Favorite part of Shakespeare’s Julius Caesar is the canonical take of Caesar having epilepsy
..and Cassius making that into a metaphor and Casca just going “I don’t get it”
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@4thegays
Favorite part of Shakespeare’s Julius Caesar is the canonical take of Caesar having epilepsy
..and Cassius making that into a metaphor and Casca just going “I don’t get it”

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before we begin, i would like to say a lot of this analysis is very interpretation based: unlike most of my other caesar analysis posts, which are usually strictly lyric-based, this will depend heavily on my interpretation of the lyrics and how they were said. probably not the best way to do an analysis, but oh well. this also means that your interpretation of the lyrics / how they were said will likely differ from mine, which is totally fine, im not trying to say that mine is the only / best interpretation, just trying to explain it :) and finally, a lot of this analysis is probably not going to stand the test of time, given a lot of the songs mentioned are still (from my interpretation) still under construction.
and with those hefty disclaimers out of the way, i present you:
brutus’ suicidal ideation and how it can be traced back to brutus’ prayer (catchy title i know)
one thing that brutus makes very clear to us in this song is that he does not want to kill caesar, and, in fact, he only manages to justify it by convincing himself that it’s what his dad would have wanted. during his whole spiel, though, there’s one lyric that really stands out:
“the story seems to always write itself” is spoken softly, almost remorsefully, but it’s really the “kill the snake” that gets me. i’ve said this before, but i think that snake is truly such an interesting word to use, considering its strong connotation denoting treachery and whatnot. brutus, of course, knows that he, too, is a traitor, which is why i think that this hints at brutus’ desire to be. well. killed? it’s been pointed out to me that this isn’t original to the musical and in fact came from the shakespeare play, but i don’t necessarily think that that’s contrary to my point, it could equally mean that shakespeare’s brutus and yurchuk’s brutus have similar feelings in the matter.
and then, of course, there’s conspirators’ song, in which brutus says that, were he to swear an oath to kill caesar, it would be on his life. not his honour (which we know he’s willing to swear on; in brutus’ prayer, he does just that: “anyone could see that caesar was my friend / and on my honour, i miss the man i knew”), his life, which imo implies that he holds his life in much lower regard than his honour (bc he initially rejects taking the oath at all)
obsessed to an unhealthy degree with winterbunny brutus/caesar dynamic. caesar's 'real' (greek) last words serving as a curse that foreshadows brutus's suicide at the battle of philippi. "Not that I loved Caesar less but that I loved Rome more." something about how his death is necessary and you must do it but it doesn't make it hurt any less. something about when you kill him, you doom yourself as well. im normal about them
This is a weird parallel but in Caesar speaks, Ceaser talks to Brutus how we can change the tide but in Storm song it’s kinda the opposite in that we can’t change what’s happening (“you can't escape it, Can't delay it, no point racing rain clouds”)
Cassius line 'what makes me so different?' in Shall Rome and the fact that the actress (Savy Jackson) is a Black woman adds a lot to the line to be honest.

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It’s so interesting that in Julius Caesar most of the main characters all share the same fatal flaw or trait that is naivety.
For example the most prime example is Mark Antony who has this childlike wonder of the world and while he gets more cautious, and he keeps this idolized version of Caesar throughout. We see that it comes up again in Mark Antony and Cleopatra which leads to his eventual downfall.
Next we have Caesar who ignores all the warning signs of his own assassination, ignoring the warning about the ides and Calpurnia, and ignores Brutus pleas about the changing times. Which again leads to his downfall.
We also have Brutus himself, which firstly he falls for the letters from the conspirators and then later ignores Cassius warnings about Mark Antony, which again leads to Mark Antony.
Lastly we have the Conspirators and the people of Rome who constantly go between the people who have the most sway, rather that be Caesar, Cassius, Brutus, and Mark Antony or even Pompey. For example Brutus sways the conspirators to not kill Mark Antony after Cassius suggests it, Cassius sways the Conspirators to kill Caesar and mark antony before Brutus puts a stop to it. We see how Caesar is being praised at the beginning and after Brutus speech ridiculed, Pompey we know used to be praised and now his death is being celebrated, mark Antony sways the public after Brutus speech and they then go on a death march basically ending the republic.
The only character we do not see this really in (though he does have his moments) is Cassius himself. For all his faults he does accurately identify the outcome of the situation (Caesar,mark Antony, the war and it’s end, and his fate)
the 3 genders: friends, romans, and countrymen.
I am NOT going to get hyperfixated on Julius Caesar 🙂↕️
obsessed with brutus tbh. ironically i feel like one of the most interesting things about him is his total lack of autonomy and sense of self. like. the three songs in the EP that prominently include him are (1) "nooo pretty please don't be a dictator :(" (2) "oh god he's becoming a dictator and there's nothing i can do about it" and (3) WWMDDD (what would my dead dad do) which ends with him deciding to kill caesar, a choice which is both heavily being pushed on him by his friends & fellow statesman but is also informed by his shaky definition of what it actually means to be the "honorable man" everyone knows him as
and i think my favorite part of all of it is that the one decision he makes that seems to be completely his (swaying the conspirators into keeping mark antony alive & establishing him as caesar's successor) is widely considered to be a Bad Move and does Not go well for him
stolen off instagram but i laughed so hard when i saw this
[edit: image description written by @womanfredvonkarma ]

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is that a knife in your pocket or are you just happy to see me, hehehe wait what-
You've been hit by 🔪
You've been struck by🔪
A mad senator! 🔪
Really love whatever the fuck it was that Brutus and Cassius had going on
Making some bullshit
“For you I’d take the knife” is such a fun like in the conspirator song because it literally forshawdows their fates (in the way they die) and how gay there being

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Can I say that the conspirators plan was just really stupid, like I get that they had a day but couldn’t you think of something a bit better.
Like maybe not stab him in the back (because that wasn’t honourable) or like just say that he started a fight; like who was going to say that happened (certainly not Caesar). Also maybe you shouldn’t have left mark Antony alone and or at least monitored what he said.
Something I really appreciate about this take on Caesar is that it lets you choose how you feel about the characters.