ed sheeran // shape of you
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ed sheeran // shape of you

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I want to come back to this blog!! I probably wonât be on super often but I want to really challenge myself by writing different characters and I think the best way to do that is by going on my other blogs, not just Peggy and Hayes!! So LIKE THIS for a small starter!!!
                   â we all fled on our own. for this. for YOU. â
                        INDIE + SEL CRESSIDA of THG                               written by colby
Natalie Dormer by Giampaolo Sgura for Vanity Fair Italy (March 2016)
Natalie Dormer Arriving at the Capital FM Radio Studios (February 17, 2016)

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DONT
        PIN MY MUSE MEME | X | ACCEPTING.Â
   X | Send âDONTâ to pin my muse against the wall to prevent them from LEAVING
  She would have given herself up for any one of the Rebels, any one of her FRIENDS. That was just the way this was supposed to go, wasnât it? That was WHY SHE WAS HERE. Though there was one person who she wouldnât even think twice about living for, dying for. She would have done anything for Katniss, STILL WOULD. Which is why she would do this, because she knows how this ends and she wonât let this E N D take Katniss with it. And sheâs almost gone, nearly out the door, almost COMPLETELY ignored the words of protest coming from the younger woman behind her before sheâs shoved against the closest wall. A huff of air escapes her as she looks up, her arms bound to her sides by the girl much taller than her.             â let go. you have to let me go, Katniss.  you donât get to make this choice for me. â
        âI conducted my own investigation because                   NO ONE LISTENS TO ME.                   I got away with it because                    NO ONE LOOKS AT ME.             Because, unless I have your reports,                               your coffee,                      or your lunch,                                                        âââââ    IâM  I N V I S I B L E.â IND. + SEL. MARGARET CARTER | X | WRITTEN BY COLBY
PIN MY MUSE
Send âUNFâ to pin my muse against the wall with DESIRE
Send âUGHâ to pin my muse against the wall from FURY
Send âDONTâ to pin my muse against the wall to prevent them from LEAVING
Send âAHâ to pin my muse against the wall but letting a RANDOMIZER choose
Natalie Dormer for Womenâs Health Magazine.
IMAGINE DRAGONS || starters
feel free to change pronouns , etc . ( )s resemble optional choices . more under read more .
â  oh, this is just my luck. â â  ( even if my way is wrong ) i keep pushing on and on and on and onâŚÂ â â  i can hardly stand myself. so what am i to you? â â  i cannot breathe. â â  your eyes, they shine so bright. ( i want to save that life. ) â â  donât get too close, itâs dark inside. â â  itâs time to begin, isnât it? â â  my age has never made me wise. â â  if i told you what i was, would you turn your back on me? ( would you be scared? )â â  welcome to the new age. â â  iâll admit iââm just the same as i was. â â  i wonât have it any other way. â â  the path to heaven runs through miles of clouded hell. â â  itâs a revolution, i suppose. â â  donât look back. â â  i said it before, i wonât say it again. â â  donât wanna let you down. â â  iâm just a slave unto the night. â â  you can leave now, itâs your choice. â â  remember when i broke you down to tears? â â  this road never looked so lonely. â â  and all these sorrows i have seen, they lead me to believe, that everythingâs a mess. â â  donât you understand that Iâm never changing who i am? â â  this is no place to build your home. â â  the shadows on my wall donât sleep ( they keep calling me . beckoning ⌠) â â  iâm dying to feel again, oh, anything at all. â â  love is a game to you. â â  they donât see me come, who can blame them? â â  weâre painted red to fit right in. â â  your time will come if you wait for it. â â  but with the beast inside thereâs nowhere we can hide â â  they never seem to catch my eye but i never wondered why. â â  iâm sorry, mother ⌠iâm sorry, i let you down. â â  i wanna shelter you. â â  but the rain wonât fall for the both of us. ( the sun wonât shine on the both of us. ) â â  i couldâve gave up then, but then again i couldnât have, âcause iâve traveled all this way for something. â â  i wonât fall asleep. â â  iâm giving up.â â  thereâs nothing left to say now.â â  when you feel the heat look into my eyes.â â  get up now, get up. â â  i know i took the path that you would never want for me. ( i know i let you down, didnât i? ) â â  about time for anyone telling you off for all your deeds. â â  you kiss and you kiss and you love and you love. â â  try to hear my voice. â â  been dreaming of this since a child. â â  will you trust me when i say that iâll make it up to you somehow?â â  make no excuses waste of precious breathâ â  life isnât always what you think itâd beâŚturn your head for one second and the tables turn. â â  itâs hard, believe me ⌠iâve tried. â â  make no excuses waste of precious breathâ â  emptiness is all you know. â â  now remember when i told you thatâs the last youâll see of me? â â  you said yourself fantastically, âcongratulations you are all alone.â â â  i love to be the underdog! â â  if you love somebody , you better tell them while theyâre here âcause they just may run away from you. â â  iâm sorry, lover. â â  iâve been waiting to smile. â â  come with me and we will run away. â â  these days Iâm fine â no, these days i tend to lie.â â  iâve got a lot thatâs on my mind. â â  i gave you hell through all the years.