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'and what is it that's keeping you alone, and leaving after we slow dance?' part of the 'charm.âïž ĘË' collab!
SUMMARY: feat. lord!hadjar and you, the diamond of the season. youâre not a good fit, youâve had arguments practically since birth, but for some reason his name is still filling your card, and all you seem to do is slow dance. thereâs something subtle in the way bickering shifts to something a little more meaningful. bridgerton au! PLAYLIST.
WORD COUNT: 5.3K
NOTES: sorry this took so long everyone, but isack hadjar is officially a redbull driver! i'm wishing him a better fate than his predeccesors. also, sorry it's such a short fic! not proofread OR show/historically accurate. some victorian dances here! (to help envision my dears twirling around)
Juliette fusses over you keenly, pulling at your headgear and sleeves simultaneously, while Amy passes you a fan desperately, shoving a glove on your other hand.
âPlease, thereâs no need for such a hurry. Itâs not as if the queen will even notice any tardiness, Iâll simply blend in with all the other debutantes.â you huff, waving them away, but your sisters refuse to stop preening.
Juliette had been deemed the diamond of the season a few years back, and although you no longer shared a last name, you were as close as ever.Â
Amy presented herself as rather indifferent to it all, dealing with her narrowing chances of marriage like a trooper, but you could tell there was some panic in her actions. It seemed she did not want you to suffer the same fate. Still, although you could understand her, you secretly hoped you'd suffer her fate over Juliette's, because being the Diamond seemed more hassle than it was worth.
âIâve been doing my research, and it seems that there are plenty of eligible bachelors this season, namely a few newer ones, who are more about your age. Lord Bearman, Oliver, seems like a good chap. As does that Italian one, with that rather frivolous last name. Oh, and Isack, of course. Lord Hadjar.â Juliette corrects herself, smoothing her dress, and you shoot her a wary glance.
âIâll take that into consideration. Not Isack though, obviously.â you reply sweetly, and she shakes her head.
âIt would do you some good to respect him, you know. You arenât bickering children anymore- you must come across as mature, and graceful.â
You inhale.
âI am both of those things, I assure you. As long as he stays out of my way, and he doesnât provoke me as usual, then we shall be just fine. I will even accept a dance, if he decides to be so daring.â you mutter quietly, and both your sisters beam.
When Isackâs mother fell ill, your own family had almost adopted him, as if it was of no consequence. At first, it had not really bothered you. But soon, he had grown to become rather an annoyance. He was sharp; you were sharper. Your arguments could span anywhere from mere minutes to days, and his impertinence had never been lost on you.
He had treated you in a way that you could not call brotherly. It was more like he was testing you, constantly. With moments of genuinity, and friendship, before total annoyance and disrespect. You never understood it, nor him.
And that had been the way of the world, until his mother got better, and then he left as if he had never been there to begin with.
âExcellent. Now, let us go.â Juliette smiles, seemingly satisfied with your appearance.
The nerves only really start to pool in your gut as you position yourself behind the doors, waiting for the announcement of your name. Youâd seen ten-or-so other nervous ladies, pale in the face, disappear. And now it was you, and only two others and all three of you seemed as though youâd forgotten how to breathe.
âI think I might pass out. In a sickly way.â one of them hisses, and you turn to her with a gentle smile.
âWeâre going to be fine, Iâm certain of it.â
âThatâs easy for you to say. Both your sisters did well. I have no-one.âÂ
Youâre slightly surprised that she knows who you are, considering her name is still evading you, but you almost remind her that Amy still didnât have a husband. Instead, you smile a little wider, waving her nerves away with a generous hand.
âWell, youâre utterly beautiful. As long as you aim not to trip, I canât see how anything could go wrong.â you reply confidently, and you see a small curve in her lips.
âSheâs right, Maria. Iâm rather envious of you. Youâre certain to be the diamond. Or sheâll at least say something to you. I rather think sheâd hope to forget whatever sort of entrance I make.â Beatrice mumbles, and you pat her shoulder affectionately.
ââTis alright, Beatrice.â
She gives you a grateful nod, but your hand is clammy, and you feel a little like a fraud.
When you hear your name, you falter, but step through the doors nonetheless.
âSmile, dear.â your mother says quietly, and you plaster the most lady-like expression you can manage as you begin to walk, ignoring the strange tugging at the trail of your dress.
The stretch to the Queenâs throne feels endless. Youâre rather convinced itâs simply to humiliate even the most co-ordinated of you, and each careful step feels more like a taunt than any sort of progress. Still, you donât hesitate.
