Alia Atreides:
occasionally subtle
RMH

d e v o n
Phantogram Three
Cookie Run:Kingdom Official!

Product Placement
The Bowery Presents
Fieri Frames
let's talk about Bridgerton tea, my ask is open
The Stonewall Inn
Interview Vampire Daily
taylor price
Claire Keane

PR's Tumblrdome

Discoholic 🪩
todays bird
cherry valley forever
🪼

seen from Australia

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@amaltheas-garden
Alia Atreides:

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resurrected Jon Snow (sketch) per request
the most handsome beautiful polite honorable man of westeros and his suicidal coworker
Here, approximately, is what happens in Gothic Romance […] A young female is stripped of her human support, her mother usually dead before the novel begins, her father or other guardian dying in the early chapters. The lover (if any) who might protect her is sent away or prevented from seeing her. Depending upon the period of the novel, she may be kidnapped, or fall into the hands of an unscrupulous guardian, or go out as a governess, or marry hastily. Out in the world her troubles multiply. People want to kill her, rape her, lock her up in a convent for life, and make off with her small fortune. Her task is to defend her virtue and liberty, to resist evil, and especially to penetrate disguises - spot the plausible seeming villains, trust the suspicious looking heroes - and thereby rebuild a support system that will restore her to a quiet life. With pluck and luck she manages these near impossibilities and is rewarded with the discovery of lost relatives and/or the promise of reliable domestic love in a household of her own. (-Ann B. Tracy, "Gothic Romance" in: The Handbook to Gothic Literature)
there it is. the description of the gothic heroine is also a perfect description of sansa stark's character journey. the isolation in king's landing after she's made hostage, guardians that seek to steal her birthright (the lannisters and petyr), the struggle to see through disguises and learning that not all that glitters is gold (cersei and joffrey) and learning to sympathize with scary-looking people (sandor, tyrion, possibly brienne in the future) plus the way that the thing she wants most right now is to go home. even the lack of supernatural elements in her story can still be somewhat on point considering that in a lot of the 'female gothic' the supernatural was often explained away with reason, because at the end of the day the real danger to these heroines was the ownership of women's bodies, the stifling of them usually symbolized by an eerie castle or mansion that enclosed them. sansa's plight in life is that she seems unable to get out of the castle. she's a caged bird trying to be free, to live in peace with her loved ones in a place where she can call home.
The beautiful art of Thomas Blackshear II

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🔷🫐💙🦋💛🔆🌼🌻
the only thing I’ve learned from Star Wars is that nostalgia bait does, in fact, work on me
ANYA TAYLOR-JOY as ALIA ATREIDES Dune: Part Three Official Trailer
florence pugh as irulan corrino in dune part three
Happy to see the new season of Ahsoka remember what is really important.
Sabine Wren having a new hairdo every season.

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*Squinting my eyes at the new Ahsoka S2 poster* Huh.......
ARIANA GREENBLATT in AHSOKA Season 1 & 2
Art by arbor_draws.
ARIANA GREENBLATT as AHSOKA TANO Ahsoka: Season Two | Teaser Trailer
Three-headed Dragon

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Helaena Targaryen and Dreamfyre in Helaena's vision HOUSE OF THE DRAGON Season 3 Episode 7 — "The Dragon in Winter"
HELAENA TARGARYEN & DREAMFYRE HOUSE OF THE DRAGON 3.07 – The Dragon in Winter