Nebz TV, books, sci fi/fantasy and other queer stuff (especially wheel of time at the moment!). She/her. Not an account for minors. Lots of Good Omens fic as Nebz_AlphaCentauri on ao3
You’re the Bad Guys (rated E, posting a chapter every Friday) - AU - Crowley and Aziraphale are Cold War spies on opposite sides in 1980s Berlin when a one night stand throws them into spy shenanigans of the highest order. Humour, intrigue and smut, plus a bit of angsty goodness. Oh, and it’s a romance.
(Now complete!)
What Are You Doing Here? (65K words, rated E) - post s2 - The Second Coming is ON, and Aziraphale and Crowley attempt to save the world with limited effectiveness, not least because their initial plan seems to be just having a lot of sex. Comedy, smut, a full-scale apocalypse plot, a tiny bit of angst and a whole lot of hijinks.
(Now complete!!!)
Bad Communication series (approx 15K words across the series, rated teen) - post s2 fix-it with a large dollop of humour - Nina, Maggie and Muriel give Crowley and Aziraphale a proper talking to about their poor communications skills. And then our ineffable idiots finally talk.
Bad Advice (up there with a suggestion box)
Bad Management (up there with not allowing questions)
Bad Communications (almost ineffably bad. But not quite)
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One of the most interesting phenomena coming out of the finale (to me) is that so many people are lumping s2 in with s3, or saying they never liked it to begin with, or have decided that only s1 is canon to them.
Obviously we all have different opinions/tastes/attitudes, but I am also a finale hater, and s2 is far superior to s1 for me.
S1 is lovely, but:
1) it’s not enough of an adaptation
I love the book, it’s been one of my favourites since I was a teen and I’ve read it probably 20 times. But it is a book. TV is a different medium and more changes were needed to make it work well in that format.
2) some modernisation was needed. The Them end up feeling really silly and artificial at times, because whilst it was believable that a very sheltered British child might scoff at 39 flavours of ice cream in the 80s or even the 90s, that just seems ridiculous now, when Ben and jerrys is in every supermarket. Yes the village was supposed to be held in some perfect ideal of childhood but there were a few bits that truly stretched believability.
3) some modern sensibilities were needed. The treatment of Miss Tracy, and Shadwell’s entire character, really do not age well. Their romance ends up feeling quite tragic. Newt comes off as a mild-mannered incel in our current cultural context. More thought was needed to go into all these characters to make them work for a 2019 audience.
4) there are too many characters that are not Aziraphale and Crowley. Now this one is not really a quality thing, it’s just that i fundamentally don’t care about the other characters as much as I do about a&c. When my wife and I rewatched in anticipation of the finale (🤮), we ended up fast forwarding all the sections with newt, and many of the Shadwell bits, because we were struggling to get though it otherwise.
Whereas, season 2 for me was a joy. I loved the humour, I loved the build up of their romance. Plus, the introduction of Whickber street and especially Maggie and Nina, meant a lot to me. It was so fun and interesting to see our angel and demon interacting with and engaging with normal, every day humans.
But most of all I loved the flashbacks! Job and Edinburgh in particular are some of my favourite moments in all of good omens. They deepened our understanding of our characters, and raised philosophical and theological questions that challenge the whole celestial system.
Yes, the shit kiss was shit and the finale fifteen were very painful. But as I was watching it, I expected/understood that to be a third act break up in a romance. The point where the fundamental conflict between the characters is finally articulated in full, so that it can subsequently be resolved satisfactorily. Narratively and pacing wise, that is honestly what it should have been. The fact we were left with the rubbishness of the finale is a failure to properly resolve that conflict - not a failure of the original conflict.
Listen, I am biased. I would never have gotten into the good omens fandom without s2. I would never have gotten back into writing without s2. And I am privileged in that I have written my own s3, and so I have a satisfying resolution to the conflicts of s2 in my heart. But I do find it so strange to see so many people dismissing or dissing s2, in the wake of a shite s3.
It is nice to hear someone else thinking S1 had too many characters.
