black mackerel tortoiseshell tabby (torbie) with low white spotting
Ęuį“ŹŹods ĒŹį“É„Ź Źol É„Źį“Ź (Ēį“qɹoŹ) ŹqqÉŹ llĒÉ„sĒsį“oŹÉ¹oŹ lĒÉ¹ĒŹÉÉÉÆ ŹÉÉlq
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ojovivo

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Love Begins
let's talk about Bridgerton tea, my ask is open
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Today's Document
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Three Goblin Art
macklin celebrini has autism

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Monterey Bay Aquarium
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@aekellogg
black mackerel tortoiseshell tabby (torbie) with low white spotting
Ęuį“ŹŹods ĒŹį“É„Ź Źol É„Źį“Ź (Ēį“qɹoŹ) ŹqqÉŹ llĒÉ„sĒsį“oŹÉ¹oŹ lĒÉ¹ĒŹÉÉÉÆ ŹÉÉlq

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Cobwebs and Silks
Once upon a time, there was a woman who wished she could do something wonderful, like spin straw into gold. She visited the neighborhood witch and offered her firstborn child in exchange for the talent. Grimfeasance agreed. (She was an ugly old woman whom not many people liked, so she thought a child would be nice to have around.)
Once upon approximately the same time, there was a man who broke into a witchās garden to steal her golden roses. When she caught him, he offered his firstborn child in exchange for escape from her wrath. Maloire agreed. (She didnāt want a child, and would have sold the roses for a few pennies, but something told her this man would have been a terrible father.)
One year later, the man with the golden roses met the woman with the golden straw. One year after that, they realized they were in love. And one year after that, they got married.
All of this was very unsurprising. Stories have a way of working themselves out, especially in the fairy-tale lands which witches tend to populate. Itās improbable that this man and this woman could have ever lived out their lives without meeting and falling in love with each other.
One year after that, they had a baby daughter.
Grimfeasance and Maloire appeared in the babyās nursery at the same time. They were not happy to see each other.
āThat little girl is mine!ā shouted Grimfeasance.
āThat little girl is mine!ā screeched Maloire.
There was no winning side to the argument. They both had equal claim to the firstborn child of the man and the woman. Splitting her in half would have been impractical, because that would very shortly leave them with zero living child. There was only one other option.
They had to compromise and carry her off together.
Keep reading
I'm still fond of this story I wrote forever ago
Over the Rainbow
by Anastacia Kellogg graphics by Harmonie Phan
In the civilized countries there are no witches left, nor wizards, nor sorceresses, nor magicians. In the civilized countries there are no towns delicate as china, nor cities made of jewels. In the civilized countries there are no armies of pretty faces and knitting needles, nor wild beasts with grace and manners, nor boys who turn into princesses wearing flowers and gauze.
But, you see, the Land of Oz has never been civilized.
On a warm, pleasant day, which had been spent half attending to important affairs of ruling and half doing nothing at all, Ozma suggested to Dorothy that they should go on a journey together to a corner of her kingdom that they had not yet visited. āAfter all,ā she said, āit has been a curiously long time since our last adventure, and I am not used to so much quiet!ā
Ozma was the Ruler of Oz, and though she looked like a young girl she was widely considered to be the fairest and the kindest Ruler the country had ever had. Dorothy Gale had once been a little Kansas girl, but was now a Princess of Oz and Ozmaās constant companion.
āWe shall make it a whole procession,ā said Ozma decidedly, āand weāll invite anyone who wants to come along. And you must bring your aunt, for she has seen so little of the beautiful country for all her time here.ā
āIām sure sheād be glad of the trip,ā agreed Dorothy.
āYou know, my dear, itās very strange, but she continues to be a mystery to me. That is, I always find her a touch odd when we speak, and I never know why. Perhaps it is because she isnāt from Oz to begin withābut then, neither are you. You must tell me more about your Kansas!ā
āThere isnāt much to say ābout it,ā replied Dorothy. āLeast, not that I havenāt already told you.ā
āBut youāve told me so little,ā said Ozma. āI know of your farm, and your fields, and your cyclone cellar. But here in Oz you have travelled from one side to another, and you have brought back so many stories that you must know my own kingdom better than I do!ā
āThatās difārent,ā said Dorothy. āOz is very new and queer to me. You know I grew up on the prairie, where everything was gray. You could travel for miles across that country and still see everything looking the same, but you canāt go more than ten feet in Oz without meeting someone stranger anā stranger.ā
Dorothy was ten years old, sitting on the broad Kansas prairie, and had just found Aunt Em softly crying while Uncle Henry tried to comfort her. Then Dorothy asked them to tell her what was the matter. They had not told their niece the sad news for several days, not wishing to make her unhappy, but now they told her how desperately poor they were, how they were about to lose the farm and the house, how uncertain they were of food. The girl listened quite seriously.
āDo you suppose you could manage to return to your fairyland, my dear?ā asked Aunt Em.
Uncle Henry shook his gray head doubtfully. āThese things all seem real to Dorothy, I know; but Iām afraid our little girl wonāt find her fairyland just what she had dreamed it to be.ā
They were uneasy, for this is a practical humdrum world.
Every morning, they stopped for Bill, the Yellow Hen, to lay her daily egg. Aunt Em waited impatiently to collect it, an old habit of hers from living on a farm
āI canāt undārstand why she wonāt let me put the āeenaā on the endā declared Dorothy earnestly to her friend as they stood to the side. āSurely āBillinaā is a prettier name than āBillā anyway.ā
āOh, it isnāt any concern of yours,ā said Ozma carelessly. āAnd if itās such an easy name to change, perhaps thereās really no difference between them.ā
āBut itās all wrong, you know.ā
Ozma looked sternly at the Kansas girl. āReally, Dorothy, thatās a rude thing to say about anyoneās name.ā
Dorothy, as even her friends had to admit, had one notable deficiency in speaking, which was that she did not often think before she did it. She felt rightly embarrassed by that now, however, and tried to mend matters by explaining, āItās just that all the Bills I know have been bāā
āāhave lived in Kansas, not in Oz. Perhaps you find her name unusual, Dorothy, but everything in life is unusual until you get accustomed to it.ā
āI sāpose so,ā replied Dorothy with her pride a little bruised, for she did not like arguing with her friend.
āAfter all,ā said Ozma, āis Billina a girl?ā
āNo-o-o,ā said Dorothy, āsheās a yellow hen.ā
āThen perhaps it is best left to a yellow hen to decide what name is right for a yellow hen.ā
Read moreā¦
"DisIdentifications" is our record third print of the year and OutWrite's first collection of creative works. In these lovingly crafted stories, poems, and artworks, you'll find myths and folk tales reworked from a queer lens and transformed for our community.
DisIdentificationsĀ is a collection of queer interpretations of fairy tales, folk tales, and mythology.Ā From a group of UCLA students known as OutWrite, this is our first collection of creative writing.Ā
My story,Ā āOver the Rainbow,ā begins on pg 6.Ā
In this edition of OutWrite, our writers and artists explore their personal journeys to affirming, valuing, and validating themselves. Centered around the theme of self-love, this edition speaks to the power and potential that every individual possesses when they are aligned with their own beautiful and unique spirit. Self-love is an embodied form of resistance to scrutiny and violence aimed at the queer community. It is, in practice, a radical act of breaking beyond boundaries and defying limitations that society has attempted to uphold.
My print-only articleĀ āDualā can be found on pgs 22-23 of OutWriteās Winter 2018 print edition.

