Wrath of the Lamb (Hannibal, 2013-2015) - L'Ange dƩchu (Alexandre Cabanel, 1847)

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Wrath of the Lamb (Hannibal, 2013-2015) - L'Ange dƩchu (Alexandre Cabanel, 1847)

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Thereās just something about Willās forehead scar from the bone saw in Florenceā out of all his many scars from Hannibal and from othersā thatās so incredibly profound. Hannibal cut into him in an attempt to remove and devour his brain, he believed they could never be together in total understanding due to their constant struggle for control over their connection and each other. It was a way of crushing the tender, tenuous hope that Will had uncovered in him, that hope for belonging, for warm arms around him, for forgiveness and honestyā so childlike. The hope that lived on in his memories of Mischa, who died so young and thus became more of a mirror to him for those needy parts of himself than her own person. It was self-punishment and a surrender to hopelessness once more first and a grasp for restoring power and order second. But the touch of the saw was nearly nonexistent for such a damaging and capable blade, droplets of blood flew in little flecks when some more pressure couldāve swiftly yielded bone and the wet gasp of grey matter. The determination was utterly lacking.
The notion that the herbal infusion would have enough time to circulate and flavor Willās tissues was a blatant excuse for being able to blow on the spoon, cup Willās face, try to bid that dream goodbye when it had already settled in to stay. Despite his preternatural empathy, Will canāt really read minds. He rejected Hannibal because Hannibal had rejected even the specter of vulnerability and openness. āWill Graham deals with huge amounts of fear,ā Hannibal tells Jack after their first meeting. In this, too, they are the same. And he is alone again. He meets Molly, they get married quickly in that limbo of the three years apart. And within that time he began wearing his hair more like Hannibalās, gelled and combed back. Combing forward wouldāve covered the thin, pale scar that matched his skin tone well enough easily, but instead he displayed it to a world that would look on it with distrust or pity, a world of people heād once looked to for care and acceptance when it could never be given to him as he was. āIt excites him to see you marked in this particular way.ā āWhy?ā āWhy do you think?ā
Bedelia could only ever see the surface of Hannibalās demons, of his fears and buried wants, her own reflection making a warped and inaccurate mirror of them. She only saw the fact that he wants to be seen a certain way, to do things a certain way, she could never see the true reasons why that is as Will can. It was easier to face a myth than the truth that her captor has weaknesses, just not ones she could exploit. Bedelia only saw the euphoria of possession and the gravity of desire where Will came to see the raw, unglamorous truth of their shared ache. She saw a fairytale monster in the shape of a man, Bluebeard with his doors and keys. But Will saw a man who has a vast capacity for the monstrous, who locked things away because he knows deep down he canāt be impenetrable and striving for it makes him less and less so. Even with a ring on his finger, there was only ever one emblem of belonging Will displayed openly on his body during those three years and after his isolation from Hannibal ended.
Desires to posses or be possessed are, at their cores, facets of that universal human desire to be unconditionally embraced with veneers of power and control over it to make it seem less personal and more comfortable. Will and Hannibal belong to each other because they have only ever felt as if they belong without exception when theyāre with each other. āNo one can be fully aware of another human being unless we love them.ā āIāve never known myself as well as I know myself when Iām with him.ā āFreeing yourself from me and me freeing myself from you⦠Theyāre the same.ā āWeāre conjoined.ā That scar is the white string that ties them together on a soul-deep level rather than a red one, itās the line that divides and unites them in their struggles over and realizations about how their many conflicts have only ever been conflicts of self-realization and self-examination through the lens of the other.
Willās forehead scar is a permanent mark that he chooses to make visible instead of attempting to hide. He isnāt a man who can hide from himself anymore after the events of his time with Hannibal, and if he canāt hide from himself then he canāt hide from the worldās judgements, either. Thereās no point to it anymore. Heās already tasted the forbidden fruit, chewed it to the core and swallowed, felt the warmth in the serpentās coils. Itās his acceptance of Hannibal, of himself, and of their indelible bond made flesh. āSee? This is all I ever wanted for you, Will. For both of us.ā āItās beautiful.ā Itās beautiful, itās real and right. Heās ascended beyond the chains of self-repression alongside Hannibal. The scar crowning his forehead has now become his halo.
"it's beautiful"
Post-fall
A wheeling noise circled its way into the shores of his mind. The draft made it impossible to decipher even the roughest shapes of words. Only some shadows cast by all things he previously knew by name.
āWillā
Salty soundwaves rippled through a once well traveled coastline. Harsh wind and a nauseating pulse made it difficult to focus in the midst of this violent and confusing environment.
From the pull and release of the tide, concepts began to take form, grain by sand grain. At a painstakingly slow pace.
āWill!ā
Repetition, as if to remind the ocean that the sum is greater than its individual parts. The more it made sense, the more it hurt. Currents of water glistened with flickers of sour-tasting lights.
āWILL!ā
Sharper and colder this time. Droplets of water surged through him like needles of painful clarity. Will, a name. His name.
The idea of concepts felt overwhelming, nauseating and salty. A tide of realisation made its presence known. In his stomach. Will, his own name. The clarity washed over him as a swelling stream of awful-tasting water.Ā
Then he actually tasted it as reality surged into him. Through his stomach and up into his mouth and nose, spilling over all the way into his body and hands.Ā
It took him a moment to get to his senses. Vision, hearing and feeling all turbulently trampled their way into his conscious experience again, like a stampede of savage stags.Ā
āWill, can you open your eyes? Talk to me, Will!ā
Hannibal?Ā
He tried voicing the words, but his body had a hard time still fitting together the puzzle pieces of how to function as an organism. He tried reaching out his hand while he gasped for air.Ā
Am I alive? was his last conscious thought before sinking back into the pull of the black tide.
yall its not a want its a need

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Bi-yearly "Hear Ye Hear Ye" for everyone who loves a good s4/post-fall hannigram fic
"Eromenos/Erastes" by Epsilon Sagittarii
It is literally my favorite s4/post-fall fic. It was everything to me on first read, and ever reread cements it.
Albeit I was scared by the lack of like indication tags, but I was so pleasantly surprised
Read it. Read it. Read it. Read it. Read it. Read it. Read it. Read it. Read it.
https://archiveofourown.org/works/49878667/chapters/125916115
who up yearning anatomically, obscenely, and metaphysically
[ig: abigailhobbsism]
one million dollars or all access to every single wotl take? cause why don't we talk about this take that Hugh says it's beautiful in a breathy way and immediately falls into Hannibal's arms? then the take where his hand is having sex with Mads' shoulders...THERE WERE SO MANY AND WE GOT SO LITTLE