The Queen does not smile when you reach her. You almost expected her to. Instead, you bow, praying your headpiece doesnât slip, and stare politely at her shoes.
âYou can look at me, child.â she scolds, but if there is any real malice in her tone, you donât pick up on it. Instead, you give her a bashful grin, and she seems placated.Â
She admires you with a care that makes you feel rather like a gem in a glass box, each sharp edge being analysed, but you desperately try not to break a sweat, forcing quiet breaths through your nose.
You hope sheâll grow bored of you soon enough, and move onto the next victim, but she pauses, raising an arm.
You think you might explode. Youâre certain that if she keeps you here for a moment longer, you simply will not manage to keep calm under the pressure, and you'll end up splattered across the room. You wait, for her to shun you from society, or declare you ought to have your head cut off, and you give your mother a completely panicked glance, still half-bowed.
âI think sheâs the right choice.â
You splutter, words spilling from your mouth before you can help it.
âI donât think so. I mean, you havenât seen the last two girls. Especially Maria. I really think you should reconsider-â you begin, standing up straight, and there is a collective gasp of horror from the crowd.
Queen Charlotte turns to you, and you realise now is when youâre losing your head.Â
âInteresting. Well, you have an odd sense of humour, but no matter. Iâll stick with you, I believe.â
Thereâs a suffocating silence, as everyone waits to see if sheâs being serious. It seems as though she is.
Juliette claps tentatively, and then Amy joins in, surer now. You turn to them, pale-faced and desperate.
Then the rest of the debutantes join in confused applauds, followed by their mothers, and you realise youâre in for an interesting season.
âBonsoir.â comes an irritating voice by your ear, and you straighten, nearly knocking over the potted plant you were trying (and failing) to hide behind.
âYou havenât lived in France for several years now, Isack. You can drop it.â you mutter coldly, flashing a placated smile to any onlookers.
âWell, you donât read your mail then, non? Iâve been in France studying. Returned for the start of the season, you see. By obligation, naturally.â
âNaturally.â you reply, keeping your eyes on the dance-floor. He shuffles closer to you, his shoulder brushing yours slightly. You try to act normal as you recoil.
âArenât you supposed to be there? As the Diamond, you must have people watching you. Even I was told to act interested.â
You shoot him a glare so vicious he has to place a gentle hand over his heart.
âSo thatâs why youâre here, bothering me?â you retort, venom hanging from each word, and he shrugs.
âYouâre the one half-submerged in a bush. Figured you could just use the company. You know I adore annoying you.â
You nod, biting back a smile at his dramatic face.
âWell, now youâve come across as interested, feel free to scurry away again. Eleanor has been glancing this way for a while now, and you ought not to agitate her.â you nod wisely, and he turns, a slight surprised look passing his face.
When he meets Eleanorâs gaze, he gives her a polite nod, before turning back to you.
âIâll speak to her in a minute, I suppose. But first, inscribe me there.â he murmurs, gesturing to your dance card hanging by your wrist. You inhale, giving him a curious frown.
He raises an eyebrow and the corner of his lips simultaneously, like itâs a challenge.
âGo on, humour me. And Iâd rather not face the embarrassment of a rejection at the first ball. I promise I wonât step on your feet.â
You consider telling him to stop being so irritating, but you just smile, all gentle-mannered and careful. You think back to Julietteâs words, and swallow your pride for what feels like the first time of many.
âYouâve got yourself a waltz, Hadjar. You better not embarrass me.â
âIsack! You promised me an introduction, friend.â comes a voice, and youâre not sure you recognise the owner of it. Heâs tall, but not quite lanky, with a warm face and a genuine smile. He claps Isack on the back with an enthusiasm you envy, wondering how he has even a shred of optimism in a place like this.
Isack startles, and you have to mask a laugh with a delicate cough.Â
âOf course, my mistake. This is Lord Bearman.â he murmurs, and you give him a slight curtsy, dropping your gaze. âMy lord.â
He smiles politely. âIf itâs not already full, Iâd like to humbly ask for a dance.â he says kindly, the corner of his eyes crinkling, and you nod.
Isack mumbles something under his breath you donât catch, and then the music has shifted, and youâre trailing onto the ballroom floor, shooting Amy a panicked look from across the room.