I saw a post the other day about post-S3 and how we didn't just lose Aziraphale and Crowley, and just found myself thinking about how i don't give one single shit about Adam, or the Them, or Anathema, or Newt, or Madam Tracy, or Shadwell or, well, anyone except Aziraphale and Crowley, really.
I didnt care much about any of the s1 characters particularly, but I did really care about Nina and Maggie! And the celestials we met in s2, like Saraqael and Muriel and Shax and Furfur!
Transphobia is about to be signed into law in the UK. We can fight this.
I am begging the UK trans community and its allies to attend the Mass Lobby at Parliament on June 25th, 11am-4pm, organised by Trans Solidarity Alliance.
Last year we broke the record for an LGBT+ mass lobby of Parliament. Will you help us break it again? Join us on 25th June 2026 to demand be
The new EHRC Code of Practice pushes trans people out of toilets, hospital wards, and community spaces. It normalises gender policing based on appearance and stereotypes. It becomes statutory guidance in the UK by the end of June.
Trans people are now legally their assigned gender at birth and must join gendered spaces accordingly, but if they are perceived as their lived gender, they can also be ejected from those spaces. The guidance says: either break the law, or don’t pass too well.
A mass lobby is where you invite your MP to discuss your concerns with you in-person. Ask your MP to:
Demand full parliamentary scrutiny, debate, and use their free vote on the EHRC Code of Practice.
Support any motions rejecting the EHRC guidance. As of June 4th, Labour MP Nadia Whittome has submitted a prayer motion - Early Day Motion 240.
Write to Bridget Phillipson, the Minister for Women and Equalities about our concerns
Your MP does not have to be an ally, they do not have to respond to your email for you to show up and greencard them (details below the cut.) What matters is that as many people as possible show up.
I cannot stress this enough: Showing up in person matters. It is much more effective than petitions, emails, and letters.
It is a horrible, stressful time, and I am so sorry if you're trans and live in the UK. But I was at last year's mass lobby and the line for greencarding alone stretched around the back gates. It was a record breaking mass lobby and made us impossible to ignore. Let's do even better this time. Details under the cut:
Worried about what to say?
Bring your personal worries about transphobia being signed into law, and trans friends being excluded from public spaces. You are a living person who deserves dignity. Remind your MP of that. You will also get guidance and brochures from Trans Solidarity Alliance that outlines our demands. This is mine from last year.
Money issues?
Trans Solidarity Alliance provides a travel bursary that you can sign up for via the link.
Got a refusal or no response from your MP?
Come anyway! You can request a same-day appointment with your MP through a process called greencarding. They will come and see you if they’re already in Parliament. Even if they don’t, they’re made acutely aware of your cause because you showed up in person. This is my greencard from last year.
Here is the EHRC Code of Practice in full. It's a tough read, but some highlights are:
Organisations can’t provide trans-inclusive, single-sex services, or they risk being sued for discrimination.
e.g. domestic violence support for women including trans women, men’s rugby group including trans men (12.68).
Trans people will have nowhere safe to pee.
If you’re a trans man, businesses can't allow you to pee in the men's, and you can also be ejected from women’s bathrooms if you’re perceived as a man. Vice versa for trans women. EHRC suggests a ‘third space’ bathroom, which is discriminatory and unworkable for most businesses. (13.130-133)
Sports organisations must exclude trans people from single-sex competitions (13.73).
A women’s only sports competition must exclude trans women because of their biological advantage or face potential lawsuits (13.74), but a trans man who has undergone testosterone treatment can also be excluded based on fairness rules (13.81).
Trans women are stripped of the legal definition of ‘lesbian’, and therefore no longer have legal protections if they’re discriminated against on the basis of sexual orientation. (2.50, 2.92).
Here is the Good Law Project's better explanation of the EHRC Code.
I have also made a PDF printout of QR codes for the government petition, email your MP tool, and mass lobby link to pass around your communities. DM me and I'll send it to you.
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One of the most interesting phenomena coming out of the finale (to me) is that so many people are lumping s2 in with s3, or saying they never liked it to begin with, or have decided that only s1 is canon to them.