â â  i canât escape this now, unless you show me how. â â  i know itâs hard when youâre falling down and itâs a long way up when you hit the ground. â â  my mind is made up nothing could change that. â â  iâll bleed out for you. â â  i count my sins and i close my eyes and I take it in â â  your eyes are red. â â  what was right is wrong. â â  where do we go from here? â â  tell everybody, brothers, sisters, the ending is coming. â â  everything is serious and everything is fatal. â â  donât tell me that iâm wrong. â â  when everything is falling iâm gonna do the things you do. â â  what was right is wrong. â â  help me be a little more like you. â â  will you just wait until i die? â â  i donât sleep so well at night ( waking up and shivering ) â â  are they telling me itâs gonna be okay? â â  i threw some rocks up at your window. â â  iâve told a million lies but now I tell a single truth. â â  iâm wishing youâre here but iâm wishing youâre gone. â â  iâm looking for a way to escape. â â  i canât have you and iâm only gonna do you wrong. â â  i shot a whole through every single thing that i loved. â â  wmy sense of fear is running thin. â â  thereâs always time to change your mind. â â  now you canât tell the false from the real. â â  youâll no longer fear when your heartâs turned to gold. â â  i want to believeâŚÂ â â  iâm going to mess this up. â â  iâm starting to cave. â â  run for cover. â â  tell me what i am to do. â â  from the second that i was born it seemed i had a loaded gun. â â  first comes the blessing of all that youâve dreamed, but then comes the curses of diamonds and rings. â
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                       â and my heart is a hollow plain                                     for the devil to dance again                                     and the room is t o o quiet . . â
  SHE IS LIKE A CAT IN THE DARK, AND THEN SHE IS THE DARKNESS.
My memory of The Forest is kind of like waking up the day after, where all the days merge into one and you donât know what day youâre in anymore. Itâs either one memory, or itâs like 37, of standing in a forest in the dark, trying to negotiate the cold and the mosquitoes - which seem like they should not be in the same place at the same time - running around and screaming a lot. I have that recurring memory because it happened a lot.
CONTINUED. | | @ofembersandarrowsâ
Katniss had just fought through hell and back again, over and over, many times before but this fightâŚthis battle scared her more than any before. For once, she had more to fight for than her just her life and her sisters. For once she felt like she had more to fight for than just her family. She had people, more specifically someone, and that someone was here. Fighting with her. Cressida was not some damsel in distress, she knew that, but at the same time she had watched so many people die over and over again in the last few years of her life she was terrified that if she lost sight of Cressida here, now, she wouldnât get to see her again.
Arrow after arrow flew from her bow as she fought her way through. Even once or twice just outright smacking people with it in the face just to get them out of her way but after a while she just had to wait. Scared, alone, she fought until there was no one left to fight. She fought until the enemy was gone and all she had left to do was look.
âCressida-â She called out, her voice cracking in the panic she felt. âCressida!â each time she called she felt less and less hopeful that sheâd find herâŚthat sheâd see her again, hold her-
âCRESSIDA!â She shouted at the sight of the blonde, ignoring all others as she took off, running through the people, dropping her bow and quiver just before she opened her arms and ran right into her. Jumping up to attempt to wrap her whole self around her. She was alive she was okay at least she looked okay. âCressida- youâre alive. I- I thought. I was- I was so scared!â She could barely speak, trying not to fall over as she refused to let go. Her panic already set in too much to calm down even now with Cressida in her arms.
    She can take care of herself, she always could. Of course, the weapon and the training she received in 13 are certainly pluses. Somehow theyâd gotten separated. This would have been much easier for BOTH of them if theyâd been fighting side by side. Cressida had her eyes on Gale and Pollux, but she couldnât find the one person she was looking for. Her head whipped back and fourth through the crowds, through all the alleys and the buildings & she still canât find her. But thereâs an echo, a sound that makes her stop and listen and whens he realizes what it is her heart drops. The gun is hanging from her back, jostling and hitting against her uncomfortably when she runs but she doesnât care, she has to get to her. It clears, and Cressida is still looking back and fourth, back and fourth before she hears her name called again, this time up close.      Before she knows it the breath is knocked out of her and sheâs LUCKY that sheâs strong because the force nearly sends her to the ground but she manages to steady them, breathing out a sigh mixed with a strangled so- und,  almost like a whimper. The blonde woman is trying to remember how to BREATHE but her arms go around Katniss instinctively, holding her tight enough that sheâs concerned about the bruises that might be left in her side and her arm. Cress squeezes her arm lightly, eyes shutting as she letâs herself take a minute to remember that they are okay. That Katniss is okay.  â Katniss. Kat, Iâm okay, Iâm here ââââ itâs ââ are you, are you okay? God, I thought I lost you, I â I didnât see you anywhere and, â  She stutters, her voice muffled anyway against the younger girlâs neck where her face is pressed, inhaling her scent to prove to herself that itâs real. That theyâre fine. She finally pulls back, but the girlâs arms are still around her so tight that she can barely breathe but she doesnât mind a bit. Her small hands come up, covered in dirt and smeared with blood that might belong to her or to someone else, and they rest on Katnissâ face, thumbs brushing against her cheeks as she looks at her, just looks at her waiting for some sort of injury confession or waiting for nothing at all, she doesnât know. All she knows is that, from what she can tell, that sheâs okay & somehow, thatâs all that she can get her brain to believe matters. â you donât have to be scared. Iâve got you. âÂ

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Natalie Dormer photographed by John Russo for Marie Claire Mexico (February 2016).