@teaprtys she any twenty
blue jeans , white shirt walked into the room
m.list you made my eyes burn reqs open !

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@teaprtys
@teaprtys she any twenty
blue jeans , white shirt walked into the room
m.list you made my eyes burn reqs open !

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ATTENTION.
michael jackson x fem!reader
â wc : 2.5k
â desc: michael had just finished his promotions and fulfilling his success for âoff the wallâ he invites you over as a way to celebrate but heâs stuck writing for his next upcoming album.
â cw: nothing too extreme, fluff, mild suggestiveness, kissing, established relationship
The studio was dim, lit mostly by the glowing console of the mixing board. Red lights blinked in steady rhythms. The studio room smelled like warm coffee and the vinyls that were hanging up on the wall.
Michael sat hunched over in a rolling chair, one leg tucked under him, the other foot tapping against the carpet. His pen moved fast, scratching out words, circling phrases, drawing little arrows from one margin to the next. His lower lip was caught between his teeth, his brow furrowed in concentration.
You were curled up on the small leather couch behind him, chin propped on your hand, just watching.
You'd been here for three hours. Three hours of him humming into the microphone, pacing the floor, playing the same bassline because he said the feeling wasn't right yet. Three hours of you being completely, utterly invisible.
Not that you minded. Watching him work was like watching someone build a universe from nothing. His brow would furrow, then smooth. His eyes would go distant, then snap back, bright with discovery. He'd tap his chestâright over his heartâand whisper "there, that's it" to nobody at all.
But you wanted to touch him.
So you got up.
Your footsteps were quiet on the carpet. Michael didn't look up. He was humming now, a low, creeping melody that made the hair on your arms stand up. Something dark. Something new. Nothing like the disco beats of Off the Wall.
You stood behind his chair. He still didn't notice.
You reached out and let your fingers drift into his hair.
His curls were soft. You combed through them gently, nails grazing his scalp, and Michael's whole body went still.
The humming stopped.
"Oh," he breathed. His pen hovered above the notebook, frozen mid-word. His shoulders tensed for just a moment before relaxing under your touch.
You smiled and kept goingâslow strokes, light touches, your fingertips tracing the shell of his ear, the curve of his temple.
"Hi," you said softly, leaning down closer to his ear.
"Hi," he whispered back. His voice was small. Shy. He didn't turn aroundânot yet. His eyes stayed fixed on the notebook, but he wasn't reading it anymore. He was just staring at the words, his chest rising and falling a little faster than before.
You played with a curl that had fallen over his forehead, his eyes fluttered shut for just a second, and you saw his throat move as he swallowed.
"You've been at this all day," you murmured, your fingers still carding gently through his hair.
"I know. I'm sorry." He opened his eyes, looking up at you over his shoulder. His gaze was soft, a little dazed, his mouth curved into a small, apologetic smile. "I justâI want to get it right."
"You always get it right."
He smiled at thatâa real smile, small and warm, crinkling the corners of his eyes. "That's not true."
"It is to me."
You kept playing with his hair, and he let you. His shoulders dropped. The tension bled out of him bit by bit. He leaned his head back just slightly, just enough to press into your palm, his eyes half-closing again.
And thenâbecause you couldn't help itâyou bent down and pressed a kiss to his temple.
He went still again. His breath caughtâjust a tiny hitch, barely audible.
You kissed his cheek. His jaw. The corner of his mouth. Featherlight, one after another, trailing down the side of his face. Each kiss landed soft and slow, and with every one, his cheeks grew a little pinker.
"Baby," he said quietly. Not a protest. Almost a question. His voice had gone soft, almost breathless. His fingers curled around the edge of the notebook like he was holding onto something solid.
You kissed his neck, just below his ear. He shiveredâa full-body tremor that made the chair creak.
"Baby," he said again, and this time there was a smile in it. His hand came up to cover yours where it rested on his shoulder, his fingers warm and slender. "You gotta stop."
"Why?" you asked against his skin, your lips brushing the same spot again.
"Because I need to work." He laughed softly, turning his face toward you. His cheeks were flushed a deep, warm brown. His eyes were bright and embarrassed and happy all at once, darting away from yours for a second before coming back. "You're distracting me."
"I'm not doing anything," you said, pulling back just enough to look at him. You raised your eyebrows, feigning innocence, your lips twitching.
"You're kissinâ me," he said, pointing at you with his pen. But he was grinning now, wide and helpless.
"You're very kissable," you replied, shrugging one shoulder.
He ducked his head, hiding his face behind his notebook. But you could see the grin spreading across his mouth, his ears turning red. "Stop," he mumbled into the paper.
You leaned down, wrapping your arms around his chest from behind, and pressed a kiss to the top of his head. He smelled like cocoa butter and something sweetâbubblegum, maybe.
"You've been ignorinâ me all day," you said against his hair.
"I haven't been ignoring youâ" He lowered the notebook, turning his head to look at you, his expression caught somewhere between defensive and sheepish.
"Yes, you have. Ever since I got here, you've been humming and scribbling and muttering to yourself." You rested your chin on his shoulder, staring at him from inches away. "When are you gonna pay attention to me?"
He turned fully in his chair, swiveling to face you properly for the first time in hours. His knees parted just enough for you to stand between them. He looked up at youâbecause even sitting, he was almost at eye level with you standingâand his expression You played with a curl that had fallen over his forehead, his eyes fluttered shut for just a second, and you saw his throat move as he swallowed.. Genuine regret mixed with that shy affection he always wore around you.
His hand reached out and found yours, his fingers lacing through your own. He gave a small squeeze.
"I'm sorry," he said quietly. His eyes searched your face, earnest and sincere. "I just really wanna finish this. It's important. I think it could be⌠big. Really big."
He looked down at his notebook for a second, then back up at you. There was a fire in his eyes, not frustration, but passion. The kind of passion that made him Michael Jackson. The kind you fell in love with.
You sighed, but you weren't actually mad. You couldn't be. Not when he looked at you like thatâlike you were the only person in the world he wanted to explain himself to.
"Okay," you said. "Finish."
He blinked. His mouth parted in surprise. "Really?"
"Really." You smiled, brushing a curl off his forehead with your free hand. "I'll sit right here and be quiet. Promise."
He smiled againâgrateful, sweet, his whole face lighting up. He squeezed your hand once more before letting go and turning back to his notebook.
You stayed standing behind him, one hand resting on his shoulder, thumb tracing small circles through his shirt.
He started humming again.
That same low, creeping melody. It rose and fell, building into something tense and strange. Then he sangâsoftly, almost under his breath, his voice a velvet whisper:
"Darkness falls across the landâŚ"
Your heart skipped.
"The midnight hour is close at handâŚ"
His voice was quiet, just for himself, but it sent a shiver down your spine. He scribbled something in the notebook, crossed it out, scribbled again. His tongue poked out slightlyâa habit he had when he was concentrating hard.