Obviously we all have different opinions/tastes/attitudes, but I am also a finale hater, and s2 is far superior to s1 for me.
S1 is lovely, but:
1) it’s not enough of an adaptation
I love the book, it’s been one of my favourites since I was a teen and I’ve read it probably 20 times. But it is a book. TV is a different medium and more changes were needed to make it work well in that format.
2) some modernisation was needed. The Them end up feeling really silly and artificial at times, because whilst it was believable that a very sheltered British child might scoff at 39 flavours of ice cream in the 80s or even the 90s, that just seems ridiculous now, when Ben and jerrys is in every supermarket. Yes the village was supposed to be held in some perfect ideal of childhood but there were a few bits that truly stretched believability.
3) some modern sensibilities were needed. The treatment of Miss Tracy, and Shadwell’s entire character, really do not age well. Their romance ends up feeling quite tragic. Newt comes off as a mild-mannered incel in our current cultural context. More thought was needed to go into all these characters to make them work for a 2019 audience.
4) there are too many characters that are not Aziraphale and Crowley. Now this one is not really a quality thing, it’s just that i fundamentally don’t care about the other characters as much as I do about a&c. When my wife and I rewatched in anticipation of the finale (🤮), we ended up fast forwarding all the sections with newt, and many of the Shadwell bits, because we were struggling to get though it otherwise.
Whereas, season 2 for me was a joy. I loved the humour, I loved the build up of their romance. Plus, the introduction of Whickber street and especially Maggie and Nina, meant a lot to me. It was so fun and interesting to see our angel and demon interacting with and engaging with normal, every day humans.
But most of all I loved the flashbacks! Job and Edinburgh in particular are some of my favourite moments in all of good omens. They deepened our understanding of our characters, and raised philosophical and theological questions that challenge the whole celestial system.
Yes, the shit kiss was shit and the finale fifteen were very painful. But as I was watching it, I expected/understood that to be a third act break up in a romance. The point where the fundamental conflict between the characters is finally articulated in full, so that it can subsequently be resolved satisfactorily. Narratively and pacing wise, that is honestly what it should have been. The fact we were left with the rubbishness of the finale is a failure to properly resolve that conflict - not a failure of the original conflict.
Listen, I am biased. I would never have gotten into the good omens fandom without s2. I would never have gotten back into writing without s2. And I am privileged in that I have written my own s3, and so I have a satisfying resolution to the conflicts of s2 in my heart. But I do find it so strange to see so many people dismissing or dissing s2, in the wake of a shite s3.
I do actually wonder if part of the reason people start believing ancient aliens type conspiracy bullshit is because they're so divorced from labor they don't understand that a bunch of guys could absolutely quarry a large rock, move it somewhere, and build something with it because that's not actually all that hard or complicated. I've seen people use a simple chisel and hammer to crack boulders the size of houses clean in half, this stuff is a skill that needs to be learned ofc, but the idea that it was impossible for humans to build large, complex, sturdy structures with relatively "primative" tools is so silly I struggle to understand how someone could believe that unless they legit have no idea how labor works.
It's the same beef I have with Fallout. I know they excuse humans being so slow to redevelop society with all "knowledge being lost in the war" but that's just...not how things work. Humans figured out construction and farming very early. There's no way for humans to truly forget how to do this stuff, especially since people survived and could preserve and share what they know. But I just cannot fathom how in 300 years no one's figured out construction or fiber arts or soap making or anything humans have historically figured out super early in the process of being human.
And the only way I can see someone write a world like that is if they either didn't care (fine, it's not real and I get digging the apocalypse vibe) or were so divorced from the process of labor and creation that they actually think those things are way too hard for someone to figure out on their own.
If you think humans couldn't do these things without being taught or helped you have a very warped idea of technological progress and human ingenuity. No one taught humans how to build and create, we figured it out on our own, and it was not just smacking rocks together until something clicked either, ancient humans were just as intelligent as modern ones, they could use logic and reasoning to figure out how to do something new based on what they already know.
