My favourite moment from Lady Ishtar's Fem!Ciel Mermaid AU Fantaisie.
The first time the little pearl saw Vincent's true form as a merman.
For my dearest friend, @sweetmoonbunny. 💚🌹
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❣ Chile in a Photography ❣

tannertan36


shark vs the universe
Show & Tell
The Stonewall Inn

oozey mess
Cosmic Funnies

Game Changer & Make Some Noise

Andulka
Monterey Bay Aquarium
ojovivo
Mike Driver
Doug Jones
TMBGareOK. The Official They Might Be Giants tumblr

#extradirty

pixel skylines
almost home

seen from Bangladesh
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@a-dissociated-witch
My favourite moment from Lady Ishtar's Fem!Ciel Mermaid AU Fantaisie.
The first time the little pearl saw Vincent's true form as a merman.
For my dearest friend, @sweetmoonbunny. 💚🌹

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nosferatu by Godmachine
sebastian’s true demon form
the vision was stuck in my mind i had to draw it outXD
The cloister ruins on Hovedøya in the Oslofjord, 1863
humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this

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vampire
siren
werewolf
unicorn
wizard
fairy
selkie
demon
jackalope
angel
ghost
elf
in all honesty idgaf if adaptations of classic stories change up the plot the themes and the characterizations if its doing with a purpose and in the name of a fresh new angle. the problem is just that a good chunk of adaptations who attempt that end up with a product that is worse and blander than the original.
like, there's not understanding a classic story and there's using the template of a classic story to say something meaningful that's meant to ressonate with modern audiences
What do you think is kuro problem?, like many people dropping it and critisize yana
I really think they start dropping because of how many charactees was wasted like agni , joker, snake, the school students
What do you think
Sorry for my bad english
This is the first time I ask on tumblr
i think the biggest issue is the pacing. i could understand it if the chapters were short but something meaningful was actually happening in them. i'm not saying sebastian needs to fight in every single chapter, but until proven otherwise, the latest chapters feel like they're just conversations for the sake of having conversations, without any greater purpose behind them. why should we care about some guy looking for a friend if he dies shortly after? what impact does it have on the story who irina's lover is and what happened to her husband?
yana is incredible when it comes to connecting threads from many, many previous chapters, but i'm struggling to see how what she's doing right now will end up being relevant in the future. we spent half a year teasing the smoking room, then another half a year actually being in the smoking room, and ultimately nothing happened that made it feel like the wait was worth it. modri is a doll, and that's cool, but so what? he's not the first and he won't be the last. we still don't have a clear answer as to whether he actually knows sebastian, and if he doesn't, then why does he believe he does. is it because of undertaker? are his memories real? instead of giving answers, we're only getting more questions.
kuro used to have such a fast pace. red butler lasted 8 chapters. circus lasted 13. phantomhive mansion murders lasted 12. luxury liner lasted 15. public school lasted 18. emerald witch lasted 21. blue cult lasted 21. blue memory lasted 19. blue revenge has been going on for 79 FUCKING CHAPTERS AND WE AREN'T EVEN CLOSE TO THE END.
first of all, no arc ever lasted even two years, and this one has been going on for 7. the hiatus didn't change anything, because in the year since the return, nothing particularly significant has happened. and on top of that, not only are the chapters short, they're also just structured in a boring way. we spent three chapters!!! watching the scene where modri meets the demon. there was genuinely no need to repeat it so many times, because it only built up tension that never received the climax it was supposed to have. it's like setting yourself a challenge to make 10 basketball shots in a row. the first three don't impress anyone, because you can still easily recover. at 5, you start taking it seriously. at 7, you start swallowing harder, shifting your posture, and every next shot becomes careful, slow, deliberate. and when you finally reach the tenth shot, you miss. you don't think about how you succeeded nine times. you're disappointed that the final attempt failed. and that's how kuro feels right now. it's building tension that never gets the release it promises. you don't think "modri's story shook me because everything we knew about sebastian has been turned upside down." you think, "that's it? it ends this anticlimactically?" especially when sebastian just looks at him with confusion in his eyes.
everything should be happening faster. reaching the smoking room should have taken 2 chapters. the smoking room itself should have taken 4, with half of that being modri's story. or maybe it could have been longer if we had gotten some kind of sebastian or ciel flashback alongside it. what took a year and a half should have taken half a year, or a year at max.
agni, snake, and probably p4 will still return, but at one point we would have said they were coming back within months. now, realistically, we're talking about years.
there's too much information that doesn't seem necessary and probably won't lead anywhere, combined with incredibly slow events. we're still on the first day in brighton. in 15 months, less than a single day has passed in brighton. kuro has never had pacing this slow. one day in brighton is incomparable to luxury liner, which could realistically be condensed into a single evening.
i want to believe that yana knows exactly what she's doing and that everything is planned out, rather than this being a situation where she has the general outline of the story in her head and everything else is just being figured out as she goes, meaning whatever she can put onto the page ends up there whether it will actually matter later or not.
Thirteen = "death"

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How do I explain that my rape & kidnapping kinks largely derive from a deep insecurity that people only pretend to want me around out of socially obligated politeness or pity. That every relationship might just be a kind farce, that maybe I’m just a chore to keep around, or a charity project, and I’ll never know for sure.
It’s the idea that someone could, in such an overwhelming way, desire me. So much so that they’d break social, moral, and literal law to have me. It doesn’t matter how much I protest— they won’t be deterred. This is purely for them, not me. It’s an expression of Want so raw and ugly and selfish that it leaves no room in my mind for doubt, and all I can think is, “Huh. They’re not pretending.”
perspective touchpoint
In the time I have spent consuming media that involves popular bad™ male characters and/or M/F ships where the male character is morally gray or outright evil or conflicted or basically anyone who isn't completely safe and defanged, I have often comes across this statement and its countless other variations.
"Stuff like this is made to brainwash young girls into thinking that they can 'fix' dangerous men. Such girls usually end up in abusive relationships and their parents are right to worry."
It is rather strange to come across such a gross generalization, operating on an assumption that girls are blank slates whom anyone can manipulate and who can't distinguish between real and make believe on top of it.
In my entire "career"(if you can call it that) of engaging with fiction , the girls and women that I have run into in fandoms happened to be some of the most intelligent, talented, cool, witty and insightful people I have ever met. I've devoured the fics they have written. I have delighted in the arts and edits they've made. Their perspectives and interpretations about the characters and their relationships are genuinely fascinating to read about regardless of whether I agree with it or not. They are the ones who are most often at the receiving end of the antis' ire for no valid reason but they just keep deriving joy and inspiration from their favourite characters and ships and keep sharing it with others through stories, art and thoughts. They are not just smart but incredibly resilient, sensitive and aware not just about the media they consume but about the world around them and its issues.
I look up to their brilliance. I marvel at their passion. I admire them. I adore them.
“Skull with wheat and poppies” Ink, watercolor and gouache on paper.

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the worst part of having a cursed amulet is how jealous everyone else is. "you're cursed!" "the amulet is consuming your mind" "you must get rid of it!". If you want your own then go find it, this one is mine and it bring out the colours in my eyes.
let it be known that i touch grass frequently and I’m still like this.