"Creatures crawl in search of bloodâŚ"
He paused. Tapped his pen against his lips, his eyes staring at the ceiling. Then he bent over the page and wrote: "To terrorize y'all's neighborhood."
He sat back, tilted his head, and looked at the line. He circled the word y'all and wrote everyone above it in tiny letters. Then he stared at it for another three seconds, shook his head, and crossed out everyone.
He wrote y'all again.
He smiled to himselfâa small, satisfied smile, like he'd just solved a puzzle. "Yeah," he whispered. "That's it."
You couldn't help it.
You reached around him and quietly closed the notebook.
"Heyâ" He turned, startled. His eyes went wide, his mouth forming a small O. "What are youâ"
You didn't answer. Instead, you took his face in both handsâgently, but firmly. His stubble was light, barely there, soft against your palms. His eyes searched yours, confused at first, then curious.
"Look at me," you said.
He did.
His gaze held yours. His breathing slowed. His hands rested on his thighs, fingers twitching slightly, like they wanted to reach for you but he wasn't sure if he should.
Then you kissed him.
It wasn't quick. It wasn't chaste. It was slow and deep and deliberate, your mouth moving against his like you had all the time in the world. He made a small sound against your lips, surprised, a soft mmphâhis hands hovering in the air between you before they found your waist.
You tilted your head, opened your mouth just a little, and he followed. He always followed. His fingers curled into the fabric of your shirt, pulling you closer, and when your tongue brushed against his lower lip, he made that sound againâsofter this time, almost a whimper.
The kiss deepened. His hands slid around your back, holding you steady. You could feel his heartbeat through his chestâfast, fluttering like a bird's wings.
You pulled back just enough to breathe. His lips were parted. His eyes were dark, his pupils blown wide. A thin line of saliva connected your mouths for just a second before he licked his lips nervously.
"You've been at this all day," you whispered, your forehead resting against his.
"I know," he breathed back, his voice barely audible.
"When are you gonna pay attention to me?"
He swallowed. His throat worked. His fingers tightened on your waist. "Iâ" he started, but no words came out. He just stared at your mouth, then back up at your eyes, then back down at your mouth.
You kissed him again.
He melted into it. His whole body softened, leaning into you, trusting you. His fingers twisted in the back of your shirt, bunching the fabric. A muffled moan escaped his throatâlow, breathy, helplessâand you felt it vibrate through your own lips.
He shifted in the chair, pulling you closer, and you felt his knees press against the backs of your thighs.
You broke the kiss just long enough to climb into his lap.
One knee went on one side of his hips. Then the other. You lowered yourself slowly, carefully, straddling him as he sat in the rolling chair. The chair creaked beneath the shift in weight and rocked onceâjust a small sway.
Michael's eyes went wide. His hands flew to your hips, fingers gripping tight, steadying you. His jaw had gone slack.
"Careful," he breathed. His voice cracked on the word. His throat bobbed as he swallowed, his Adam's apple moving visibly. His eyes darted down to the wheels of the chair, then back up to your face, his brows pinched with worry.
"I'm being careful," you whispered back, smiling. You ran your palms up his chest, feeling his heartbeat under your fingersâfast, rabbiting, thumping against his ribs.
"The chair's gonna tipâ" He glanced down again at the wheels, then back up at you, his eyebrows raised high. He wasn't scared. He was concerned. Adorably, sweetly concerned, like a boy who'd been told a hundred times not to roughhouse indoors. His hands hadn't left your hipsâif anything, they'd tightened.
You shook your head slowly, thumbs tracing small circles over his collarbone through his thin red shirt. "It's not gonna tip."
"You don't know thatâ" He started to argue, his mouth opening, his head tilting to the side in that way he did when he was about to make a very reasonable point. His fingers flexed on your hips, ready to catch you if something went wrong.
You kissed him again.
His words died in his throat.
His hands slid from your hips to your lower back, pulling you flush against him. His eyes fluttered shut. A small, satisfied sound hummed in his chestâsoft, almost embarrassed, like he hadn't meant to let it out.
You cradled his face in your hands, thumbs brushing his cheekbones. He sighed into your mouth, a long, shaky exhale, and his lashes fluttered against your skin.
He kissed you like he was memorizing you.
You kissed him like you'd been waiting all dayâbecause you had.
His mouth was soft. Warm. He kissed the way he dancedâpatient, feeling every moment before moving to the next. His hands spread across your lower back, pressing you closer. You could feel the heat of him through both your shirts, his chest warm against yours, his thighs solid beneath you.
His moans were soft, muffled, swallowed by your mouth. He wasn't loud. He was never loud. But you felt every one of themâlittle vibrations that traveled from his chest to yours, warm and honest and shy.
You pulled back for air. His forehead pressed against yours. Both of you breathing hard, your breath mingling in the small space between your mouths.
"Michael," you whispered, your lips brushing his as you spoke.
"Yeah?" His voice was barely thereâa thread, a whisper. His eyes were still closed.
"Take a break."
He laughedâbreathless, quiet, his nose brushing against yours. His eyes opened, and they were soft, dazed, half-lidded. "I really shouldn't," he said, but he was already leaning in again, drawn to you like a magnet.
"You really should," you murmured, pulling back just enough to make him chase you. His lips grazed yours, searching.
He looked at you. Really looked. His eyes traveled over your face like he was seeing you for the first timeâthe curve of your smile, the flush in your cheeks, the mess of your hair. The corner of his mouth lifted into a small, helpless grin.
"You're trouble," he said.
"Your trouble," you answered.
He kissed you again.
This time it was slower. Sweeter. His hands slid up your back, fingers tracing your spine through your shirt. You threaded your fingers through his curls, tugging gently, and he groanedâjust a littleâand pressed closer.
The chair creaked again. Neither of you cared.
His mouth left yours for just a moment to press a kiss to the corner of your lips, then your jaw, then the spot just below your ear. You shivered, and you felt him smile against your skin.
"You're not working," you whispered.
"Shh," he murmured back, his lips still on your neck. "I'm taking a break."
The red lights blinked on the mixing board. The notebook sat closed on the floor where it had fallenâknocked off his lap at some point, neither of you sure when.Â
But in this small, dim room, there was only the two of you, tangled together in a rolling chair that held steady despite everything, breathing the same air, kissing like the world had stopped.
MIDNIGHT MESSING AROUND âŻ
michaeljackson x fem!reader
part 1. part 2. || wc 2.4k
you and michael have grown close enough now, youâve been friends for a few weeks so youâve been playing games and hanging out with him every now and then, isnât that sweet.
cw : nothing too extreme! just fluff fluff and FLUFF !! teasing, flirting, close proximity and mentions of anxiety but nothing too srs.
The afternoon sun had been long gone, Michaelâs bedroom bathed in the warm glow from his lamp. The rest of the house had gone quiet hours ago, the distant echo of his brothersâ laughter fading into memory. It was just the two of you now, buried in blankets and pillows on his massive bed, the remnants of a board game scattered between you.