Idk it's a theory anyway, but I really do think it's interesting how as a kid I def could believe doing these things is impossible for ancient humans to being an adult who knows things and literally cannot even comprehend believing any of the incredible things ancient humans can do were "impossible" in any way. It wasn't. Humans are incredible, stop underestimating us. And crack open some wiki pages or even youtube tutorials so you get a grasp of how the world works, it's good for you.
honestly my favorite thing about hardison is that he has no real tragic backstory, he's just like "i am very smart and therefore i should be allowed to do crime" and he's entirely correct
i love everyone reblogging this going "yeah! soft boy!" in the tags bc that's my other favorite thing about hardison (i have many) and that's that he's never particularly treated as morally grey bc he is constantly so kind and loving and good and also he enjoys some crime
Yes!! I love Hardison's orientation towards right and wrong, in part because it's such a fun, powerful contrast with other members of the team.
You have Parker, who has been designated as bad and wrong since she was a very young child and who has let go of any expectation of being anything else, so that identifying and doing what she thinks is the right thing is consistently an overwhelming and scary experience for her;
Then there's Eliot, who can point to exactly when and how he became irredeemable in his own eyes and whose highest ambition now is to do the wrong thing for the right people this time at least;
Nate, who is clinging to all of these ideas about morality and legality and good and bad that are completely inconsistent both internally and with his behavior, because his very normative view of the world was shattered and he never put the pieces back together in any kind of coherent way;
Sophie, who sees right and wrong as primarily about relationships between people, like she does everything else: right and wrong is in how you engage and who you hurt interpersonally, anything more abstract is irrelevant. But within that, there's also this weight to how she engages, this sense of regret at how she's treated people in the past that we never really see the full scope of;
And into this morass of regret and alienation and self-doubt, beautiful sunshine child Alec Hardison sails with this completely coherent, straightforward understanding: he's doing the right thing. He understands the systems creating and maintaining inequality and he's winning against them. He doesn't feel bad at all about breaking the law because he doesn't respect it as having any moral weight, and why should he? He's right. Y'all I love him so much.
ok so, I approached my local library with a proposal to donate a mural as a way to A: build portfolio/gain practical experience and B: give back to a beloved public institution. The director was very enthusiastic about it and i've been working on it since the beginning of March. Come with me as I endeavor to paint what is in all honesty an excessive amount of birds
I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study
after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines
et voila
and that was a whole week on it's own so next comes the paintin' >:)
my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on
this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg 🙏
BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos
the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise
ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!
Also thank you everyone for your kind words and support throughout this whole process, it's been a genuine treat thinking there are potentially thousands of you out there cheering me on while I paint this 🥹
we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos
the 16th is looming in the distance so i'm trying to get thru these as quickly as i can so i can have as much time for the GBH as possible. i still need to do the names next to all of them so i've got about a week and a half to finish everything which is GREAT because i have adhd and nothing gets my ass in gear like a fuckin deadline, let me tell you
power couple that they are, here's bird number 12 and 13,
the Northern Cardinals, Cardinalis cardinalis
and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day 😭😭) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.
Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp
thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.
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RIP Anthony Stewart Head, an incredible actor, musician, singer, LGBTQ+ ally and activist, devoted girl dad, and father figure to many of us as we grew up.
If you EVER think Anthony Head is anything less than an angel then you’d best remember that I have always been a huge fan of his and we’ve always had a little contact over the years and he heard I’d come out as Trans and was having a hard time and that I was kind of sad that the photos I had from conventions with him were of me with long hair and no binder and they were all signed to “Sarah” and so he invited me to spend the day with him at his farm and he picked me up from the station and we just hung out and had lunch and he insisted on paying and took loads of photos and had them printed on photo paper the same day so he could sign them to Jay, along with other photos of him as Giles and Uther and he literally spent five hours chatting with me and got all of the pronoun stuff right every time and then he dropped me off at the station, gave me a final massive hug, waved me through the ticket barrier and insisted I message him when I got home so he knew I got back safe. (More HERE)
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