âI understand itâs common courtesy to say yes, but you look rather miserable. I wouldnât have taken much offence if youâd declined me, you know.â Ollie mutters, searching your face for something as he takes your hand.Â
âItâs not you. Iâm just nervous. Youâll forgive me if I misstep. Iâm not sure Iâm cut out for this.â you reply carefully, admiring the smile that slowly stretches over his face.
âOh, yes. I heard about what you said to the Queen. Bold, to suggest she was wrong in choosing you. Do you still feel that way?â he asks, and you readjust your hand in his, surprised by the warmth of it.
âAbsolutely.â you admit, scouring the rest of the floor as you begin to shift, stepping to the left. âI mean, look at Maria over there. The Queen was far too hasty in her decision. Iâve done nothing of consequence, and Iâm not even the most beautiful of the debutantes. Iâm not entirely sure what she was doing, frankly.â you admit, your voice reduced to a low hiss. Ollie laughs, seeming to take great pleasure in your irritated tone.
âWell, I believe that beauty exists in the mind that-â
â-contemplates them?â you finish for him, and he grins, having to quickly hide his teeth upon realising his mistake. âPersonally, I prefer Shakespeareâs phrasing, with beauty being bought. The idea of that is more intriguing."
âMaybe that is why she chose you.â he concedes, but he doesnât elaborate. Instead, you both fall silent, focusing on the gentle lull of the music, watching your feet shuffle together in time.Â
Youâre surprised at the ease of it, the way your nerves subside a little, the way the onlookers become more a blur than a crowd. His arm on your waist feels more like support than something you should be wary of, and you almost wonder if you were being completely dramatic about the whole thing.Â
When the song ends, and the violin fades, it takes you a second to go, bowing your head a little.
âIâll see you later, then. As I suppose asking you for another would be a terrible idea.â
âOh, terrible. Scandalous. May as well kiss my reputation goodbye.â you joke, letting a small chuckle leave your lips, and he laughs with you.
When you return to the side of the room, Isack is waiting expectantly.
âCan I be of assistance?â you ask, and he frowns, raising a palm.
You look confused for a second.
âOh. I thought you were joking.â
He half smiles as you take his hand. The song is a little slower than the previous one, and you donât want to see Amy this time. You just swallow, letting the hum drown out the erratic beating of your heart.
There is something raw in the way you act with Isack. He is not, and will never be, Lord Hadjar to you. He is that to everyone else, but he lives inside you as something entirely different.
But out here, you both have to act. There are roles you play, there are mannerisms you must obey. You do not bicker, you do not fight him off you. Instead, you talk., like you didnât once chase him around unweeded gardens.
âSo, is there anyone here you think youâll be visiting tomorrow?â you ask carefully, trying to come up with a rational explanation for the way your face is burning when he looks at you.
You decide itâs because of how wholly unnatural this whole thing is. You have no brothers, but you imagine this is what dancing with one must feel like. You want him to let you go, even though he is not gripping you too tightly, and you find the air far too stagnant.
âIâm not sure yet. Iâm not overly keen on having a wife.â he admits, with a slight shrug of his shoulders, and you give him an outraged glare.
âIsack!â you hiss quietly, leaning towards him a little so no one can overhear. âYouâve proposed yourself as a bachelor, you canât just say things like that.â
âI am only saying them to you. You are pretending you want a husband too, non?â he dares, and you inhale, straightening.
âI am not pretending about anything. Unlike you, I am rather useless without a husband. Iâm not planning on going through this whole debacle again, so I feel rather inclined to accept the first to propose.â you reply, scowling slightly, but he just gives you an amused expression.
âEven if I proposed right now, youâd take me up on it?â
You huff. âYou are not nearly as humorous as you think you are.â
âItâs a hypothetical. Indulge me, I implore you.â
You sigh, shaking your head.
âNot you. That would be much like accepting a death wish.â
His face falls for barely a second, but you catch it. By the time you blink, heâs rearranged it, and heâs smiling with a confidence you canât tell is real or fake.
âYou wound me, mon amie.â
You give him a dry laugh.
âYouâd have to care about me for that to wound you.â you joke, but it doesnât sound funny at all.Â
He misses a step, but you pretend not to notice.
âYouâre right.â he concedes, but youâre not sure what youâre right about.
Youâre trying to embroider a rather stubborn handkerchief, when Juliette bursts through the living room doors, excitement all over her face.
âYou have a caller!â she announces, and you freeze.
Amy looks up from the piano curiously.
âIs it Isack?â
You turn to her incredulously.