Youâd been friends for weeks. Real friends. The kind where silence wasnât awkward, and a single look could make the other person crack up. Tonight, youâd spent hours playing everything from checkers to some card game he made up on the spotâwhich he kept winning, much to your fake annoyance.
âYouâre cheating,â you accused, throwing a pillow at his chest.
He caught it easily, a low, breathy laugh escaping him. He was lying on his side, head propped up on one hand, those huge dark eyes sparkling with mischief. âI donât cheat. I just⌠anticipate.â
âThatâs cheating.â
âThatâs strategy.â He grinned, tossing the pillow back. It landed softly on your lap. âYou just donât like losing.â
You rolled your eyes, pulling your knees up to your chest. You were both still fully dressedâyou in an oversized sweater and jeans, him in a soft red button-down and dark slacks. His curls were a little messy from lying down, one strand falling over his forehead.
You glanced at the window. Pitch black. âMike, what time is it?â
He turned his head toward his nightstand, squinting at the glowing clock. âAlmost midnight.â
âMidnight?â you whispered, suddenly sitting up straighter. âDoes your family even know Iâm still here?â
Michael shrugged, unconcerned. âThey know I have company. They donât ask questions. Theyâre used to it.â
âThatâs not the same as knowing, Michael.â You bit your lip, listening hard. The house was like a literal tomb. âI donât want to be loud. What if I wake someone up?â
He tilted his head, watching you with that curious, bird-like focus he had. âWhy would you be loud?â
You felt heat crawl up your neck. âIâI donât know. Because weâre talking.â
âWe can whisper,â he offered, his voice dropping immediately to a soft, conspiratorial hush. He leaned in closer, and you could smell his cologneâsomething warm and clean, like soap and vanilla. âSee? Easy.â
You laughed quietly, shaking your head. âYouâre impossible.â
âI prefer to be persistent.â
There was a beat of comfortable silence. The kind where you just looked at each other, the air between you feeling thick and charged. You shifted, trying to break the spell, and your eyes landed on a magazine on his nightstand. On the cover was a still from the Thriller short film. Him. And her.
Ola Ray.
Youâd seen the behind-the-scenes photos. The way she laughed with him. The way he looked at her for the camera. It was acting. You knew it was acting. But your chest still did that stupid, tight thing it always did when you thought about it too long.
Michael noticed. Of course he noticed. He noticed everything.
âWhat?â he asked softly, following your gaze to the magazine. Then his eyes flicked back to your face. A tiny smile tugged at the corner of his mouth. âOh.â
âOh, what?â you said, a little too fast.
âNothing.â He was definitely smiling now. âJust⌠âoh.ââ
You grabbed the pillow again and held it in your lap like a shield. âDonât start.â
âI didnât start anything.â He shifted onto his stomach, folding his arms under his chin, looking up at you with wide, innocent eyes that were anything but innocent. âYouâre the one staring at her like she stole something.â
âIâm not staring.â
âYou were glaring.â He chirped.
âI was observing.â
He chuckled, that soft, breathy sound that always made your stomach flip. âYouâre jealous.â
âI am notâMichael, stop.â
âOf a girl in a music video.â He was teasing, but it was gentle. Playful. His voice stayed low, almost tender. âSheâs an actress, you know. She gets paid to pretend.â
âI know that,â you muttered, picking at a loose thread on the pillow.
âSo why do you look like you want to crawl into that magazine and push her out of the frame?â
You looked up at him, and he was grinning nowânot a smirk, but a real, soft, amused grin. His eyes were warm. He wasnât making fun of you. He was⌠pleased.
Your face burned. âShut up.â
âMake me.â
The words hung in the air between you. Neither of you moved. Neither of you breathed.
Then you grabbed the pillow and smacked him gently in the face. He laughedâa real laugh, loud and suddenâbefore quickly slapping a hand over his own mouth, eyes wide.
âShh!â you hissed, but you were laughing too, shoulders shaking.
He pulled the pillow away, still grinning. âOkay, okay. Truce.â
You flopped back against the headboard, heart pounding. You needed a distraction. Something to break the tension before you did something stupidâlike stare at his mouth for another second.
âLetâs do something else,â you said quickly.
âLike what?â
You glanced around the room. Your eyes landed on the Twister box sitting on his dresser, right next to a small Peter Pan figurine. You pointed. âHow about that?â
Michael followed your finger, then looked back at you, one eyebrow raised. âTwister?â
âWhat? Scared youâll lose?â
He sat up slowly, a challenge flickering in his expression. âI donât lose at Twister.â
âThen prove it.â
He got off the bed and walked over to the dresser, pulling down the box. You watched him moveâgraceful, like he was always dancing even when he was just walking. He brought the mat over and spread it on the floor at the foot of his bed, then spun the little cardboard spinner.
âYou know the rules?â he asked, kneeling on one corner of the mat.
You slid off the bed and knelt across from him. âRight hand red, left foot blue, donât fall on your face.â
âExactly.â He spun. âRight foot⌠green.â
You both placed your right feet on one of the green circles. You were close enough to see the tiny gold chain around his neck catch the lamplight.
Spin. âLeft hand⌠yellow.â
You reached across your body, palm flat on a yellow dot. Michael did the same, except his arm stretched out in front of him, long and lean. You were already twisted.
Spin. âRight hand⌠blue.â
You groaned, shifting your weight, your right hand landing on a blue circle near his left knee. Your faces were closer now. You could see the faint trace of a smile on his lips.
âThis is fine,â you whispered. âIâm fine.â
He laughed quietly. âYouâre about to fall.â
âAm not.â
Spin. âLeft foot⌠red.â
You had to lift your left leg and swing it over your right, planting it on a red dot that was almost behind you. Your balance wobbled. Your arm brushed against his shoulder.
âSee?â he murmured. âFalling.â
âShut up and spin again.â
He reached outâslowly, carefullyâand spun the little arrow. âRight hand⌠green.â
The only green circle left was directly behind his back. Which meant youâd have to reach around him. You hesitated.
âYou can quit,â he said softly, those big brown eyes watching your face.
âI donât quit.â
You took a breath and leaned forward, sliding your right arm behind his waist, your hand landing flat on the green dot. Your chest was nearly against his. Your face was inches from his neck. You could feel the warmth coming off him, smell that cologne again, see the tiny curl at the nape of his hair.
He didnât move. Didnât breathe.
âSpin,â you whispered.
He spun the spinner without looking at it. âLeft hand⌠blue.â
The only blue circle left was the one under your own body.
You tried to lift your left arm, shift your weight, but your leg was already shaking. Your arm was still wrapped around him. Your face was so close you could count his eyelashes.
âMichaelâŚâ
âYouâve got it,â he said quietly, but his voice had gone husky.
You reached. Stretched. And thenâ
Thud.
The mat squeaked. Your elbow slipped. Your whole body collapsed sideways, and you landed right on top of him, your head knocking gently against his chest, his arms coming up instinctively to catch you. You both went down in a heap of tangled limbs and laughter.
