Hanniballs

Mock-poster sketch for an animatic I've dabbled with now and then.

Saw this and thought Tintin would be like;

Rudolf Swoboda - Shanker Girr (1886-1888)

Peak short film I made w some friends

Based on the game Chants of Sennaar (Music is from the game)

I love this 40-second oner that opens The Lost World. The scene starts as a distant shot of the yacht floating offshore. The ocean dominates the frame, already creating a sense of isolation. Then the camera begins a slow pan to the left. As it moves, members of the yacht's crew enter the frame. The shot could have ended there, but Spielberg keeps layering information. We follow a waiter pouring champagne, then carrying the glass to a man relaxing in a chair. A sandwich is handed to a little girl, and the camera suddenly shifts its attention to her. We follow her as she runs past her mother, who begins arguing with her husband about whether the child should be allowed to play on her own.

What's remarkable is how effortlessly the shot transfers our attention from one subject to another. The camera doesn't simply wander around the space. Every movement introduces a new piece of information and gently redirects our focus. By the end of the shot, we've gone from a yacht in the distance to the family at the center of the scene without ever feeling the hand of the filmmaker pushing us there.

It's, it's just that dragons are the primordial embodiment of avarice wrought into fire and flesh. They are truly, supernaturally good at finding large amounts of valuables, that's why the big mines hire those Dragon Scouts to go sniff out their lairs and mark them on the maps as potential mining ventures. You know, in case someone slays the relevant dragon. Which doesn't happen often because, milord, they are simply not that easily slain.

No I know you've hired many knights, blooded warriors and true. Yes, I was there when you gave the ten most impressive ones their special sashes. Very grand, very high honors, of course. Ehm. It's just, none of them have ever actually faced a dragon. Yes no I know Sir Edbert says he did but Sir Edbert is rather notoriously prone to exaggerated and tragically unverifiable tales---

Well no milord of course I would not doubt the word of a sworn knight. Perhaps his sobriety, but not his word, as such.

The point is that the grand treasury, while surely grand and a very special notion, is just... it is mayhaps not the ideal way of handling the realm's finances? Perhaps a series of smaller vaults, capped well below the dangerous wealth threshold at which gold is known to whet the appetite of colossal winged harbingers of death, in different corners of the realms or...?

No, I, yes well I do realize that will impede anyone's interests in coming into the vault to hurl around the gold coins and go "whee, I'm so rich!" I am aware of its deficiencies as a plan in that regard. No, I see I've misjudged a few things.

Actually, thinking on it, milord, I truly believe what you need is a fresh set of skilled wizards on this job. The court magician and I, we cannot keep up with your visionary thinking. We're too old-fashioned. But the wizards revolutionizing the eldritch academies seem to be more on this sort of level. I hear they've made some truly remarkable choices in terms of outsourcing all of their spellwork to the Ever-Whispering Void, such that it takes mere minutes for them to set up an entire defensive array. That's just the sort of innovative thinking you require.

When you're talking about the design of the boat, you say "it".

When the boat is still being built, your say "it".

When the boat is nearing completion, you can say "it" or "she".

When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".

When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.

If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").

If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")

If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").

If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.

If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.