Éric Rohmer - Four Adventures of Reinette and Mirabelle (1987)
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Éric Rohmer - Four Adventures of Reinette and Mirabelle (1987)

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Jericho Brown, "To Be Asked for a Kiss"
Au hasard Bresson (1967) dir. Theodor Kotulla
Borges, “A Writer’s Destiny”
marie howe, in an interview with krista tippett of on being
from marie howe’s 2017 collection of poetry, magdalene

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keith haring, oct 14 1978 // here’s something they don’t tell you about flower arranging //ad reinhardt, how to look
true auteur shit
Borges, “A Writer’s Destiny”
anne carson

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Alejandra Pizarnik, tr. by Yvette Siegert, "Extracting the Stone of Madness", Extracting the Stone of Madness: Poems 1962 - 1972
"Pero no hables de los jardines, no hables de la luna, no hables de la rosa, no hables del mar. Habla de lo que sabes. Habla de lo que vibra en tu médula y hace luces y sombras en tu mirada, habla del dolor incesante de tus huesos, habla del vértigo, habla de tu respiración, de tu desolación, de tu traición. Es tan oscuro, tan en silencio el proceso a que me obligo. Oh habla del silencio." — Extracción de la piedra de la locura
oh god it must feel insane to play guildenstern every night and say that line at the end "There must have been a moment, at the beginning, where we could have said--no. But somehow we missed it. Well, we'll know better next time." Like an audience only has to see it play out once but as that actor every single night for months you have to watch this character re-forget and make the same choices and fight against the same tide towards the inevitable conclusion and swear that there's a way to do it differently next time. rinse repeat.
In the Globe's recent Titus Andronicus every character carries a candle representing their life. Those candles end up getting snapped and smashed and cut up on so many ways.... And then carried into the candle making vat which is on stage at all times to be turned into the candles which will be used in the next performance.
One of the most powerful images of inevitably and cyclical violence I've ever seen.
“Writing is writing what you cannot know before you have written: it is preknowing and not knowing, blindly, with words. It occurs at the point where blindness and light meet.”
— Hélène Cixous, from Three Steps on the Ladder of Writing (tr. by Susan Sellers) (via xshayarsha)
Emily Brontë’s writing desk and its contents
Don’t repost
my secret jealous lover (my work) is always there waiting for me (big vegan pastry)

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Bruno Barbey. China. Guangxi province. 1980.
david hockney with his dachshunds stanley and boodgie