in this house we love love and heart shaped things AND the moon
occasionally subtle

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Sweet Seals For You, Always

Game Changer & Make Some Noise

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Not today Justin
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The Bowery Presents

#extradirty
"I'm Dorothy Gale from Kansas"
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Monterey Bay Aquarium

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@anelimjolie
in this house we love love and heart shaped things AND the moon

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AnaΓ―s Nin, from a diary entry featured in Trapeze: The Unexpurgated Diary of Anais Nin, 1947-1955
Li Qingzhao, from a poem titled "Late Spring," featured in The Complete Poems of Li Qingzhao
strangers in Nice, France

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β jay vespertine; from the usual: full moon insanity
Elvis Presley, 1956 at Warwick Hotel in New York City reading fan letters, captured by Alfred Wertheimer π
ββ¦π©ππ±π’ π π¬π£π£π’π’ ππ«π‘ π¬π―ππ«π€π’π° π¦π« π π°π²π«π«πΆ π π₯ππ¦π―β¦β
-Wallace Stevens, βSunday Morningβ
we canβt talk here contact me in my dream tonight

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Elvis Presley / backstage in Memphis, Tennessee, May 15, 1956.
Sara Torres, from her novel titled "X Is Where I Am," orginally published in March 2026
Begin Again
learning how to react less because why should i have to lose my mind just to be understood

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Stranger Things didnβt mishandle Will Byersβ coming out scene because they donβt know how to write queer stories. They mishandled it because they chose spectacle over intimacy, despite already proving with Robin Buckley that they know better. When you put the two scenes side by side, the difference in tone, intention, and care is glaring. And it really highlights how much the writing has downgraded over the seasons.
Robinβs coming out feels natural and character driven. Yeah, sheβs under the influence of Russian truth serum, but that arguably makes the moment even more believable because it gives her a reason to say something she might not otherwise feel ready to voice. But beyond that, the conversation itself is grounded and human. Thereβs no speech about her needing to prove sheβs βjust like everyone else.β Thereβs no audience, or grand declarations, or manufactured drama.
Even though she doesnβt explicitly say the word βlesbian,β it works for her because itβs in character. Robin gets frustrated with Steveβs obliviousness, and when he finally understands, his reaction is a simple, immediate, βoh.β And then he accepts her. Instantly. No performative reassurance, no checklist of ally statements, no emotional spectacle. Just quiet, genuine understanding. Itβs intimate, restrained, and incredibly comforting because it reflects a reality a lot of queer people recognize β you donβt need to convince the people who love you to stay. The right ones just do.
That intimacy is exactly what Willβs scene lacks.
Will doesnβt get a moment of safety. He doesnβt get to choose when or how he comes out. Heβs coerced by Vecna, pushed into vulnerability through fear and trauma, and we donβt even get to see it happen. Instead of a moment rooted in trust and connection, his coming out becomes a stage. A spectacle. Something done to him, not with him.
Compare that to Robin, who comes out to one person, Steve, during a moment where they both are already sharing fear and vulnerability together. That scene deepens their bond and strengthens their relationship. Will, meanwhile, is isolated. Heβs scared, alone, and unprepared, forced into a public revelation in front of people he doesnβt even know well. Thereβs no grounding presence, no hand to hold, no reassurance.
And thatβs what makes it feel so wrong.
A far more resonant choice would have been letting Will come out privately to Joyce and Mike first. Those are the people he loves most, the people whose acceptance genuinely matters to him (Jonathan, too, though season 4 already made it clear he would always be there for Will). That alone could have been enough. Being loved and accepted by them could have given Will the confidence and safety heβs been searching for since season 1. And wouldn't have let Vecna have complete control over him and his coming out.
And if the show really needed him to come out publicly, then at least let him do it with support. Let him do it standing beside people who already had his back, instead of panicking alone in front of a crowd. As it is, the scene feels unrealistic, especially considering the time period, even with Vecnaβs influence. It doesnβt feel like growth, it feels like obligation.
And it reads as another instance of the story inflicting pain on a character who's already been defined by loss, fear, isolation, and endless suffering.
Thatβs why it comes off as performative, rather than empowering or sincere. Like the show needed to βcheck the boxβ rather than tell a story about Will learning to trust that he's lovable exactly as he is.
And thatβs what makes it so frustrating. Because Robinβs coming out had a place in the story. It was sensitive, character driven, and emotionally honest. Knowing the writers were capable of that, and then watching Will be denied the same care, makes the difference impossible to ignore.
They didnβt fail because they donβt know how to write a sincere and compelling coming out scene.
They failed because they chose not to give Will one.