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@allegorypaintings
An Allegory of the Riches of the Earth
Artist: Gerard Hoet (Dutch, 1648-1733)
Date: n. d.
Medium: Oil on panel
Collection: Private Collection
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Allegory of the Alliance of France and Bavaria through the Marriage of the Grand Dauphin
Artist: Arnould of Vuez (French, 1644-1720)
Date: 1681
Medium: Oil on canvas
Collection: Louvre Museum, Paris, France
Charity
Artist: Anthony Van Dyck (Flemish, 1599-1641)
Date: 1627-1628
Medium: Oil on wood
Collection: The National Gallery, London, United Kingdom
Description
In his first letter to the Corinthians, Saint Paul outlines the importance of faith, hope and charity, naming charity as the greatest of the three. At the time this picture was painted, charity meant combining the love of God with love of one’s neighbor.
Mythological Allegory
Artist: Luteri Giovanni called Dosso Dossi (Italian, c. 1487-1542)
Date: c, 1529
Medium: Oil on canvas
Collection: Borguese Gallery, Rome, Italy
Allegory of the Transfer of the Imperial Gallery to the Belvedere
Artist: Vinzenz Fischer (Austrian, 1729-1810)
Date: 1781
Medium: Oil on canvas
Collection: Kunsthistorisches Museum Vienna, Austria
Description
The painting commemorates the historic relocation of the Habsburg imperial art collection to the Upper Belvedere palace in Vienna, marking a major step toward creating a public museum.
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Time Revealing Truth
Artist: Pompeo Girolamo Batoni (Italian, 1708-1787)
Date: ca. 1740-1745
Medium: Oil on canvas
Collection: The Rhode Island School of Design Museum, Providence, RI, United States
Faith, Hope and Charity
Artist: Studio of Francesco Albani (Italian, 1578-1660)
Date: 1578-1660
Medium: Oil painting
Collection: Birmingham Museum and Art Gallery, Birmingham, United Kingdom
Inspiration
Artist: Aby Alston (English, 1866-1948)
Date: 1899
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia
Divine Vengeance and Justice Pursuing Crime
Artist: After Pierre-Paul Prud (French, 1758-1823)
Date: After 1808
Medium: Oil on canvas
Collection: The Rhode Island School of Design Museum, Providence, RI, United States
Allegory of Reason (Mathematics and Geometry)
Artist: Attributed to Charles Lucy (English, 1692 - after 1768)
Date: 1760
Medium: Oil on canvas
Collection: National Trust Collections, London, United Kingdom
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Allegory of the Birth of the Dauphin, October 22, 1781
Artist: Francois Guillaume Ménageot (French, 1744-1816)
Date: 1783
Medium: Oil on canvas
Collection: Palace of Versailles, Paris, France
Allegory of the Creation
Artist: Jacopo Zucchi (Italian, 1540/1541 - 1595/1596)
Date: c. 1585
Medium: Oil on copper
Collection: Galleria Borghese, Rome, Italy
Description
The subject is a kind of hymn to creation, the source for which has been identified as the Psalms. The painting depicts creation, desired by God, who is portrayed as an old man with a beard, holding a book inscribed with the first and last letters of the Greek alphabet, the alpha and the omega, in a reference to Eternity, the ‘beginning’ and ‘end’ of all things.
Allegory of the Old Testament
Artist: José Gutiérrez de la Vega y Bocanegra (Spanish, 1791-1865)
Date: c. 1844
Medium: Oil on canvas
Collection: Museo Nacional del Prado, Madrid, Spain
Description
A female figure holds the book of the Seven Seals and the emblem of the Holy Spirit.
Tithonus and the Dawn (The Morning Star)
Artist: Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
Date: 1814
Medium: Oil on canvas
Collection: Louvre Museum, Paris, France
Time Unveiling Truth
Artist: Pompeo Girolamo Batoni (Italian, 1708–1787)
Date: 1740–1745
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States
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Allegory of Poland
Artist: Antoni Piotrowski (Polish, 1853-1924)
Date: 1917
Medium: Oil on canvas
Collection: Private Collection
Description
The work features deep allegorical imagery reflecting Poland's national identity and suffering during the First World War.
Hope
Artist: Emma Gaggiotti Richards (Italian, 1825-1912)
Date: c. 1850
Medium: Oil on canvas
Collection: Royal Collection Trust, London, United Kingdom
Description
Hope is represented as a seated woman, accompanied by two cherubs, who raises her hand and eyes towards heaven. The picture may have been exhibited at the Royal Academy in 1851 with the title ‘Amore in Dio’ (Love of God) and as the property of Prince Albert.