Workings” will have its world premiere at Annecy International Animated Film Festival on June 17 and will be seen in theatres this November with Moana.

The 2nd pass was definitely a lot more controlled, but I felt it lacked the intensity from the 1st pass. It was not dynamic enough, and the character felt like he wasn’t emotionally in the scene. It felt like he was just gliding to the poses, so it didn’t really have enough character to it. (Also, it’s evenly timed…) The 3rd pass, I actually got advice and feedback from my friend Rune - who helped me figure out the poses. Draftsmanship and clear drawing are some of my wain weaknesses, so its always great to have someone else point out what causes the issues. Its pushed, yet more controlled and simplified. The gun leaving the screen as he swings adds a dynamism to the animation. It’s much snappier, for this being part of an action segment; it makes sense. I’ll have to come back and fix the drawing a bit so its a bit closer to the model of the 2nd, but I definitely learned a lot from re doing this shot a bunch.