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The poet exists in fragments, so does the poetry.

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TW: slavery and the slave trade
The fact that the trafficking of enslaved Africans underpins so much of western European culture is so severely underacknowledged by white western Europeans that it boggles the mind to think of it. I've posted here before about how pitiful have been the attempts of white institutions to account for the crimes of their past, how they will at best acknowledge only the most blatant and undeniable parts of their history while laundering responsibility for the great majority of it. One particularly striking aspect of that is how little museum space in western Europe is dedicated to discussing slavery.
The British Museum in London was formed from the private collection of Hans Sloane whose collection was funded by profits from Caribbean plantations inherited by his wife. The original museum building was bought by the British government from the children of John Montagu, a man who was literally granted ownership of the Caribbean islands of St Lucia and St Vincent by the British state. The current museum building was constructed starting in the 1820s (when slavery was still legal in the British Empire) funded directly by the British government, around 20% of whose tax income at that time came in the form of customs on imported products, such as sugar and cotton from the Caribbean.
Yet the extent of the museum's engagement with its total historic dependence on slavery is merely to have moved a bust of Hans Sloane's head to a new location with some comments on his slavery connection. There is an ongoing campaign to have merely one permanent exhibit about the slave trade at the musem. (And this is not even getting into the famous legacy of that museum as a repository of looted colonial plunder such as the Benin bronzes.)
It's not just big museums either. A tiny museum like Jane Austen's house in Chawton, UK, has a notice on its website regarding mentions of slavery that actually reassures guests that they won't go too far in doing so, "We would like to offer reassurance that we will not, and have never had any intention to, interrogate Jane Austen, her characters or her readers for drinking tea." An admission that's rather telling about what they expect the views of museum visitors to be. But why not interrogate her or her characters? That is exactly what they should be doing!
It is quite well-known among Austen fans than Mansfield Park is her book that deals with slavery: the protagonist lives in the house of a man who owns slave plantations in Antigua. Many fans are keen to find evidence in the text that the protagonist objects to this, but she ultimately marries the son of the plantation owner and lives on the land of the plantation owner and her husband's income is paid by the plantation owner, so her objections (if they exist) cannot be worth much.
In Persuasion, the protagonist's love interest is a naval officer who fought in the Battle of Santo Domingo, a battle that was explicitly about protecting British interests in the Caribbean (i.e. sugar plantations) from being captured by the French.
In Pride and Prejudice, Mr Bingley has no land and his huge income is derived from investment in government bonds, which is to say that he pays for British military campaigns (such as the same Battle of Santo Domingo) and in return he is paid by the British government out of tax income, of which a big chunk is customs levied on slave-produced products.
And that's without even getting into the question of where the cotton comes from that makes up the dresses which are a frequent subject of discussion for many Austen characters.
For that matter, what about the dresses worn by Austen herself when writing her novels? The sugar in the tea she drank? The very house she lived in was owned by her brother, who inherited it (and all his considerable wealth) from Thomas Knight, a Tory MP (which is to say, a politican from the British political wing which most heavily supported slavery). The world of Austen's novels is entirely about slavery, it is the very thing which makes the lifestyles of the characters possible. The whole museum is about slavery whether the curators like it or not, anything less than mentioning it constantly is a deliberate hiding of the truth. And when I visited it a couple of years ago, I do not recall seeing slavery mentioned even once (maybe I missed one sign in a corner of one room or something idk).
As well as the severe underreporting of slavery at museums, the lack of slavery-specific museums in western Europe is also really remarkable. The Mercado de Escravos in Lagos, Portgual and the International Slavery Museum in Liverpool, UK, are the only two that I am aware of, albeit the latter is closed until 2029. A slavery museum in Amsterdam has been proposed and is supposed to open in 2030, but given that a French slavery museum was proposed by Francois Hollande a decade ago and never built I will not get my hopes too high about it.
The London Museum Docklands has a permanent exhibit on London's connection to slavery, which is pretty good as far as it goes, but is utterly pathetic in the context that it is the only permanent exhibit about the slave trade in the whole city. The best I have seen by far is the Suriname Museum in Amsterdam, which dedicates a huge portion of its space to covering the slave trade in great detail. The fact that the museum was founded by the descendants of enslaved Africans who were trafficked to Suriname is surely why this particular museum is so good.
The contrast between that and white institutions like the British Museum is really stark. Do you treat the slave trade with the gravity it deserves, which is to say that you mention it at every opportunity and do not shy away from saying, "The slave trade is why this museum, this city, this country, this continent, why all of it is the way it is"? Or do you move one statue to a new location, put a little sign up about how one man's wife's family owned slaves a long time ago, and say "That's enough, we've dealt with the slavery issue now"?
please god watch this right now
The editing of this video is hysterical and genius- they switch between so many editing styles to reflect exactly what kind of thing they're going for in each segment its GREAT.
many such foolish cases :)
If you ever find yourself unironically saying “the Jews are weaponizing the holocaust” I think you have some self reflection to do. To put it mildly.

