ā¦But itās not what it sounds like. I donāt need to be the centre of the stage, to have the whole world looking at me, I just want my story to matter somewhere. I want my pain to move someone, my sorrow to linger in other hearts, so I might not feel so alone in my own. I want my unsung cries to be heard, the thoughts I let rampage my silence, this empty, lonesome violence. I want someone to get it. Iāve spent my whole life wondering why I never mind living in the background of moments, but need so desperately to never be erased by them, why I speak a little louder when strangers are eavesdropping, perform a little wider when I feel an archetype of me forming in someone elseās mind. I have to exist in others, or I hardly exist at all. I have to believe the words I never write on paper donāt turn to dust, loose fragments and sparks of neurones fizzling out like we will one day. Like everything does. I fear that so much. Not death, not the end of my experience or the pain or the goodbyes⦠just the ceasing of everything. If my truths can be as traceless as one thought passing to the next, then canāt I fade just as fast? Too quick for anyone to notice? What if this life doesnāt give us enough time to matter, and I spend all of it trying to? It never used to make sense to me why Iām like this, but itās not such a shocker that a story teller finds her own value in the way she is perceived, in the stories she creates with others. No wonder her biggest devastation is when she messes it up. How many villains can I be at once? How often will my insecurities be my own prophecy? I canāt win in this script that no one is following. Thereās no director telling them to care. How many times can my monologues spill onto the pavement before I realize thereās no art here? Not if no one is looking.