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Misplaced Lens Cap
i don't do bad sauce passes
styofa doing anything
Cosmic Funnies

Andulka

shark vs the universe
Monterey Bay Aquarium
Show & Tell
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Kiana Khansmith
NASA
tumblr dot com
Sade Olutola

ellievsbear


Origami Around
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@1q90

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Beatrice Wood, Career Women, 1990, earthenware, 19.5 x 12.5 in.
‘Three nude women arm in arm stand triumphant on the corpse of a businessman. If he is not dead, he soon will be from the weight and the pressures exerted by the fairer sex’.
David Byrd
Couple
2003 oil on canvas 12x14
Marquis
Henri Xhonneux (1989)
Réalisation : Henri Xhonneux
Scénario : Roland Topor, Henri Xhonneux, d'après le Marquis de Sade
Date de sortie : 26 avril 1989
Durée : 83 minutes
Interdit aux moins de 16 ans
Rosa Loy, Moon Shadow 2009

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Peter Newell The Hole Book 1908
Amazing Donna Haraway in Fabrizio Terranova’s documentary “ Story Telling for Earthly Survival”
“Ague and Fever.” John Rowlandson, 1792. Die Karikatur und Satire in der Medizin. 1921. Detail, showing fever.
Jeanne Mammen (German, 1890 – 1976)
The Contemplative Drinkers I (Bierseidelbetrachtung I) , N/D
Pencils on paper

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Publicity still of Yukiko Kobayashi (of Destroy All Monsters fame) in Vampire Doll (1970).
Otto Dix (German, 1891-1969)
Dead Man (St Clément), from War, 1924
Drypoint and aquatint on cream wove paper
Robert Gober Half Stone House, 1979-80

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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John Wesley
Palm’s Daughters , 1968