And now the old masters (!)
I will say that not any less gems were among Hermitage classical artworks!
This german wood sculpture might not be very realistic but it’s still a very emotional piece. The expression of Mary’s face does look very alive. I myself wanted to do a Pieta type of sculpture for awhile tbh
This still life was very striking the way it looked like something modern for me idk
St. Mary in the centre is surrounded by people celebrating but she still looks lonely idk 😭
Hermitage actually used to have quite a lot more pieces by world famous artists like Raphael, Botticelli, Rembrandt, Van Deyk and Titian before 1930, when more than 50 paintings, a lot of which are now considered to be priceless masterpieces, were sold at international auctions to gain more money for “industrialisation” during Stalin’s regime. The paintings sold were deemed to be elitist decadence that the masses wouldn’t understand.
Anyway, some paintings by those masters still remain in the museum, but still, there could be more.
Paintings by Fra Angelico
Paintings by Sandro Botticelli
Madonna’s by Raphael Santi
Leonardo da Vinci’s Madonna’s. They are actually all surprisingly small and beneath a glass so I had to use a magnifying glass to take a decent picture of them. And on top of that there was a huge crowd so I couldn’t really get much time to look at them🥲
I also love El Greco very much and he was a little bit there too!!
And Caravaggio was also there I guess
Michelangelo’s crouching boy. It’s unknown if the master intended the sculpture to be like this or if he just didn’t finish it. It’s interesting how much the pose of the boy tells about all what’s happening in his head
And Rembrandt’s Return of the Prodigal Son, the painting I was probably the most excited about seeing in the whole museum.
Unlike the Leonardo da Vinci’s paintings, this one was unexpectedly large.
The painting itself wasn’t commissioned by anyone, Rembrandt made his work, despite it is so large, entirely by his own wish. In the story, the son returned home in trembling guilt after having spent his father’s fortune on prostitutes and partying, wishing to work for his parents without any payment. But the father not only forgives him but cherishes his return and kills the fatted calf for him, celebrating the return and repentance of the son for his disgraceful life in the past, not at all turning against him. In the painting the father is depicted gently hugging and calming his son, who stands on his knees, while the rest of the family is depicted variously, from being surprised (the mother in the back) to the son having had returned, to judging and being indecisive about him (the brother on the left, for example). The taxman sitting to the left of the brother seems to be very deep in thought, witnessing this whole scene.
You can’t post more than 30 photos on each post so for now I’m gonna stop it here and continue later