So far, "Being with you feels like freedom" is the sweetest thing that I have ever heard in a BL series.
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@50f14
So far, "Being with you feels like freedom" is the sweetest thing that I have ever heard in a BL series.
Source: Twitter

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Friendship in K-Dramas
Extraordinary Attorney Woo (2022) | Twenty-Five Twenty-One (2022) | A Business Proposal (2022) | Link: Eat, Love, Kill (2022) | Thirty Nine (2022)
Twenty Five Twenty One (2022)
The Female Gaze in 2521: On Empowered Female Characters and Healthy Masculinity
Yāall Iām so excited to dive into this!
If youāre a kdrama fan, then by now youāve probably caught on that kdramas often incorporate āthe female gazeā. While itās debated whatās considered the female gaze, we can all conclude that it is different from the omnipresent male gaze in media.
The male gaze describes the visual or aesthetic presentation of women in a way that depicts them as sexual objects, with personalities that tend to center towards men or their fantasies of how women "should" behave. Thatās a bit of an oversimplification, but if you watch literally any popular show or movie, youāll quickly notice the male gaze because itās woven into the camerawork, the characterization, or body language of the characters on screen. See if you can catch it here.
Not so subtle, right? Kdramas are not free from it, either, but it is worth noting that kdramas do tend to pull an opposing card, namely the female gaze.
This tends to center female characters as being a spectator rather than an object, and typically holding more agency, meaning they lead their lives and choices. The male characters are often characterized as charming, sweet, polite, and romantic.
I see two forms of the female gaze in 2521: first, the empowered female characters and their depiction on screen; second, the portrayal of healthy masculinity in the leading male characters.Ā
Since this would actually become a literal essay if I tried to encompass every instance or relevant detail, Iām limiting it to just a few observations. But trust me, this show is abundant with many more. If you want to discuss it more, feel free to message me - Iām a nerd for this shit haha
Anyway, leggo~
Letās start with our empowered protagonists (abbreviated to FC for Female Character from here on)!
Hee Doās character is a take on the classic āIām not like other girlsā trope but thankfully the writers have spun it into a refreshingly animated and enlivened perspective. She is loud, sometimes adorably obnoxious, a little childish, and passionate. Contrary to the typical loud kdrama FC, she is innocent but not naive. Also contrary to other FCs, she does not seek a love interest. Her main goal is to improve her fencing and transfer to the school where her idol trains.
I like how Yi Jinās presence in Hee Doās life lifts her up and helps her accomplish her goals, but heās not an absolute necessity. This kdrama could very well have orbited around the high school friend group and Hee Do would still succeed. This is pretty poignant, since Yi Jin being there merely enriches her life. She still ultimately has agency over her choices and dreams.
Also, letās highlight how none of these FC are sexualized, be it their school uniforms, fencing gear, or the beach scene. Yes, Korea is much more conservative with these things, and yes, I think the writers and directors were cognizant of the thin line they were treading with the age gap and Hee Do being a minor for a while. But still! I think itās worth celebrating and pointing out that they often show her wearing her red tracksuit pants under her skirt while no one else does.Ā
Seungwan is another FC who shines so well with the female gaze. Sheās the one who makes an active effort to call out the abuse of the teachers at her school. She is an active participant in her life - she makes a clear stand that she will no longer tolerate witnessing abuse. Her agency is clear: sheās not backing down, and not stooping down to threats of being expelled.
Instead, she whips a reverse uno card and goes fuck this place, Iām leaving. Thatās not to say empowerment comes without vulnerability and emotion. I think thatās what I enjoy so much about FCs done well in kdramas contrary to western media lately, because western media female empowerment these days seems to be āsee, Iām a heartless bitch, watch me stand up for my beliefs and not even cryā. So when Seungwan explains the situation to her mom and says sheās sorry and starts crying in her motherās embrace, it makes her moment of courage to leave and stand for her values that much stronger.
Itās brave because it has a toll. Itās brave because itās an unfair situation to be put into. Crying about it makes that reality crash down on us much harder. Also, can we celebrate how this drama doesnāt attempt to give us beautiful crying scenes? A lot of male gaze centric media will make even womenās suffering an aesthetic viewing experience. But this? Not at all. We got runny noses, snot, creased eyebrows and sobbing breaths and shaking shoulders. Beauty isnāt the focus. Itās the feeling.Ā
This feels like a good transition into part 2: healthy masculinity! Because! Let me tell you!! We have plenty of kdramas with men crying, sure. But Iāve never seen performances like this where 1) male crying is filmed in such an intimate way and 2) where the female lead is framed as the dominant comfort - but not an emotionless hero, either.
Letās talk about Jiwoongās crying scene on the rooftop when he found out Seungwan was leaving.
The camerawork doesnāt shy away from showing the growing hurt and welling tears in his eyes. She comes over to hug him, swooping her arms over his shoulders even though heās the taller one. We see him cover his face but not shy away from letting it out. She pats him on the back. Itās refreshing to see a male character cry without him having to throw things or break shit lmao like men can just stand there and cry and allow women to see them like this.Ā
Transition into Yi Jinās crying scenes (oh man, Nam Joo Hyuk is my favorite actor for a reason: you can read his face so perfectly without him needing to speak). Yi Jinās crying scenes are also devoid of being overly dramatic while still encompassing the intensity of his feelings and the weight of the moment. The scene that stands out the most to me is in episode 8 when heās doing the live reporting via the hotel room but his computer crashes.
The deafening silence hits the audience hard. Itās meant to feel like a slap in the face because weāre meant to sit in his shock for a bit. The shock, denial, anger, and sadness washes over him as the camera centers a closeup of his face. He shakily puts down the phone, gets up, collapses next to the hotel bed, lifts up the sheets, and shouts - and I mean fucking shouts - into the duvet. This happens as the camera pans out so we all go from feeling caught up in his emotional turmoil to feeling the spaciousness of the room around him; how heās so alone, how he has no one to rely on in this moment.
I fucking held my breath man. Because this felt so intimate. We don't normally see male characters on screen break down like this. And if so, it might be framed in an aesthetic or artistic way or even sexual way, like crying in the shower. This was just...plain hard truth. That shit was intense. Can I just say? Oscar worthy, my dude.Ā
The second moment that stands out combines the two observations! We get an empowered FC and a representation of healthy masculinity all in one! Thatās right peeps, Iām talking the tunnel crying scene.
God, what a performance. Note how the camerawork highlights that he is collapsed and lower than her.
Hee Do is the one holding his face. Sheās the one who caresses his tears away. And mind you, even though weāre talking the Very Handsome Baek Yi Jin here, he is still a snotty crying mess. In traditional media, this visual is very much a male-dominant gaze: a helpless woman being saved by a heroic male protagonist in her moment of vulnerability, held in his arms, her tears being wiped away. This scene flipped the script, though. Itās beautiful to see a female character in this role. And again, just like with Seungwan, itās not to say that she, being the hero in this moment, is devoid of emotion either. No, she cries too. She cries because she sees him, sees his pain. She doesnāt let it eat away at her and let her spiral. It isnāt an overly dramatic moment of hysteria and tears. Itās an acknowledgement: I see you. I understand you. Which is why their romance is all the more special. These are two people who have now seen each other at their worst. And they still choose to be gentle and soft and caring because the world around them is cruel enough.
What are your thoughts? Overall, I keep finding ways to celebrate this kdrama. Be it the writing, the visual directing and color theory, the character development and character arcsā¦ā¦.thereās just nothing quite like it. And I donāt think there will be something like it for a while. Hopefully this sets the new standard.
Love you fam :) Thanks for reading!
Peace out~
You said youāll never be happy again. Iām against that. You canāt give up on happiness. So how about this? From now on, when you hang out with me, you can be happy and keep it a secret. When itās just us two, letās be happy when weāre together.
TWENTY-FIVE TWENTY-ONE dir. Jung Ji-hyun, 2022