âOwââ you gasped, laughing so hard your eyes watered. âOh my Godââ
Michael was laughing too, that wonderful, breathy, boyish laugh, his chest shaking beneath your cheek. His arms were still around you, loose but warm. âI told you,â he wheezed. âI told you you were gonna fall.â
âThat doesnât countâthat spinner was riggedââ
âRigged?â He was grinning so wide his eyes crinkled. âYou just canât admit you lost.â
You pushed yourself up on your hands, hovering over him for just a second. His face was right there. Flushed. Happy. His curls spread out on the mat like a dark halo. His eyes were soft, looking up at you like you were something precious.
The laughter faded into something quieter. Something heavier.
Neither of you spoke.
And thenâfootsteps. Heavy, shuffling footsteps in the hallway.
You both froze.
Knock, knock, knock.
âMike?â A muffled voice. Jackie. âYou alright in there? Sounded like somebody fell.â
Michaelâs eyes went wide. You scrambled off him, sitting back on your heels, heart hammering. Michael sat up slowly, running a hand through his messy hair.
âYeah!â he called out, voice cracking slightly. He cleared his throat. âYeah, Iâm fine. Justâdropped something.â
There was a pause. Then Jackieâs voice came again, lower this time, thick with knowing amusement. âRight. âDropped something.ââ Another pause. âYou know itâs almost one in the morninâ, donât you?â
Michael shot you a lookâhalf embarrassed, half amused. âWe lost track of time.â
âUh-huh.â You could practically hear Jackie grinning through the door. âWell, try to keep the âdroppingâ to a minimum, alright? Some of us gotta record in the morning.â
âJackie.â
âGoodnight, Mike. Goodnight, Mikeâs friend.â
The footsteps retreated, fading down the hallway. You sat there, frozen, your face burning so hot you were sure youâd catch fire. Michael dropped his forehead into his palm and let out a long, slow breath.
âWell,â he said quietly, peeking at you through his fingers. âNow they know.â
You buried your face in your hands. âOh my God.â
He laughed softly, reaching over to touch your wrist. Just a light brush of his fingertips. âHey. Itâs okay. He wonât say anything.â
You lowered your hands, looking at him. His face was still flushed, but his eyes were kind. Gentle. Not teasing anymore. Just⌠there.
âI should probably go home,â you whispered.
Michaelâs expression shifted. His brow furrowed, just slightly. âNow? Itâs late.â
âI know, butâŚâ You glanced toward the door. âIf I stay any longer, your whole familyâs gonna come knocking. And I donât⌠I donât want them asking questions.â
He understood. You could see it in his face. The Jackson house was a revolving door of people, but that didnât mean privacy came easy. If you stayed the nightâeven just on the couchâthere would be whispers. Looks.
Michael nodded slowly, pushing himself to his feet. He offered you his hand, and you took it. His palm was warm, his fingers long and slender. He pulled you up gently, like you were made of glass.
âLet me come with you,â he said.
âNo.â You shook your head. âThen youâd have to walk back alone. Thatâs twice the risk.â
He looked like he wanted to argue. His jaw tightened. âI donât like you going home this late by yourself.â
âIâll call you,â you said softly. âThe second I walk through my front door. I promise.â
He held your gaze for a long moment. Then he sighed, shoulders dropping. âOkay.â
You walked to the door together, and he opened it slowly, peeking out into the dark hallway. Clear. He led you down the stairs, past the silent living room, past the kitchen where a single nightlight glowed over the stove. The front door loomed ahead.
He unlocked it for you, pulling it open just a crack. The cool night air slipped in, carrying the distant sound of crickets.
You turned to face him. He was standing in the shadows of the foyer, one hand still on the doorknob, the other hanging at his side. The soft light from the kitchen caught the side of his face, illuminating the curve of his cheek, the shine of his eyes.
âThank you,â you whispered. âFor today. For⌠all of it.â
He smiled. Small. Real. âThank you for not running away when you saw Bubbles.â
You laughed quietly. âI almost did.â
âI know.â His voice was barely a breath. âThatâs why I like you.â
Your heart stopped. Then started again, twice as fast.
You stood there for a second, neither of you moving. The air between you felt electric, fragile, like one wrong word would shatter it.
And then, before you could talk yourself out of it, you stepped forward, rose up on your toes, and pressed a soft, quick kiss to his cheek.
His skin was warm. Smooth. He smelled like heaven.
You pulled back, cheeks flaming. âGoodnight, Michael.â
He didnât speak. Didnât move. His hand lifted slowly to his own cheek, touching the spot your lips had been. His eyes were wide, dark, unreadable.
Then he stepped forward.
He didnât kiss your lips. Instead, he leaned downâjust a little, just enoughâand brushed his mouth against your forehead. A feather. A whisper. His lips lingered there for one long, perfect second.
âGoodnight,â he murmured against your skin.
When he pulled back, his eyes were soft. Shy. Like he couldnât quite believe heâd done it.
You wanted to stay. God, you wanted to stay.
But you opened the door instead, slipping out into the cool night. You walked down the front path, your legs feeling like jelly, your heart a hummingbird in your chest.
When you reached the gate, you looked back.
Michael was still standing in the doorway, one hand braced on the frame, watching you go. The porch light cast a golden glow around him, turning his silhouette into something beautiful and untouchable.
He raised his hand. A small wave. You waved back.
And then you turned the corner, and he was gone.
Twenty minutes later, your door clicked shut behind you. You leaned against it, heading over to your phone already and dialed the number youâd memorized weeks ago.
He picked up on the first ring. âYouâre home,â he said. Not a question.
âIâm home,â you whispered, smiling so hard your cheeks hurt.
There was a pause. Then, so soft you almost missed it:
âIâm glad.â
WRONG AISLE, RIGHT PERSON âŻ
michaeljackson x fem!reader || wc 2.09k
seems like michael is interested you, but why a toy store?
i never thought i would end up writing something like this but michael has been on my mind non-stop so why the hell not it was a fun idea and it was fun to write!
cw : nothing too serious ! fluff, RPF, tooth rotting sweetness light slow burn and this is not proof read LMFAO thriller era mike, reader is a bit stubborn
part 1. part 2.
The toy store was loud in the way only toy stores on a weekday afternoon could be, squealing wheels on linoleum, a demo radio somewhere in the back playing something tinny, a toddler three aisles over making his feelings known to the entire building. You navigated through it all with the focused energy of someone on a mission, list in hand, your little brotherâs very specific instructions replaying in your head like a voice memo you unfortunately could not delete.
The red race car. The one with the yellow stripe. Not the orange one, not the blue one, the red one with the yellow stripe, and if you get the wrong one Iâm not speaking to you.
He was seven. The threat was empty. You were getting the right one anyway.
You found the aisle, crouched down to the lower shelf where the die-cast vehicles lived, and scanned methodically. Blue. Blue. Orange. A green one that looked promising but wasnât. And then â there. Red body, yellow stripe down the side, exactly as described. You reached for it.