âWhy would it be Isack?â
Amy gives you a quizzical look. âI saw you two dancing last night. I mean, Iâm no romantic, but even I felt emotional. Who else could it be?â
It is then that Oliver walks awkwardly through the doors, giving you a shy wave. Amy inhales quietly, and you give him a gentle smile.
Your mother arrives behind him, giving you a supportive nod.
âSorry to call on you so early, but I have some business errands this afternoon, and I wanted to see you.â he explains politely, taking a seat beside you on the thin sofa, awkwardly glancing between you and your family.
âNo need to apologise. Thank you, for coming. I was hoping to get to know more about you anyway.â you say politely, and he beams.
Your sisters pretend not to stare at the pair of you, sitting politely on the sofa, through sips of tea.
He speaks of his brothers, you lower your voice when you speak of your family, and you both mask chuckles.
It works. Itâs pleasant. It hums, and thatâs enough for you. You werenât expecting to find something that sings.
When he leaves, you hope you donât look too dazed. You hope itâs not obvious that youâre already imagining his last name next to your first. You also hope itâs not obvious that youâre staring at the door, like you want someone else to waltz through it.
You tell yourself itâs so you have a choice, but youâll probably choose this simplicity anyway. You donât let yourself even consider anything else.
âI saw you two on a walk. Promenading, if you will.â Isack murmurs, pressing his hand firmly on your waist. You shuffle away from him a little, but your footwork refuses to so much as falter.
âThat is what one tends to do, when being courted. You know you could speak to me without asking for a dance, yes? I didnât realise my audience was so⊠desirable.â you reply, cordially, trying to figure out why he looks so stern.
He scoffs. âTisâ impossible to speak to you without him lurking. Figured you might appreciate the rescue.â
âI donât need rescuing, Iâm perfectly fine. Us two get along rather well, donât you think? Better than we ever did, anyway. Maybe youâve simply set the bar low.â
He practically hisses, and the sound feels like a reward.
âYouâre far too cruel to me.â he mutters, and you hide a smile.
âYouâre far too volatile. Will you please stop staring at him?â you demand, voice barely above a whisper, and he flicks his eyes to yours instead, with a slow raise of his eyebrow.
âWhy? Do you think he feels threatened?â
You donât catch your gasp before it leaves your mouth, cursing how slow the dance is, how the tempo of the music drags instead of rushes, making you bear the burning of his palm for what feels like an eternity.
âIsack, stop it. Youâre being unkind. Youâre meant to be his friend.â
âI am his friend. But weâre friends too, no? No need for him to fawn over you. Iâm not actually going to take you away. Not for anything more than a dance.â
You pause, trying to catch Ollieâs eye and smile, but you turn too quickly.
âDo you not think I deserve someone fawning over me?â
He blinks.
âWell, sure. But is that what you want?â
âUs women donât get what we want. I should be grateful to be doing so well so early. Heâs a respectable match.â
âIt is early, and your dance card is full.â he says wisely, as though itâs something you hadnât spotted. As if he has a right to step in, to offer his opinion youâd rather die than ask for.
âYour name is in that card.â you reply simply.
The music slows, pauses, and dies. The crowd begins to disperse, and you know heâll slip away with them, but youâre not sure if you want to hear his response or not.
So you linger, fingers intertwined, fabric of the gloves meshing into one, and you wait.
âIt is.â is all he manages, with one, strangled breath, and then he is gone.
You try not to miss him too terribly as you shrink back to the sidelines.
It hits Lady Whistledown the next morning. Youâd expected your name to crop up eventually, but hadnât expected Isack Hadjarâs to be the one next to it.
âAlthough it seems the diamond of this season has taken a liking to Oliver Bearman, her old friend Isack Hadjar seems unable to let her go. Anyone can see something simmering unresolved under the surface, but will either of them dare say anything before she finds herself with a ring on her finger?â
Juliettes voice rings out in the drawing room clearly, and you wince at every other word.
âSheâs rather irritating, this Whisteledown. You really do underestimate how bad it is when youâre in the limelight.â you mutter, ignoring as you prick yourself with your needle bitterly. Amy sighs knowingly, patting the side of your head.
âItâs okay, itâll all be sorted soon enough. Although, it might be worth talking about. Even I noticed something last night. Were you two arguing?â
You shake your head.
âHe was in an irritable mood. I donât think he wants to marry at all, and he wants to condemn someone to the same fate. And we used to joke about it, being misfits and refusing all this silliness. Maybe he wonders if thatâs still in me, somewhere. He kept trying to convince me to reconsider Oliver.â
Juliette exhales quietly.
