A Young Lady of Fashion, 1460s attr. Paolo Uccello (Italian, 1397–1475)

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A Young Lady of Fashion, 1460s attr. Paolo Uccello (Italian, 1397–1475)

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reading on reading
a literary syllabus [x]
how to read now by elaine castillo
a collection of essays by novelist and essayist elaine castillo about the politics and ethics of reading. castillo exposes the inherently colonial premises behind not only the works of many individual writers; but the way reading cultures analyze and canonize works, the tokenizing nature of the publishing industry that fails writers and readers of color, and the unfulfilled promises by bibliophiles and literary institutions to "build empathy" through reading diverse books.
"time in the codex" and "lastingness" by lisa robertson
two essays by poet lisa robertson from her prose collection nilling, both meditations on reading. “time in the codex” is an ode to the sensory and cognitive processes that reading evokes. “lastingness” explores the relationship between passivity and will when it comes to receiving the stories and ideas we read, using the work of hannah arendt to analyze texts by lucretius and pauline réage.
a history of reading by alberto manguel
alberto manguel (former director of argentina's national library) compiles a history of reading that encompasses the prehistory of books in ancient mesopotamia, the story of the library of alexandria and its influence in libraries that followed, literary societies such as the heian court, book thieves throughout time, book banning in multiple cultures, and the progression of text formats around the world from clay tablets to modern bookbinding.
selections from not to read by alejandro zambra (trans. megan mcdowell)
essays taken from the collection not to read by chilean writer alejandro zambra about the practice of reading, his own evolving reading life, and writing books; mixed with a variety of literary criticism. selections include "in praise of the photocopy," "against poets," "obligatory readings," "traveling with books," and "novels-- forget it."
"how do we read?", "the reading ape", and "inventing reading" by stanislas dahaene
three chapters from cognitive neuroscientist stainslas dahaene's book reading in the brain. "how do we read?" functionally breaks down how our brain understands written words. "the reading ape" imagines how our ability to read evolved by recycling preexisting neural circuits. "inventing reading" explores how languages themselves have formed over time to serve the way we think.
"when robots read books" by inderjeet mani
essay by computational linguist inderjeet mani on ways that artificial intelligence could enhance literary criticism by analyzing classic texts, particularly cumulative corpuses of works. examples of literary AI usage include finding similar character traits, archetypes, and tropes between different books and authors; quantitatively tracking literary trends; and generating timelines and maps of information pulled from narratives.
"uncritical reading" by michael warner
essay by english professor michael warner which attempts to define what "critical reading" actually is, the beginnings of a history of that practice, its alignment with agency and morality in academic culture, and what the qualities of "uncritical reading" (such as “identification, self-forgetfulness, reverie, sentimentality, enthusiasm, literalism, aversion, distraction") might offer us.
"someone reading a book is a sign of order in the world" by mary ruefle
essay adapted from a lecture in poet mary ruefle’s madness, rack, and honey that traces a reader's development through personal experiences in her own reading life. topics include rereading, what it means to read “the right book at the right time”, and the pleasure of finding imaginative connections between books.
awesome as fuck car i found in a parking lot
"This week I discovered the same pattern, executed by Google. Google Chrome is reaching into users' machines and writing a 4 GB on-device AI model file to disk without asking."
Google Chrome is downloading a 4 GB Gemini Nano model onto users' machines without consent, with no opt-in, no opt-out short of enterprise t
pretty sure I did the chrome//flags thing a while ago, but also i switched to firefox, which is not without the occasional bullshit, but is vastly less bullshitty than chrome. This is why I treat genai "features" like the invasive blackberry bushes they are: cut, root, burn, and vigilantly watch for new shoots to uproot. I'm 54 years old and the world got by fine without genai for most of my lifetime.
tags via@KKglinka #psa#having read the article#it's not clickbait#chrome is reaching#across all chromium browsers#to link a prepatory structure#this malware packet#will therefore occur#with all chromium browsers#it has nothing to do#with the actual ai interface#instead chrome is either#using your personal computer#as part of a cloud server#the way bitcoin malware works#or it's recording your own#actions on the computer#with a continuously active#background module#either way#that's malware#a 4gig trojan virus
#across all chromium browsers
THIS IS NOT JUST CHROME!!!
If you use Opera, Brave, Helium, Vivaldi, Arc, Yandex, or god forbid Edge, this affects you too!!!
my fav calvin n hobbes joke and no one ever puts it anywhere

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Wilhelm pantomime costume design (1890-1910) PNGs, part 5.
(from: vam)
Sun postcards compiled by Dick Seeger (1980) PNGs.
(source)
Patrizia von Brandenstein's production sketch for the "Masquerade Ball" scene in Amadeus (1984)
Seen in Peter Ettedgui's Production Design and Art Direction
does anyone have orc kendrick and elf drake
Oman Cat Stamp Collection (1973)

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still can’t stop staring at this arrangement i made
apricot beauty foxglove, scabiosa and orlaya
thomas cromwell: you see that old man? he’s the baron of whocaresbury, but his creditors are just waiting in the shadows for him to die. they’re going to ruin his heirs. you see, he just can’t stop buying clothes sourced through ghent
gregory: father, sir, may i please hear one story about the first 30 years of your life?
thomas cromwell: the tragic thing is, most of the clothes use a cheap red dye
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
Don Giovanni 1979
fuuuck I could use a mysterious benefactor right now

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Rachel Weisz in The Mummy (1999) dir. Stephen Sommers
anyone making an adaptation of the life of wolfgang amadeus mozart for some reason