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The Seventh Doctor's cat, given to him by Joan Redfern, and later given to Bernice Summerfield. He lived a long life and went on many adventures, including being temporarily turned into a sentient and anthropomorphic fairytale animal who loved raunchy puns, à la Dick Whittington and His Cat.
(Submitted by @st4rshiptr00per)
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FASHION CREDITS: LADY GAGA BY ETHAN JAMES GREEN FOR VOGUE US OCTOBER ISSUE
I was highly expecting for Lady Gaga to land a Vogue cover and here we are, covering the October issue of the American Vogue. The photoshoot, which is highly inspired by her role as Harley Quinn in "Joker: Folie à Deux", was lensed by Ethan James Green.
Styling: Alex Harrington, makeup: Sarah Tanno-Stewart, hair: Frederic Aspiras, nails: Kim Truong using Glitterbels, tailors: Hailey Desjardins and Egle Paulauskaite, set design: Marla Weinhoff.
Photographed during her stay in Paris in July this year, the cover photo showcases Gaga in the blue embroidered trompe-l’œil synthetic hair coat made in collaboration with hairstylist Gary Gill from Balenciaga‘s 53rd Fall/Winter 2024 Haute Couture collection!
An iconic silhouette by now, Gaga rocks a pair of her favorite Marc Jacobs Fall/Winter 2016 Kiki buckled black leather platform boots!
The mixture of couture, high-end designers and emerging talent is immense in this editorial as Gaga wears the grunge-inspired Hodakova Fall/Winter 2024 argyle double knit sweater in this hauntingly beautiful shot. The sweater is an old Wolsey piece which was upcycled.
Hyperventilating is an UNDERSTATEMENT. I fell in love the moment John Galliano sent out his girls down the dramatic runway and ever since I was hoping to catch Gaga in one of the designs. Never would‘ve thought she‘d even get a whole custom look!
Gaga poses in custom Maison Margiela Spring/Summer 2024 Artisanal Haute Couture.
White cotton caisetted cape cut with the memory of an ulster coat, worn over a patinaed knitted silk bodysuit matching Gaga’s skin tone underpinned by a corset covered in jersey and a silicone hip prothèse.
A taped reverse swatching hat in white foam and caisetted cotton, patinaed knitted silk stockings and gloves,...
...and custom Christian Louboutin for Maison Margiela white patent leather criss-cross platform pumps with torn stocking overlay.
One thing you should know about Gaga is that she loves to layer multiple runway pieces to merge a whole new look.
From Dior‘s Resort 2025 collection, a love letter to Scotland, she wore a knitted argyle sweater with cut-outs, a tartan wool maxi dress which she layered underneath a mesh and metallic lace dress, and some argyle socks.
The Hodakova sweater makes a return, this time accessorized with an antique hand-painted plaque, ruby and diamond in 18kt gold brooch, and a smoky quartz and pearl in 18k gold brooch, both from Tony Duquette!
A shoe that changed herstory. Vivienne Westwood‘s infamous Fall/Winter 1993 Super Elevated Gillie platform shoes make a return, acquired from Pechuga Vintage. You might remember Gaga wearing a boot version of these for her 2010 Elle spread!
A firework of excitement ransacked my body when I first found out that Alessandro Michele would depart from Gucci to head over to Valentino as the new creative director.
LG is, to my knowledge, the first celebrity to rock a piece from the Resort 2025 "Avant Les Debuts" (Before the Beginning) collection – a pale-yellow chiffon mini dress with high collar, tiered ruffle puff sleeves and floral micro-element embroidery all over!
Paired with custom Maison Margiela distressed stockings and custom Christian Louboutin platform heels.
Gaga is working it in a bi-colored statuesque coat seen on Yohji Yamamoto‘s Fall/Winter 2024 "A Seamless Parable on Cubism" runway.
Rather than canvas and paint, Yamamoto’s medium is fabric and more than ever, it felt like he let his instinctual side take the wheel. Case in point: He said he couldn’t talk about how he’d arrived at these silhouettes. "During fittings, I can change, I can touch", he said with finality.
The look was crowned with a custom Vivienne Bow hat made of voluminous moiré fabric by emerging designer Andrew James!
One of the "Antwerp Six" designers, Dries Van Noten bid farewell earlier this Summer and decided to leave the fashion scene with a bang by celebrating his legacy at his final Spring/Summer 2025 collection where this epic embroidered cashmere coat is from.
Both her Tah ornamental black double-faced wooly cashmere hat with engraved metal accents ($2,700)...
...and Duras double-breasted boxy oversized coat rendered in bonded viscose with peaked lapel ($6,750) are from The Row's Resort 2025 lookbook.
Gaga is the first ever person to wear this vintage Givenchy by Alexander McQueen Fall/Winter 1999 "Execution of Lady Jane Grey" Haute Couture chinoiserie embroidered silk balloon sleeve coat and bespoke black dress, both sourced from LILY et Cie.
In 1999, McQueen was going through, in his own words, "an emotional turmoil" both professionally and personally. But instead of relieving himself, he ventured into his own despair to understand his inner demons more poignantly. This painful journey led Lee to Paul Delaroche’s tragic but beautiful 1833 painting, "The Execution of Lady Jane Grey".
Like a painter to a blank canvas, McQueen filled an empty room with extravagant offerings: romantic silk ensembles with floral embroidery, 16th-century fur-trimmed tunics, luxurious velvet coats, as well as the designer’s signature leather suits, cowl-neck dresses, and even a heightened-for-couture bouffant piece that paid homage to his plaid.
Dialing in on his inspiration, McQueen presented his clothes not on models but on fiber-glass-headed mannequins that emerged from trap doors in batches, as if the audience were in an art gallery rather than a fashion show.
It's almost unrecognizable but Gaga is draping this Chanel Fall/Winter 2024 Haute Couture black silk taffeta opera coat around her torso. This piece, which served as the show's opening number, features a ruffled neck, bejeweled buttons and a voluminous cut.