âMaybe you ought not to dismiss him so fast. Maybe he is right.â
âI like Oliver. He is pleasant.â
âBut you donât love Oliver.â Amy counters, and you grimace.
âYou both know I care for no such thing. And it is not like I love anyone else.â
âYou loved Isack, once. Thereâs no reason in denying it now.â
You scoff, but donât meet their eyes. âSânot true. We were children. I couldnât understand what I was feeling. It most certainly wasnât love, though. He got far too under my skin for that.â
âI believe thatâs what love is. Having someone under your skin, and letting them settle there, even if youâre irritated by them. Because itâs better to have them, in all their annoyance, than to let them go.â
You would laugh, but Juliette seems entirely serious, and you figure sheâs talking from experience.
âAlright. Well, thatâs something to figure out later.â you say dismissively, although you all know that there is no later. It is now, it is until Ollie dares to ask for your hand, it is until Isack begins to confront his own feelings. Which you know heâll never do, so all is well.
âI saw the paper.â Isack mumbles, brushing past you to shield you from the onlookers.Â
âItâs poppycock, if youâll excuse my language.â you joke, but it comes out flat, like youâre wounded.
He nods, but he almost looks nervous.
âI wouldnât do that to you, I hope you know that. I just, I just wanted to look out for you. I understand this is stressful-â
â-Isack, itâs alright. Donât fret.â
Hearing his name leave your mouth so casually almost aches. He should feel disrespected, but he doesnât. It feels much like his name was made so only you could say it, and heâs ever so glad youâve disregarded being proper.
âWould it be cruel of me to ask you to dance? I donât see your regular partner everywhere.â
âHeâs taken his leave. His brother has fallen ill. But yes, it would be cruel.â
âYouâre not going to deny me, are you?â
âYou know I wouldnât.â
He offers his hand, and you convince yourself youâre only taking it because itâs the right thing to do.
âDo you always choose the slow ones on purpose? Theyâre agony. They drag.â
He shrugs, with a careful grin.
âSânot intentional. But youâre rather dramatic.â
His hand covers yours with a determination youâre not sure you recognise, and you let your palm settle on his shoulder with a practiced ease. The edges of your shoes kiss eachother, along with the dust of the floor, daring the other to step out of place, but neither of you do. Itâs smooth, but not cold. Itâs warm, too warm, too alive.
The spinning is slow, and calculated, making sure your eyes catch with each turn, before they settle on something else.
âTheyâre going to talk again.â
âWhy not let them?â
âBecause I am worried he will not propose if I am ruined.â
You feel him straighten, feel him loosen his grip, but he keeps you close.
âYou do not think he loves you enough not to care?â
You laugh, and itâs almost a snort.
âAll of these childish notions of love! Ridiculous, I just am sick of it. I want to marry, and sit by a window, and learn.â
âBearman is not the only one who could give you that.â he replies, gritting his teeth, and you inhale.
âHe is the only one who seems to care enough to try. My lord, unless you are willing to dispute that, unless you are willing to walk beside the river with me and sit in my drawing room and fawn over my whims, I do not want to hear it.â
He never wants to hear you avoid saying his name again. He never wants to avoid you again. It had been far too easy, when his mother got better, and France called, to pack up and disappear. He had barely even felt the guilt that comes with hurting your own heart.
But now, he realises heâs far too full of cowardice to be greedy. And he is also far too kind, to take you away from him, when you seem content.Â
He wants to be cruel enough to keep asking for a dance, to keep giving you half-smiles and barbed comments between drinks, but he isnât. Heâll just burn, until it turns to embers, and then ashes. And youâll both be married, and both be miserable, and deem it nothing more than the way of life.
So he waits until the orchestra halts, and he refuses to admit what's keeping him leaving after you slow dance.
Youâre not sure when the time passes, but it does. Whistledown leaves you alone, the months fly by, and Isack simply sinks into the crowd. It is polite, it is easy. Youâre nearly grateful. You find it nobodyâs business but your own that you always leave a waltz blank.
The last ball of the season is hosted by none other than the Bearmans. You try to ignore the whispers of a proposal, but you know heâs spoken to your father. You know theyâve been smiling a little too hard at you recently, and you try to swallow the bile thatâs constantly rising in your throat.