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Why do I feel like this moment will last forever? Maybe it will.
Nam Joo Hyuk as Baek Yi Jin TWENTY-FIVE TWENTY-ONE (2022)Ā dir. Jung Ji Hyun
There arenāt many things that we can do as we want in this world. Letās erase it together. At least that much, we can do as we want.Ā
Thank you.Ā
Letās not put ourselves through too much of a hard time.Ā Goodbye, Baek Yi-jin.Ā Take care, Hee-do.
Twenty-Five, Twenty-One (2022) dir. Jung Ji Hyun
āāBaek Yijin, itās me. Heedo. Iām sad that you disappeared, but I donāt resent you. Just as you rooted for me without reason, itās my turn to root for you. Wherever you are, Iāll make sure my support reaches you. Iāll take care of everything. See you then.ā
I need to give you a warning as your girlfriend.Ā Iām going to share everything thatās yours. Your sadness, delight, happiness, despair. Everything. So⦠donāt hide because things are tough.Ā Make sure to leave my share.Ā If you donāt lean on me,Ā Iāll be lonely.
TWENTY-FIVE TWENTY-ONE (2022) dir. Jung Ji Hyun

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sit down beside me and stay a while, let our hearts do their parts
Iād be able to remember clearly if I had more memories. Hearing you say that, I feel like this moment is precious too. It is.Ā Itāll become a fond memory in the future.Ā Letās stay alert and remember clearly.
TWENTY-FIVE TWENTY-ONE (2022)Ā dir. Jung Ji Hyun