let loose and open up [oc]

Kiana Khansmith
wallacepolsom

roma★

JVL
Misplaced Lens Cap
I'd rather be in outer space 🛸

Product Placement

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Jules of Nature
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$LAYYYTER
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#extradirty

blake kathryn
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Cosmic Funnies

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@alta1r1an
let loose and open up [oc]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A moment of absolute despair.
Maguuma Jungle felt how devastated Michael was after losing Minerva (then Commander and mother-like to him) during HoT.
Sponsored by ArenaNet
posting this on twitter will get you put into witness protection
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
Learn to identify bugs 🫵
Next batch of sketches :D these ended up a bit higher quality than last time. Not my intention to create art unequally, but I'm also developing my speed to quality ratio as I go at these!
Gaius Horncleaver @commanderhorncleaver
Artificer Lucasta @somekindofweasel
Soulbeast Banni @vampiricsheep
let's all have a fun time looking up new words when we encounter them to see what they mean before incorporating them into our vocabularies

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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plains of ashford iron legion soldier
Commission of Eidolon for Rokte (bsky)!
Commission Info, if you're interested!
Alt version of the piece I did for Tyria Pride
My main Charr's new fit: 8am Zoom Call
"Baldur's Gate 3 is old news now lol that was three years ago"
Would you believe my favourite game of all time that I still regularly play is from 2009
Seriously though, the way some people treat liking media as if it has an expiration date is so weird to me. And three years is still so recent in the grand scheme of things anyway, actually!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Vita loves helping her warbandmates out with outfits for Pride, especially her girlfriend Patia
Not to be a bitch but sometimes people engage with fiction in the most boring way possible, and nowhere is this clearer than in videogames. Like what you mean you hate a character just because they were kind of abrasive when speaking to the player character? "They were mean to me" and it didn't occur to you to wonder why? Like, what might their attitude toward you reveal about the world? About the social dynamics within it? About their own perspectives and backgrounds and personalities? Does it even occur you to ask? Would you only have liked them if they bowed to your presence and talked about how great you are? Like I'm sorry but you're so boring. How boring fiction would be if it cathered to you
A report on some discourse (if that’s the word we’re looking for) going on at Threads
…With the clarification that “I don’t even go there.” …But get this (via @jobrammer.bluesky.social):
…Um.
another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
It's very telling how many terfs think "porn addiction" is a real thing when researchers found it to be a Christian invention that has to deal with shame and not actually a real addiction.
*Gasp!* You're telling me terfs are just conservative Christians?!
Anytime anyone insists porn addiction is real I just call them Mormon. They get really pissy but it's true.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This tweet read me to filth
there are places in the world today that are experiencing 40°C for the first time in recorded history. of course there's no way to know whether chucking billionaires into volcanos will appease the sun god but i feel we're doing the scientific method a disservice if we don't at least try