Another hand got there at the same time.
You looked up.
He was tall. Dressed plainly enough, dark trousers, a simple jacket, unremarkable except for the wide-brimmed fedora pulled low and the sunglasses sitting on his face indoors, which you clocked immediately as the symbol of I believe I am someone important. He had a stillness about him, something gentle in the way he held himself, but he was also very clearly holding your brotherâs race car.
âOh,â he said. Soft voice. Genuinely surprised, like he hadnât anticipated anyone else existing in this aisle.
âYeah,â you said. âOh.â
Neither of you moved.
He seemed to be waiting for something â maybe for you to step back, defer, let the moment resolve itself in his favor the way moments perhaps usually did for him. You tilted your head instead. He had good cheekbones, you noticed distantly. Didnât change anything.
âMy brother asked for this one,â you said, pleasantly, in the tone that meant this is a courtesy statement, not a negotiation.
âI was going toââ He stopped himself. Glanced briefly to his left.
A few steps behind him stood a large, broad-shouldered older man with watchful energy of someone who had stood behind this particular person through a great many situations. He had his arms loosely crossed and was studying a display of toy trucks with very deliberate interest.
The man in the hat looked back at you. Then, unhurriedly, he released the car.
You smiled at him â full, bright, just the slightest edge of triumph in it. âThank you so much,â you said, already straightening up, already turning. âVery generous of you.â
You didnât look back. You were almost to the end of the aisle when you heard, just barely beneath the store noise, the older manâs low voice: âShe didnât even blink.â And then something that sounded very much like a quiet, delighted laugh.
You were on your way to the checkout when you heard it â a hushed, rapid exchange near the front display.
âDid you see her?â The soft voice, quieter now, aimed at the older man.
âI saw.â
âShe didnât â she had no idea who Iââ
âI know, Mike.â
A pause. âI want to talk to her again.â
The older man â Bill, Michael had called him once or twice quietly during the exchange, youâd caught it, made a sound that was half agreement, half something else. Amusement, maybe. The careful kind, from someone who knew better than to make it obvious.
You were already at the register. You didnât think much of it.
He came back the following Tuesday. You werenât there.
He came back Thursday.
You werenât there either, but the woman at the register, who had worked the afternoon shift for years and had seen many things, noted the tall young man in the hat who walked one slow loop of the store and left without buying anything.
He came back the Tuesday after that.
You were there.
You were in the same aisle â not by any design, just because your neighbor had asked you to pick up a specific set of building blocks for her nephewâs birthday and the blocks were adjacent to the vehicles display and youâd paused to look at something on the lower shelf. You were crouched again, in the same spot, which in retrospect was a detail that would make you laugh later.
A tap on your shoulder. Light. Almost tentative.
You stood and turned.
The hat. The jacket. The sunglasses. The same man, and this time there was something different in his posture â a careful kind of hope, chin slightly ducked, like heâd decided to do this and was now fully committed but also fully aware it could go sideways.
âYou,â you said.
âMe,â he agreed. The corner of his mouth moved upward, just slightly. âDo you remember me?â
You made a show of considering it. Looked at the hat. The sunglasses. Let your gaze drift to the lower shelf where the cars were.
âHat,â you said. âSunglasses indoors. Tried to take my brotherâs toy.â You looked back at him. âThe one who thought about arguing and then thought better of it.â
He laughed â a real one, open and a little breathless, tilting his head back with it â and from a few feet behind him, Bill pressed his lips together and looked very pointedly at a shelf of action figures.
âI wasnât going to argue,â the man said, recovering.
âYou had the face of someone considering it.â
He blinked innocently. âI donât know what that means.â
âYou do,â you said, amused despite yourself, âbut thatâs okay.â He was still smiling. It was a good smile â soft, a little shy around the edges, like he wasnât entirely sure what to do with the fact that it was there. He extended his hand.
âIâm Michael.â
You shook it and told him your name. He said it back to himself quietly, deliberate, like he was making sure he had it right.
âSo,â you said, shifting the building blocks under your arm. âYou came back.â
He didnât try to dress it up. âI wanted to see you again.â
Something about the directness of it caught you off guard â not aggressive, nothing like that, just simple and honest. You looked at him for a moment. He looked back, patient, waiting.
âWell,â you said, âyou found me in the same aisle. Thatâs either fate or a concerning pattern.â
âIâm hoping fate.â
âIâm keeping my options open,â you told him pleasantly, and his smile widened.
You walked the aisle slowly, no real destination, and he fell into step beside you with the ease of someone who had been waiting for exactly this. He asked about your brother, the one the car was for â and you told him about the specificity of seven-year-old demands, the yellow stripe, the thirty-minute lecture youâd received about the difference between red-red and orange-red. He listened with full attention, genuinely charmed by it, asking small questions at the right moments. He was quiet in the way that felt considered rather than absent. Careful with what he said.
âYouâre not what I expected,â you said at some point, not meaning to say it out loud.
He tilted his head. âWhat did you expect?â
âSomeone who argues about toys.â He laughed again, softer this time. âI almost did.â
âI know,â you said. âI appreciated the restraint.â Bill, trailing at a respectful distance, was finding the educational games section deeply fascinating.
Youâd been talking for a few minutes, easy and unguarded, when you stopped in front of a display and turned to him properly.
âOkay,â you said, âI have to ask. The hat, the glasses â are you hiding from someone or do you just really commit to a look?â He paused. Something shifted, a flicker of something that might have been amusement, might have been mild anxiety, might have been both.
âLittle bit of both,â he said, carefully.
You studied him. He was still, watching you. And thatâs when you actually looked â past the low brim and the tinted lenses, at the line of his jaw, the particular architecture of his face, the way his mouth was set.
Something tugged at the back of your mind. You frowned, not unkindly.
âMichael,â you said slowly.
âYeah?â
âThatâs funny. Thereâs a singer.â You tilted your head. âMichael Jackson. You kind of â your face isââ You stopped.
He went very, very still.
You looked at him. He looked back at you with the careful patience of someone who had been in this exact position and knew better than to rush it. âYou kind of look exactly like him,â you finished, quieter now.
He said nothing.
Your eyes moved to the sunglasses. Back to the jaw. The cheekbones. The soft mouth. The hat, which now that you were thinking about it was a very particular kind of hat.
âMichael,â you said, differently this time.
ââŚYes?â
âMichael Jackson.â
A beat. âYes,â he said, gently.
You stared at him. He let you. You opened your mouth and closed it again. You were not â this was important â you were not the kind of person who lost composure. You were composed. You were always composed. You had been raised to be composed.
âIn a toy store,â you said. The words came out very flat.
âI like toys,â he said, with complete and simple sincerity.
âYouâre Michael Jackson and youâre in a toy store on a Tuesday afternoonââ
âItâs a good storeââ
âWith a hat,â you continued, gesturing at the fedora, âas a disguiseââ
âIt works more often than youâd think,â he offered.
