I have a question. Is it that your body is too massive for your teeny-tiny head, or is it that your head is too teeny-tiny for your big fat body?
TREASURE PLANET (2002) dir. Ron Clements, John Musker
One Nice Bug Per Day

if i look back, i am lost

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I have a question. Is it that your body is too massive for your teeny-tiny head, or is it that your head is too teeny-tiny for your big fat body?
TREASURE PLANET (2002) dir. Ron Clements, John Musker

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THE CHILD IN THE MANDALORIAN: SEASON TWO TRAILER
You know this is no place for a child. Wherever I go, he goes.
THE MANDALORIAN SEASON 2 — (Oct. 30th)
Mechanical Principles by Ralph Steiner (1930)
Every time I see this post I interpret it as an abstract critique of pornography.
“Your letter at last, my darling, and a letter that brings me great joy. Between the first one and this one, the days dragged on, I was trampling, I was losing my footing a little. Yesterday, I took a long car ride in the Alpilles. Towards evening the beauty of these countries is heartbreaking. I’ve been looking for you all day, a little blindly, oppressed by the need for your presence. The land I love was there and the being I love was far away. As the day progressed I felt more and more lost, and when night began to descend the slopes of olive and cypress trees, I was in a dreadful sadness. I came home with this sadness and I’d rather not tell you the thoughts I was rolling. This morning your letter pulled me out of that ugly well.
I marvel every time you tell me how much you love me. I tremble as it all falls apart. But yet I find your accent persuasive. Yes, it is true we come back to each other, truer and deeper perhaps than we were. We were too young (me too, you see) but we are not too old to take advantage of everything we know: that is wonderful. I will send you the modifications of your role*. I sent them to Paris to have them typed. I did add an act that I threw in the air. I just focused on getting the judge’s scene into the rest of the play and I used your character. It gives you a little bit more text and gives you an appearance of plausibility. I’ve also made a few additions that don’t concern your role and that I’ll show you. But everything I’m doing right now disgusts me. Even and especially La Corde (provisional title again). Luckily you found a way to help me in this case. What you’re telling me encourages me to write to Hébertot and tell him I’m not sure I’m ready. This would give me more time and perhaps the strength to take it to the level where I would like to see it. Thank you, darling.
I’ve been saving for last what I can’t tell you right now. But the nights are hot here and sometimes I can stand at the window and breathe and soothe the blood that beats too fast. I wish that we get up at the same time and that through the thousand kilometers that separate us our two desires will bring us together. Nothing is more beautiful, more proud and more tender than the desire I have for you… But you see, I must stop. It’s late and I wish you good night. Not without thanking you from the bottom of my heart for the joy you bring me and the love you give me. Soon, soon, my savage, my beautiful… How I kiss you!”
— Albert Camus to Maria Casarès, Correspondance, August 21, 1948 [#32]
*In the State of Seige

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“I, the sculptor, am the landscape. I am the form and I am the hollow, the thrust and the contour”
— Barbara Hepworth, Barbara Hepworth: A Pictorial Autobiography (via architecturefiles)
V FOR VENDETTA (2005) dir. James McTeigue
“Je crois que le sentiment, vous entendez bien – le sentiment –peut faire tout entrer dans l’esprit d’une femme ; seulement ça n’y reste pas souvent […] Nous regardons tout à travers le sentiment. Je ne dis pas à travers l’amour – non – à travers le sentiment, qui a toutes sortes de formes, de manifestations, de nuances. Le sentiment est quelque chose qui nous appartient, que vous ne comprenez pas bien, vous autres, car il vous obscurcit, tandis qu’il nous éclaire.”
—
Guy de Maupassant - Notre Cœur
English:”I believe that sentiment – feelings,you know – can make a woman’s mind grasp anything ,only it doesn’t always stay […] We see everything through feeling. I’m not saying through love – no,through feeling,which takes all kinds of forms…manifestations ,nuances.Feeling is what belongs to us ,and you don’t really understand it because it……darkens you,while it illuminates us .” Maupassant, Alien hearts ,translated by Richard Howard
Solar system - Sun, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune and Pluto
Credit: NASA, ESA, SDO, Messenger, Mariner 10, Apollo 17, Rosetta, Hubble, Cassini, Voyager 2 & New Horizons

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Inside - Vadim Sadovski
Forbidden Lindor….
Ralph McQuarrie’s Star Wars concepts
Greenland by Nick Bondarev

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Art by Denis Bodrov
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American Cinematographer July 1977. This rare issue has been one of my holy grail collectibles for a long time. It’s full of superb in-depth articles on the special effects and optical effects of Star Wars. I’ve included just the colour pages of the issue’s massive 27 page Star Wars coverage, there’s many more black and white pages too.