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Dual
The air is so cold it feels like itās going to take my nose right off my face and shatter my skin like the surface of a frozen puddle. Iām taking photos of charred-black rafters, burnt linoleum floor, book pages scattered in the snow and crumbling darkly like a scene from Fahrenheit 451. Thereās something almost artistic about it that I want to capture, but my phone, at half charge when I began, dies before I get through the front room. Technology is no better at handling the cold than is my California-freckled nose. An orange cat darts across one of the few roof supports left. This used to be a perfectly serviceable home.
Through creative non-fiction, short stories, personal and visual essays, poetry, original graphics, and long-term research, OutWriteās 2016-17 staff members have cultivated a space to engage with American instability as well as their own positionality as LGBTQ students. Our 2017 issue is focused on brave and conscious explorations of personal and public identity, and the overall impetus to build a stronger sense of love, dialogue, and understanding within LGBTQ communities. While we recognize that this is a long-term goal not to be achieved with the publication of one magazine, we present here some critical conversations and artworks generated when LGBTQ students work together to further their understanding of disparate identities. Shayna Maci Warner, Editor in Chief
My article āShip Happensā can be found on pgs 28-30 in OutWriteās Winter 2017 print edition.Ā
Peppermint Tea
smells of Ā Ā Ā Ā Ā candy cane Christmas trees Ā Ā Ā Ā Ā and the warmest kind of clean
and tastes of Ā Ā Ā Ā Ā bitter tears Ā Ā Ā Ā Ā and water.
starts at 4:57
Stories My Grandfather Has Told Me
Dizzinesses
Simile 130
Trying
(ugly girls) we keep our smiles pulled back over crooked teeth, our eyelids patterned red and white, foreheads lumpy and noses spotted, our eyebrows heavy and dark, cheeks picked and pitted and mined. (ugly girls) we cross our arms on tables that rub our elbow skin raw, we touch our wrists to remember our bones, laugh practiced laughs if we're lucky, stretch our necks out like giraffes, tap our fingers in echoes of your voice. (ugly girls) we lean into the lamplight, drag it harshly over our cheekbones dungeon it in bags under our eyes, snarl our way into your sight. (ugly girls) we never got to choose to command your notice or be ignored (ugly girls) we push through with what we have, which is (what is) (ugly girls)