You pressed the back of your hand to your mouth. The laugh came anyway â you couldnât help it, it climbed up through your chest and out of you, and for a moment you were just standing in the building blocks aisle laughing with your hand over your face while Michael Jackson stood in front of you looking quietly, helplessly delighted.
From somewhere behind a display of board games, Bill made a sound that was technically a cough. It was not a cough.
âYou didnât say anything,â you said, when you had recovered some portion of your dignity. âWhen I â the first time, with the toyââ
âYou didnât recognize me,â he said, and there was that warmth again, that almost-relief in it. âIt was nice. Itâs been a while since someone justâŚâ He searched for the word. âDidnât.â
You looked at him. Took in the careful honesty of it, the way he meant it without performance.
âHow long have you been coming back here?â you asked, though you suspected you knew.
He glanced, very briefly, at Bill. âA few times,â Michael said.
âA few.â
âA few,â he confirmed, and he had the grace to look slightly sheepish about it, ducking his chin in a way that was, against your better judgment, completely endearing.
You were quiet for a moment. He waited, unhurried, watching you with those dark eyes that were soft and steady and hadnât looked anywhere else since youâd turned around.
âFor the record,â you said finally, âthe hat is not a disguise. You look exactly like yourself.â
He laughed â bright and real, head tilting back again. âYouâre the first person to say that.â
âIâm not going to apologize for having eyes.â
âIâm not asking you to,â he said, and he was still smiling, that careful soft smile, and the afternoon light was coming through the storefront windows and catching the brim of his very insufficient hat, and your building blocks were getting heavy under your arm.
âWell, Michael Jackson,â you said, adjusting your grip on them, âyou went to a lot of trouble to stand in a toy aisle again.â
âIt was worth it,â he said simply.
You looked at him for one more moment. Then you nodded, once, acknowledging something unspoken, and started toward the register.
âYou should pick better disguises,â you called back.
Behind you, you heard him laugh again, quiet and warm.
đđşđŁđ đđ˛ đĄđđđ˛
Michael Jackson x girl next door!Reader
Review ăťăť Michael has a crush on his next door neighbor. â ââââ ââââ Sound Checkăťăť Deep thanks to my pookies @confetti-cakemix and @vampgothicz for enabling me to write this! I said I would never write a rpf but the Michael movie has been on my mind and his music is currently being injected into my brain. â ââââ ââââCreditsăťăť General audience! Fluff. Light teasing. First kiss. Post Off the wall/ Pre thriller! MJ Era. not proof read , I am free. wc. 3k
Disclaimer âź Iâm basing this on Jafaar's performance of Michael. That means his personality is taken straight from the movies portrayal! This is all purely fictional. Thank You .á
It wasn't often that Michael had people over to his house. Sure, he had Managers and musicians come and go. The mailman and other various company movers ride through, but he doesn't ever remember a time when somebody so normal, someone whose main task wasn't to appeal to the Jacksons, came through here.
Michael didn't have friends, not human at least. He had Bubbles, Louie, Musclesâ but none of them was a girlâ a human girlâ who was currently sitting in the stables of Louie's pen. Waiting for Michael to introduce another one of his exotic friends.Â

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im lowkey thinking about doing some peacemaker fics once im in the mood to write again
listening to paramore with a really cool girl in the park
joy kwon x fem!reader wc. 1.5k warnings / tags - reader described to have piercings but it's not specific, unnamed oc, masc!joy, physical touch, glassless!joy kwon, they listen to paramore, nothing else about reader is described note. another one shot written in one day, i love you sm joy you meet a really cool girl in a music shop
you saw joy kwon everyday after the day you met her. a week after sitting on the ground of the music shop she worked in, you met up with only her. everyday after your afternoon classes had let out you made a b-line straight to the music shop. desperate to listen to different kinds of tunes with her. and outside of the store, you two texted, mainly just exchanging playlists and various albums and songs. but when you werenât talking about music, you were asking about each other. just surface level stuff for now.
all of the walks you took, by yourself to the shop, consisted of mainly the same weather. whether it was bright and sunny, or slightly cloudy with a drizzle. the weather was pleasant outside, so pleasant that you and joy had made plans to meet up in the park after her shift.
and since it was a weekday the music shop closed earlier than it did on the weekends, choosing to close at 5pm instead of its friday and saturday 9pm close.
"hey!" joy waved at you from the starry picnic blanket she was resting on. her legs were extended out but still crossed with each other, her slim arms were behind her, holding her up.
BONUS: Trinity letting Mel's hair down
THE PITT 2.15 â 9:00 P.M.
i have REALLY bad writers block right now uuughhhh
hypothetically
Pairing: Baran Al-Hashimi x fem!reader Summary: You grew up with a lot of silly southern saying and you were going to get the serious Dr. Al-Hashimi to laugh. WC: 3.7k Tags/Warnings: Southern!Reader, Attending!Reader, Southern Idioms, Serious!Baran, fluffy, flirting, ambiguously post-season 2, Robby is alive and on his sabbatical, no one is dead or dying (fingers crossed lmao) A/N: I have fallen in love with Baran Al-Hashimi. She has bewitched me. I want to flirt with her so bad. Also this was written so quickly and has not been proofread, so it's quality is ÂŻ\_(ă)_/ÂŻ but I needed something not depressing after 2.11
-- -- --

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SICK? ILL TAKE CARE OF YOUâĄ
synopsis : peter parker x reader you have been feeling so ill lately that you havenât been responding to people texts and havenât been coming to school lately. which makes a certain boy worry and he check up on you.
wc : 827
cw: tooth rotten fluff, yearning hard, established relationship, sickfic, comfort.
It was a rainy day in Forest Hill, New York. The rain was pattering on your window as you groggily scrolling through your phone. This past week havenât been like you at all, You been missing school, havenât been message any of your friends, and purposely staying in your bed. You were sick, and You hated being sick it always sours your mood down, Plus. You couldnât talk to your friends.
You felt your phone vibrated in your hand, you looked up at the notification popping up on your screen, you clicked onto to see your friend: Peter Parker, texting you for the eighth time today.
peterđ¸ď¸: hey are you doing well? you been leaving me on seen..
You stared at the message, half lidded eyes bored into the message. You didnât even know what to say anymore, You didnât even have the energy to text him back. Scrolling up to look at the past message was pretty normal: He asked you if you were at school today and if you wanted to hangout after school. You sighed quietly as you looked at the time on your phone
3:30 P.M
You sat up in your bed, staring out your window. School was out and you were hungry as well. Your aunt wasnât home so you probably had to make your food in your sickly state. You slowly got out of your bed making sure you donât trip and head your way to your kitchen.
And there he was, Peter Parker. He was looking down at his phone with one of his hand and the other was carrying what it looked like to be takeout boxes? His shaggy dark brown hair was all wet and his clothes were drenched. And then you heard his voice: âHey uhm.. Are you in there?â You could tell he seemed quite nervous, He knocked on the door again before you dropped to your feet.
