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I painted the skies for her

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STOP MAKING EVERYTHING MULTIPLAYER I DONāT HAVE FRIENDS YOU ASSHOLESĀ

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āDonāt wait until tomorrow. Do it today. Feel it today. Live your life to its fullest, not next month or next week, but today. Right at this very moment.ā
ā Nicole Addison @thepowerwithin

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oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half - because really, the first half is pretty much a comedy - but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised - they didnāt know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesnāt specify exactly how the whole ātake their lifeā thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison - but BAM he died and they all cried out - and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and thatās the story of how Shakespeare nearly started a riot at a juvenile detention centre
Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh
honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future
I played Claudio once and I fully support this
āWhen we took Shakespeareās āMeasure for Measureā into a maximum security womanās prison on the West Sideā¦thereās a scene there where a young woman is told by a very powerful official that āIf you sleep with me, I will pardon your brother. And if you donāt sleep with me, Iāll execute him.ā And he leaves the stage. And this character, Isabel, turned out to the audience and said: āTo whom should I complain?ā And a woman in the audience shouted: āThe Police!ā And then she looked right at that woman and said: āIf I did relate this, who would believe me?ā And the woman answered back, āNo one, girl.ā And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. Thatās what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, itās what makes theater great, period.ā
Oskar Eustis