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starts at 2:15Ā
Perfume
A guide to spotting fair folk at rest stops
and other liminal spaces:
Real humans will not wear high heels on road trips. Watch for shoes that should not be able to make their way over desert sand, over dried up pet area grass, across puddley restroom floors.
If a woman sits down with her child and a bag full of watermelon and they donāt say a word to you, theyāre probably safe. If you donāt recognize the fruit in the ziploc bag, it is time to run. Do not let them offer you a piece.
The little plump girl with her two too-friendly dogs is trying to distract you from the strangeness of her eyes.
He is the seventh person you asked for jump cables after your battery died. Help is hard to find at 3 a.m. You spill your entire story to him ā where you were, why you fell asleep with your headlights on, the names of your children sleeping in the backseat ā and he nods and listens with a smile that you trust. Heās tall and thin and clutches a box in his long fingers. His voice is kind. He doesnāt ask for payment. He doesnāt have to.Ā
After he climbs back up into his mountain of a truck, you find a frog hopping across the parking lot. You are nowhere near a lake.
Mermaid Tears
Trying
Net
episode starts at 2:30
Dizzinesses
i. You walk me from trash can to trash can, pull me the last few feet when my eyes close and I can't make it any more. You hold me in a restroom stall, run your hand over my shivering skin as I grumble about unfairness and having plans. You envelop me on a Sears display couch and love my sickness away and love me through the waves of nausea and love me at my worst. ii. You hold me in a changing room, pull me against you as voices sound too-loud outside, play with my breathing in the quiet, you search out every little gasp. You crush me against you as I fall sideways, you hold me fast with smiles and kind words as my feet lift off the ground. iii. You worry about me at one a m, but I tell you I'm busy writing poetry. This is an eyes-falling-shut poem, this is a worth-the-headache poem, this is a poem composed on borrowed time. I'm wobbling into you and your words and making promises I'll collapse before I keep.Ā
This is the summer of no rain.
This is the summer of thunder in the air and humidity seeping from the trees. This is the summer of desert sand crunching underfoot. This is the summer of burning sun and shivering clouds.
We were promised rain. We were promised a constant, a deal made in the currency of bated breaths and shielded faces. A summerlength of eyes raised to the sky despite its blinding brightness, three solid months of sweat on our upper arms and streets getting steeper and steeper with each step and sunburned skin crinkling at the base of our necks. Three solid months of a forest dryer than firewood holding its breath. A summerlength in exchange for one day.
But this is the summer of one day a summerlength long. This is the summer of clouds in the air when we rise and burned off by the time we finish breakfast and broiling hot when we decide we need a swim and cloudy and cold the moment we touch the water and sweaty sticky heat again by dinner.
It snowed one year on the first day of June, but that was normal. This is not.
A summerlength in exchange for one day, that has always been the unspoken bargain carried in every heart and wallet and mind and eye and purse. One day of the sky ripping itself to shreds behind a cumulonimbus modesty curtain. The ground liquefying and pouring in rivers of soil across the street. The highway flooding, stones and boulders flinging themselves under rubber wheels to the sound of fireworks. Raindrops thick and heavy on faces, on shoulders, on braided hair. Nobody uses an umbrella, and everybody breathes in, just once, and holds that breath until October.
But this is the summer of the broken promise. This is the summer of the false modesty. This is the summer of the soil too dry to bleed. This is the summer of humidity so thick, so near, I canāt breathe.
This is the summer of no rain.
[original post]

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A Guide to Spotting Fair Folk at Rest Stops (and Other Liminal Spaces)
starts at 14:42
These are the stories my grandfather has told me
more than three times each so far:
i. When I moved to Cedar Rapids, I got a job right away, which was fortunate, because I had a wife and kids on the way (my grandmother interjects: I was out to here with Pam) and that job was at Square D. We did electrical testing. They taught me everything I needed to know on that job, and I got forty five years there, and I eventually I became lab manager. And once in a while I got to make fireballs, and one time one blew out the side of the wall, but that one wasnāt my fault. The buildingās still there. Itās by the side of the interstate. I forgot which one.
ii. What state are you from? Do you know Pam? (Pam is my aunt. We stopped at her house on the way up here.) Oh yes yes, I asked you that already.
iii. See this watch? Itās a cheap watch but it tells good time. I angle it to face California each night, but I donāt think it can reach the signals from way out there. Hereās the hook I hang it up on.
iv. You had a long drive to get here. Once I flew from here to Florida (I think). I was the copilot, but the pilot was so busy playing with the instruments that I flew the plane. It was all the way from here to Florida. And when we got there, I said, āokay, now you land,ā because I wasnāt authorized to land the plane. But I got us there, all right. I got us there.
v. What state are you from? You donāt have much testing out in California, do you? Thereās a nuclear plant just down the road a little here, and I have an arrangement with a girl -- I should say a lady -- and I do testing and I inject little problems into their drills, make believe problems, shake up their routine. All make believe, of course. I volunteer.
vi. He has only told me once so far about the house floating down the river with people on the roof while he took a photo from above. (He was in Civil Air Patrol. Somehow I never knew.)
vii. What state are you all from, again?