When you finally opened the door Peter was already shoving his phone back in his pocket, He looked up at you sighing with relief, All of his worries gone. He looked at you with a smile, speaking to you. âHi.. Uhm. You havenât been answering my texts, I was a little bit worry.. So! I decided to come here.. and see if youâre okay.â He looked at you with soft but concerned eyes before speaking again in a much more softer tone. âCould I come inside, I brought food.. I think itâs your favorite?â He sounded uncertain but still held up the takeout boxes.
You stared at him, a little shocked that he would come here. I mean, of course he would he was checking up on you. You covered your mouth with hand before shaking your head, no. You spoke up but your word came out of a muffled due to your hand placement on your mouth. âYou canât come in.. Iâm sorry..â Peter looked a little confused. Why couldnât he come inside he was drenched in rain water.. and he wanted to hangout with his partner.
âWhy not?â He said, looking at you with concern before looking at you with teasing eyes âDonât tell me youâre sick?â He said, a teasing tone slipped through his voice. You looked away from him, not admitting you are sick. Peter stood there, awaiting your response before looking at you with shocked eyes. He spoke up in a panic, âHoly shit, babe. I didnât know you were actually sick. Is that you havenât been to school for a week?â He said. His tone was a little more concerning.
You looked away from him with your eyes, letting your hand move away from your mouth, You felt bad for not texting him and telling him that you were sick. Suddenly, You feel Peter embracing you closely, His head leaning on your shoulder, His arms wrapped around you, his fingers holding the takeout bag. You stood there, shock. What was he doing? You were about to protest but he spoke first.
âPoor baby.. You were here.. suffering.â He coos in your ear, Your ears felt hot. You spoke up, hesitating a little bit. âWhat..What are you doing.. Youâre going to get sick!â You protested a little bit, He was getting your clothes wet. He talked again, leaning his head up a little bit to look at you in the eyes. âSorry.. I couldnât help myself.â He smiled again.
You looked at him, staring into his eyes before you hug him back. Closing your eyes, You heard Peter chuckled before he whispered in your ears. âSo.. Am I going to be allowed in?â You opened your eyes before letting go of the hug, you stepped out of the way, allowing him to come in. Peter looked at you before smiling and stepping inside your apartment. You shut the door quietly, You were very happy that your boyfriend was taking care of you now.
YEEâHAW!
PAIRING(S) â dennis whitaker x fem!reader
SYNOPSIS â you give him a surprise birthday present
CONTENT â 18+ minors dni | sub!dennis, whiny!dennis, mentions of alcohol, car sex, grinding, premature ejaculation (dennis cums in his pants), basically no foreplay (reader is impatient), unprotected sex (wrap it before you tap it), creampie. let me know if iâve missed anything!
WC â 7.4k
NOTE â this came to me on a whim⌠enjoy lol
MASTERLIST
slowdive
taniel x fem!reader
synopsis: you and your family move to derry, maine for a new beginning, but that burden slowly starts to fall on your shoulders. luckily there's a cute guy who works at the furniture shop your mom frequents.
word count: 1.4k
warnings: arguing & angst
a/n: i lowk have to get on my zoom and write more plus like thereâs barely any fics for taniel so i had to put matters into my own hands
It was easy to fall in love with Taniel.
Even though you had known Taniel for only a couple of weeks, you had become accustomed to him. Moving to Derry wasn't your first choice, nor was it your mother's. Downstairs, Charlotte sat on the couch with Tanielâs aunt, Rose. They shared a cup of tea and chatted about recent events.
Upstairs, you are sitting at your vanity, applying more eyeshadow to your lids. A small knock on your bedroom door, assuming itâs your mother; you open the door. You head downstairs to greet Ms. Rose, but Taniel surprises you. He looks down at your outfit, a light rouge spreading across his cheeks.
three hundred thirty-five days
pairing: dennis whittaker x fem!reader
summary: after almost a year of avoiding each other, one shift throws you and dennis right back in contact. in the ER, some things don't stop. they keep going.
warnings: MDNI. smut (18+), workplace tension, mutual pining, idiots in love, slight angst, emotional repression, explicit sexual content, overstimulation, possessiveness, praise, oral (f receiving), unprotected sex, creampie, semi-public tension (hospital), power dynamics (if you squint?), mentions of stress/burnout
it had been a real long three hundred thirty-five days.
not that you were counting.
because three hundred thirty-five days was a long time to avoid someone in a place as small and suffocating as the pitt. a long time to learn every shift pattern, every coffee run, every back hallway, every supply closet he favored, every route that would keep you from accidentally ending up shoulder to shoulder with dennis whittaker while your pulse decided to humiliate you in front of god and everyone.
holy shit the whitaker fic has hit 1,000 đđ

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SOME WILDFLOWERS FOR YOU âŻMel King
summary : [fem x reader] you and mel king have been friends for eight months. you know her coffee order, you know the face she makes when sheâs about to go on a rant, you know the way she laughs with her whole body. youâre going to a renaissance fair together. youâre so normal about it.
wc : 1.8k
cw : slowburn, PININGGG so much pining, fluff (?) yearning, slightly one sided/friends to lovers-ish, soft domesticity, internal monologue thatâs totally not coping
The Renaissance fair was Melâs idea, obviously.
It had started the way most things with Mel started â mid-shift, out of nowhere, while you were both charting at the nursesâ station and she was supposed to be focusing. Sheâd looked up from her tablet with that specific look she got, the one where something had just occurred to her and she was physically incapable of keeping it inside her body.
âOkay but have you ever been to a Renaissance fair.â
You donât even think this was a question, hardly anything is when Mel starts speaking.
You hadnât even looked up from your chart. âNo.â
âOkay so.â Sheâd spun slightly in her chair to face you more fully, which was your first warning sign. The chair spin meant you were getting the full thing. âThereâs one in Millvale, like forty minutes from here, and Iâve been looking at the vendor list and thereâs a glassblower, thereâs a falconer ââ
âA falconer?â
ââ a falconer, and thereâs a whole jousting tournament and they do immersive theater throughout the grounds which honestly is either going to be amazing or so embarrassing it loops back around to amazing, and I really feel like this is something we should do.â
Youâd looked at her then. She was already pulling something up on her phone, probably the website, probably already planning an itinerary. Eight months of knowing Mel King and you understood that resistance was largely decorative. You were going. Youâd always been going.
âAre we doing costumes?â youâd asked.
The way her face had lit up should be classified as a hazard.
So thatâs how you end up here, in Melâs apartment on a Saturday morning that is frankly too early for how chaotic this already is, surrounded by approximately one explosion of fabric.
Her bedroom is a disaster. A loving, intentional disaster, but still. There are two garment bags hanging off her closet door, a basket of what sheâd described as âperiod-accurate accessories, mostlyâ sitting on the bed, and Mel herself standing in the center of it all in her jeans and a bralette, holding up two different belts with a look of intense academic focus.