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When the post goes triple platinum in the mutual circle and you have to scroll past the same thing seven times in a row
PROJECT HAIL MARY + parallels
you have to love trans women more than you hate transmisogyny, you have to love jews more than you hate antisemitism, you have to love Black people more than you hate white supremacy, you have to love Indigenous people more than you hate colonialism, you have to love the disabled and mentally ill more than you hate ableism, you have to love. you have to love.
Love, grief, and magic in the mundane
1- @Bluewmist on Twitter / 2- Roly Poly is Taken on Twitter / 3- About Time (2012) by Richard Curtis, image from Mita Park on Unsplash / 4- Sherri Turner on Twitter / 5- Cold Solace by Anna Belle Kaufman / 6- The Anthropocene Reviewed by John Green
“Lighten Up” by Ronald Wimberly
Beautifuly written- and drawn.

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oh well i guess ill just be fat and hot
guess ill be fat and hot and hot
We read Persepolis, and watched the adaptation, in the 10th grade, and it's stayed with me ever since. I'm eternally in awe of Marjane Satrapi's bravery and resilience, and may she rest in peace.
sorry to interrupt your scrolling but, i hope life gets better for you.
if anyone ever asks why return of the jedi is my favourite star wars film i’ll just send them this gif
I think the funnier conclusion is that Luke did mean to physically kick the guy, missed, and then used the force to cover his fuckup.
A master to his action-hero trainee says, "Your movements are sloppy. You lack awareness of your body when you fight. Your hands move and yet you do not hold them in your mind's eye. Come. We will remedy this."
And then the master paints his trainee's fingernails and orders the trainee to complete a series of complicated tasks without smudging the nail polish.
Trainee grumbles that this is stupid when the first set of tasks is just cleaning the dojo. Within two minutes he reaches for the dustpan and knocks the edge of his pinky nail against it in a way he's never noticed before. He's staring at the baby blue smudge and suddenly he understands things differently.
There's a montage of days passing as he fetches water, chops wood, hoes crops, washes clothes. His nails are a different color during each cut. He's sprinting up the mountain with a fresh wet pedicure and the master is nodding in approval. The master's nails are flawless tech art.
He's reached his final assessment and it's a sparing match against his master. The air smells of acetone. His and the master's nails are all freshly painted. He must land a blow on the master with his mani and pedi fully intact.
Suns and moons pass. Streak in the ring finger. Smudge on the pinky. A full-handed block at the cost of three nails of paint. A hit on his master, and he hoots in delight until the master points out the unguarded toe whose polish is now streaked across the master's robe.
Days pass in frustration and exhaustion. By day 40, he has every digit of his acutely in his mind's eye. He senses the master's attack, ducks, dodges, all fingers all toes all himself, aware, and he strikes with his wooden sword.
It connects with the master. The master pauses. The trainee raises his left hand into view--5 digits of flawless sunflower yellow. His left foot. His right foot. And finally his right hand, raised in triumph.
The master smiles. "You have passed. I have just one more technique to teach you."
The technique is how to draw little flowers into the nail art. So really this one is optional.
These posts contain 146 horses (49.1% of the post)
🍎 @phantomrose96
A master to his action-hero trainee says, "Your movements are sloppy. You lack awareness of your body when you fight. Your hands move and yet you do not hold them in your mind's eye. Come. We will remedy this."
And then the master paints his trainee's fingernails and orders the trainee to complete a series of complicated tasks without smudging the nail polish.
🍎 @phantomrose96
Trainee grumbles that this is stupid when the first set of tasks is just cleaning the dojo. Within two minutes he reaches for the dustpan and knocks the edge of his pinky nail against it in a way he's never noticed before. He's staring at the baby blue smudge and suddenly he understands things differently.
🍎 @phantomrose96
There's a montage of days passing as he fetches water, chops wood, hoes crops, washes clothes. His nails are a different color during each cut. He's sprinting up the mountain with a fresh wet pedicure and the master is nodding in approval. The master's nails are flawless tech art.
🍎 @phantomrose96
He's reached his final assessment and it's a sparing match against his master. The air smells of acetone. His and the master's nails are all freshly painted. He must land a blow on the master with his mani and pedi fully intact.
Suns and moons pass. Streak in the ring finger. Smudge on the pinky. A full-handed block at the cost of three nails of paint. A hit on his master, and he hoots in delight until the master points out the unguarded toe whose polish is now streaked across the master's robe.
Days pass in frustration and exhaustion. By day 40, he has every digit of his acutely in his mind's eye. He senses the master's attack, ducks, dodges, all fingers all toes all himself, aware, and he strikes with his wooden sword.
It connects with the master. The master pauses. The trainee raises his left hand into view--5 digits of flawless sunflower yellow. His left foot. His right foot. And finally his right hand, raised in triumph.
The master smiles. "You have passed. I have just one more technique to teach you."
The technique is how to draw little flowers into the nail art. So really this one is optional.
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oh my god........................ the hornses.......... 🐴

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“Freedom always has a price.”
― Persepolis (2007) dir. Marjane Satrapi, Vincent Paronnaud