my fav calvin n hobbes joke and no one ever puts it anywhere
One Nice Bug Per Day

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@192nausikaa
my fav calvin n hobbes joke and no one ever puts it anywhere

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Wilhelm pantomime costume design (1890-1910) PNGs, part 5.
(from: vam)
Sun postcards compiled by Dick Seeger (1980) PNGs.
(source)
Patrizia von Brandenstein's production sketch for the "Masquerade Ball" scene in Amadeus (1984)
Seen in Peter Ettedgui's Production Design and Art Direction
does anyone have orc kendrick and elf drake

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Oman Cat Stamp Collection (1973)
still can’t stop staring at this arrangement i made
apricot beauty foxglove, scabiosa and orlaya
thomas cromwell: you see that old man? he’s the baron of whocaresbury, but his creditors are just waiting in the shadows for him to die. they’re going to ruin his heirs. you see, he just can’t stop buying clothes sourced through ghent
gregory: father, sir, may i please hear one story about the first 30 years of your life?
thomas cromwell: the tragic thing is, most of the clothes use a cheap red dye
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
Don Giovanni 1979

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fuuuck I could use a mysterious benefactor right now
Rachel Weisz in The Mummy (1999) dir. Stephen Sommers
anyone making an adaptation of the life of wolfgang amadeus mozart for some reason
(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)
[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.
Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.
From Getty Center article
we've all been there

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One sweet day
An emotional whirl
You will be good to yourself
And you'll come and join the girls
i feel like eventually i should sit down and write my "how to get into an opera as a beginner with zero musical knowledge" guide. unfortunately the first part would be: get really into sondheim for about five years. then you will be ready. then we can get into stravinsky's the rake's progress ^___^