âOkay,â she says, not looking at you. âThe braided one reads more peasant-folk and the leather one reads more like, roguish traveler. Iâm trying to figure out which direction Iâm committing to.â
Youâre sitting cross-legged on the edge of her bed, your own costume still in the bag because youâve been here for twenty minutes and Mel has been narrating the entire time and youâve been mostly just. Watching her. Which is a thing youâve been accidentally doing a lot lately and are actively choosing not to examine.
âWhatâs the rest of the outfit?â you ask.
âOkay so ââ she drops the belts on the bed and unzips the garment bag with a kind of ceremony, pulling out a deep green dress, linen, with billowy sleeves that lace at the wrist, a corseted bodice, and a hemline that would fall to mid-calf. Itâs genuinely beautiful. She holds it up against herself. âI found it on Etsy, the shop does custom sizing, and Iâve been very normal about it for three months.â
âYouâve been very normal about it,â you repeat.
âIâve thought about it every day,â she admits, completely without shame.
Something about that makes you smile in a way you have to press your lips together to contain. Thatâs Mel. Thatâs the whole thing with Mel, she doesnât do anything halfway, doesnât feel anything at a manageable volume. When she cares about something she cares about it the way other people breathe, automatic and constant and not really optional.
It was one of the first things youâd noticed about her, eight months ago. Youâd been paired together on a case study, both of you hunched over the same table in the hospital library at some ungodly hour, and sheâd started talking about the patientâs chart with this intensity that most people reserved for things they actually loved. Not performed enthusiasm. Real, inconvenient, overflowing interest. Sheâd looked up mid-sentence and caught you staring and said what and youâd said nothing, keep going and she had, and youâd sat there listening and thought privately, oh, this oneâs going to be a problem.
You had been correct.
âTry it on,â you say, nodding at the dress.
Sheâs already pulling it on.
Getting the bodice laced is a whole thing. She does the front parts herself with practiced efficiency, which tells you this is not the first time sheâs worn this specific type of garment, which is deeply unsurprising, and then she turns around and presents you with the back like itâs the most natural thing in the world.
âCan you get that?â
You slide off the bed. Your fingers find the laces at the small of her back and you start working upward, slowly, pulling each cross snug. Her hair is loose right now, falling over one shoulder to make room, and thereâs a strip of skin at the nape of her neck that you are pointedly not looking at.
Youâre looking at it a little.
âSo whatâs your concept,â Mel says, because she cannot be in a room without filling it with words and honestly you think youâd be lost without that by now, the constant motion of her voice. âLike who are you going as.â
âI was thinking some kind of herbalist,â you say. âOr a healer.â
She turns her head slightly, even though youâre still lacing. âOkay thatâs so on brand itâs almost annoying.â
âSays the woman dressed as a rogue.â
âI contain multitudes.â
âYou contain a whole Renaissance fair apparently.â
She laughs, and you feel it, the shift of her back under your hands, and you tie off the laces and take a very deliberate step back.
She turns around. The green of the dress does something significant to her eyes. The sleeves fall loose and lovely around her wrists and the whole silhouette of her is like something out of a painting and you are having a completely normal reaction to this, youâre fine, everything is fine.
âWell?â she asks. She does a little turn. Unselfconscious, easy, just genuinely wanting to know.
âYou look ââ you start, and then have to recalibrate because the first word that arrived was not one youâre prepared to say out loud yet. âReally good. The beltâs the leather one, by the way.â
She points at you. âRoguish traveler, I knew it.â
Your costume is easier to get into, which is both a relief and slightly unfair given the circumstances.
Itâs a soft, dusty-rose overdress with wide sleeves and a simple tie at the waist, worn over a cream linen underdress, and youâd found a little leather satchel to carry that fits the whole healer-herbalist thing youâre going for. Mel had procured a small collection of dried flowers from somewhere, lavender, chamomile, a few sprigs of something sheâd called âvibes-accurate,â and sheâd tucked them into the satchel with great focus and ceremony while you were getting dressed.
Now youâre both standing in front of her bathroom mirror doing hair, which has become a collaborative project without anyone deciding that.
Sheâs doing something intricate with hers, a loose braid with little sections pulled out to frame her face, and she keeps making small adjustments and then second-guessing them, and youâve already done yours mostly but youâre still standing there because youâre helping hold a pin, or at least thatâs why youâve told yourself youâre still standing there.
âOkay and then I want to do yours,â she says, glancing at you in the mirror.
âMineâs basically done.â
âI know but I want to put some of the flowers in it.â She meets your eyes in the mirror, briefly, and something in her expression is soft in a way that makes your chest do something embarrassing. âIf thatâs okay. It would look really pretty.â
The word pretty coming from her mouth in reference to you does something to you that youâre going to have to deal with privately, at a later date, in the dark.
âYeah,â you say. âOkay.â
So you stand there while she works small dried flowers into your hair, her hands careful, occasionally tilting your head gently with two fingers at your jaw to get a better angle. Youâre looking at the mirror. At her face while she focuses. She has that expression she gets when something matters to her , brow slightly furrowed, bottom lip caught just barely between her teeth, the same face she makes going over a patientâs chart, the same face she makes when sheâs explaining something she loves, the same face youâve memorized completely without intending to.
âCan I ask you something,â you say.
âMm.â Sheâs focused. Thereâs a lavender sprig in her hand.
âHow did we end up like this.â You donât totally know what you mean when you say it. You mean at a Renaissance fair. You also might mean something else.
She looks at your reflection. âWhat do you mean?â
âLike ââ you try to find the version of this thatâs safe to say. âEight months ago I hardly knew you and now youâre putting flowers in my hair at eight in the morning on a Saturday.â
Something moves across her face, was she blushing? you held in a smile.
âI think,â she says, carefully, going back to the flowers, âthat we just fit.â A pause. âLike, I donât know. Some people you meet and itâs just⌠it makes sense. That theyâre in your life.â
You look at her in the mirror. Sheâs not looking back, focused on the last pin, but thereâs color at the top of her cheekbones that wasnât there before.
âYeah,â you say quietly. âIt does.â
She smooths a piece of your hair back. Steps back to assess. Something about the way she looks at you then, sheâs so⌠unhurried, like sheâs got all the time in the world, like sheâs looking at something that matters, god you might be delusional.
âThere,â she says. Her voice is a little different. âPerfect.â
You look at yourself in the mirror. At the flowers in your hair. At her standing just behind your shoulder, still watching.
And you think, with the specific desperation of someone who has been thinking it for a while and is running out of room to put it â I think Iâm in love with you.
You think it and you donât say it. You turn around and smile at her instead, and she grins back, and she grabs her leather belt off the counter and says okay letâs go, I want to get there before the joust starts, and you follow her out the door.
You donât say it.
But you almost do, when she reaches back without looking and takes your hand as youâre walking down the stairs â just to pull you along, just because sheâs excited, and she says come on, come on, and your heart does something loud and inconvenient in your chest.
I maybe laughed too hard at this scene
I wanna draw more of them but Iâve got nothing lol