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Aqua Utopia|海の底で記憶を紡ぐ
Stranger Things
noise dept.
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
RMH
The Bowery Presents

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Andulka
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Kiana Khansmith
One Nice Bug Per Day
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline

roma★

ellievsbear
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@ambarvioieta

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En mi sueño comía arepa de huevo con jugo de corozo.
Jajajaajajaj
No. Bueno.
Lo interesante es que comía eso en un restaurante en el que cocinaba una chica rubia muy elegante, muy de sociedad.
Me hablaba con una familiaridad encantadora.
La comida estaba deliciosa.
La curiosidad es la respuesta natural del amor.
O tal vez es el requisito para que surja el amor.
No lo sé. El todo es que donde hay ganas de saber más, y de conocer más, y de compartir más, hay espacio nutritivo para que florezcan las personas y los vínculos y la vida en general.
Me pido eso.
Mantenerme curiosa. Rodearme de curiosidad.
David Hockney Rain, from The Weather Series (NGA/Gemini 23.4), 1973 Color lithograph and screenprint on Arches watermarked paper; signed 'David Hockney 73' in green pencil along the lower edge
RIP David Hockney
Man Ray (American | 1890 - 1976)
Standing Nude, 1937

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Riccardo Moncalvo
Riccardo Moncalvo (1915 - 2008) - Movimento di danza, 1958
"Sunlit Alley", 1908 by Isaak Brodski (Russian, 1884-1939).
Edvard Munch Unfinished Sketches for "Les Fleurs du Mal" Pencil 1896
July 31, 1958 — see The Complete Peanuts 1955-1958

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Uffffffffff sisoi ✨
Paul Elie Ranson, Tiger in the Jungle (Tigre dans les jungles), 1893
Unknown, Iraq or Iran, in the style of the Buyid period (945–1055) Silk: compound tabby Overall: 43.8 x 36.8 cm (17 1/4 x 14 1/2 in.)
Large roundels with pearl borders enclose eight palmette trees radiating from a central abstract floral motif. The large roundels are linked to each other along their vertical and horizontal axes by small roundels, also having pearl borders, that enclose a square and four crescents. Between these links, the large roundels are interrupted by small roundels enclosing single recumbent ibexes. The pattern, which is completely reversible, appears in tan on a dark blue background, or vice versa.
A veces pienso que hay cosas que llaman nuestra atención, que nos emocionan y nos atraen no solo porque aparentemente son hermosas sino porque en realidad su belleza es una forma de describir la verdad.
Y la verdad es irresistible.
Mark Rothko, No. 2, 1962
Oil on canvas
81x76 inches
Smart Museum
© 1998 Kate Rothko Prizel and Christopher Rothko/ ARS NY

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“I’m Nobody! Who are you?...”
by Emily Dickinson
I’m Nobody! Who are you? Are you – Nobody – Too? Then there’s a pair of us? Don’t tell! they’d advertise – you know!
How dreary – to be – Somebody! How public – like a Frog – To tell one’s name – the livelong June – To an admiring Bog!
Sigfrido de Guzmán. Citroën 2 CV, 1972.