Part of her 1979 essay âThe White Albumâ is a packing list: âTo Wear and to Pack,â one of her most iconic pieces of prose, oft-shared among women who have literature degrees and an interest in not appearing slovenly. The list starts off with a tone of practicality â two skirts, she writes, two jerseys, one sweater. And then the list takes on an epicurean slant: Didion will also travel with her ânightgown, robe, slippers; cigarettes; bourbon.â But itâs not until the end of the list that we learn the tripâs not a vacation: sheâll bring a mohair throw and a typewriter and legal pads and her files. Crucially, Didion goes on to explain, after this catalog of items:Â âThis is a list which was taped inside my closet door in Hollywood during those years when I was reporting more or less steadily. The list enabled me to pack, without thinking, for any piece I was likely to do.â These are the two sentences I wish I could print onto business cards and hand out to those readers who question her interest in clothes. Sheâs not just wearing the skirts sheâs packed; sheâs reporting in them. Sheâs not just reporting in them; sheâs writing the greatest New Journalism of the 19th century. Sheâs wearing the skirts while sheâs writing a bestselling novel and later when sheâs writing a bestselling memoir that would win the National Book Award. Sheâs wearing them while sheâs taking pains to craft a voice, startling, anxious, and razor-sharp, that the world will try to dismiss.
Claire Luchette, âWhy Joan Didion Writes âSo Muchâ About Clothesâ (via Racked)