You still havenât entirely registered whatâs happening until youâre halfway across the floor, and people are laughing, and your body has kicked in for you. Youâre splitting away and circling back, grinning with every side-step, affectionately squeezing Oliverâs hand as you skip around in circles. It feels celebratory, clicking heels and near-enough galloping, and the hollers and squeals are fitting for the last ball, for the final hurrah, for the end of a headache that has spanned several months.
Youâre switching partners, and that is how you find yourself in the arms of Isack again, a place you figured youâd never be.
âYou look well.â he whispers cordially, and you smile.
âYou look irritated.â
He laughs, and it hurts to hear.
âYouâre ever so respectable, the two of you. I wish you the best. You know, heâs going to propose.â
âI assumed.â you admit gracefully, with a nod.
âYouâre going to say yes, arenât you?â
You hesitate. He wonders if thatâs enough. Youâre skipping away before he gets a response, but he knows what you wouldâve said.
âYouâre spritely, Oliv- my Lord.â you beam, fanning yourself quickly, hoping your cheeks arenât too flushed. The slow dances drag, the quick dances burn, and youâd rather not dance at all.
âFormalities are rather inconvenient, are they not? I do feel that I should just be Oliver to you, by now.â Ollie decides, and you nod, shrugging a little. Still, the knowing glint in his eyes is making him hard to stare at.
âItâs not much of a surprise, is it?â
You look up, a little confused, but his nervous grin is too endearing to shrug off.
âNo, I suppose it isnât. But Iâve never cared much for surprises. And I feel that, after all of this, it would be more of a surprise if you were not to ask.â you smile, and it is an agreement of other words. It is a reassurance, but not to yourself. It feels like a commitment, a pledge. You suppose thatâs exactly what it is.
âWell, thatâs a relief. Iâll see you later this evening, then. I believe someone may want to bid you farewell. I hear heâs off back to France.â
You turn, and Isack gives you a limp half-wave.
âYou might as well offer him the dance youâve been saving.â
Ollie gives you a knowing look at your stare of surprise, a glance that tells you that he knows you underestimate him, but heâll learn to love you anyway, because heâs almost already there.
All the waltz pieces sound the same, but youâre sure this is sadder.
âYou didnât tell me you were leaving.â
âI figured you didnât want us talking anymore. Which is understandable. But itâs alright now, as I am set for Europe, and you are set for marriage.â
He says it so simply, like that was always the destiny you were both meant for. Maybe it was.
âYou will come back?â
Itâs not a question, itâs a demand, but you ask it anyway.
âIf youâd like me to.â
âA piece of your home is always in me.â
Itâs a horrific thing to admit, especially to admit it so late.
He presses his forehead to yours, but it is not enough. You both know it.Â
You have spent the better half of a year dismissing that love is of any importance to you. He has spent that same time denying love to anyone. He has danced, and flirted, and stared at you across the halls. He has been a coward, and you have been obstinate, and youâre always right, in that youâd never work. But it almost feels like a crime to let him go, to stop turning, to stop pressing the side of your ankle against his, to move your faces apart. You are breathing one and the same, you are sharing a heart, but it is not the same as sharing a name, or a house.
âI should have done something.â he mutters, like itâs his deepest regret.
âIf you loved me enough, you would have.â you reply kindly. âAnd I wouldâve admitted it, if it was all that overwhelming. But weâre not stuff of legend, are we?â
âYou donât have to marry him.â
âYou donât have to go to France.â
It might as well be silent, even as the violins swell.
âYou could come with me?â
Itâs a selfish, gross, cowardly ask. He knows youâll say no, he knows youâll be the one thatâll nip it in the bud, he knows he can blame you for the rest of his lonely life.
The rejection never comes.
Instead, Oliver Bearman has taken your hand, has asked to cut in, and you are being whisked away.Â
You try to meet Isackâs eyes without making it too obvious, trying to say that, maybe if heâd asked earlier, your answer would be different, but you canât see him.
Maybe itâs because youâre not brave enough to twist your head all the way. Maybe itâs because heâs already left, even though the weight of his palm still lingers on your back.
By the time the song is over, he is kneeling, you are engaged, and you wish the slow dances had dragged on a little longer.
the 'charm.âïž ĘË' collab! hullo everyone! here is my first contribution to this collab, and I'm sorry its so short and so delayed! my other pieces are a lot longer, so I figured to cut my losses, and just get this out. this was originally meant to have a happy ending, lol, but I changed it literally as I was writing the end scene! hope you enjoyed it nonetheless, and go stream slow dance by clairo!