awesome as fuck car i found in a parking lot
Peter Solarz

blake kathryn

Claire Keane
h

JVL

Discoholic 🪩
KIROKAZE
2025 on Tumblr: Trends That Defined the Year
taylor price
$LAYYYTER

⁂
Jules of Nature
ojovivo

roma★
PUT YOUR BEARD IN MY MOUTH
🪼

★

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@192nausikaa
awesome as fuck car i found in a parking lot

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"This week I discovered the same pattern, executed by Google. Google Chrome is reaching into users' machines and writing a 4 GB on-device AI model file to disk without asking."
Google Chrome is downloading a 4 GB Gemini Nano model onto users' machines without consent, with no opt-in, no opt-out short of enterprise t
pretty sure I did the chrome//flags thing a while ago, but also i switched to firefox, which is not without the occasional bullshit, but is vastly less bullshitty than chrome. This is why I treat genai "features" like the invasive blackberry bushes they are: cut, root, burn, and vigilantly watch for new shoots to uproot. I'm 54 years old and the world got by fine without genai for most of my lifetime.
tags via@KKglinka #psa#having read the article#it's not clickbait#chrome is reaching#across all chromium browsers#to link a prepatory structure#this malware packet#will therefore occur#with all chromium browsers#it has nothing to do#with the actual ai interface#instead chrome is either#using your personal computer#as part of a cloud server#the way bitcoin malware works#or it's recording your own#actions on the computer#with a continuously active#background module#either way#that's malware#a 4gig trojan virus
#across all chromium browsers
THIS IS NOT JUST CHROME!!!
If you use Opera, Brave, Helium, Vivaldi, Arc, Yandex, or god forbid Edge, this affects you too!!!
my fav calvin n hobbes joke and no one ever puts it anywhere
Wilhelm pantomime costume design (1890-1910) PNGs, part 5.
(from: vam)
Sun postcards compiled by Dick Seeger (1980) PNGs.
(source)

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Patrizia von Brandenstein's production sketch for the "Masquerade Ball" scene in Amadeus (1984)
Seen in Peter Ettedgui's Production Design and Art Direction
does anyone have orc kendrick and elf drake
Oman Cat Stamp Collection (1973)
still can’t stop staring at this arrangement i made
apricot beauty foxglove, scabiosa and orlaya
thomas cromwell: you see that old man? he’s the baron of whocaresbury, but his creditors are just waiting in the shadows for him to die. they’re going to ruin his heirs. you see, he just can’t stop buying clothes sourced through ghent
gregory: father, sir, may i please hear one story about the first 30 years of your life?
thomas cromwell: the tragic thing is, most of the clothes use a cheap red dye

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Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
Don Giovanni 1979
fuuuck I could use a mysterious benefactor right now
Rachel Weisz in The Mummy (1999) dir. Stephen Sommers
anyone making an adaptation of the life of wolfgang amadeus mozart for some reason

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(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)
[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.
Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.
From Getty Center article
we've all been there