we are all of us brothers

Liz Toohey-Wiese, 2024.

"A sign installed in the largest wildfire burn I’ve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.

“Forced into a great and difficult transformation” was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place that’s been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through."

Hiroshi Nagai's paintings need sunglasses to look at.

They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.

They look like heaven but also like you'd burn your bare feet on the ground.

Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.

This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.

And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.

And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.

Woman sitting on a Kikau (coconut frond mat) making a Tivaevae (quilt). She has a siamese cat on her lap. 

(Photograph taken on Rarotonga, Cook Islands, in 1960 by John C Burland.) 

Iridescent Contrails