Jun 3, 2023
WITCHES ON THE ROOF No.3
SEE FULL PROJECT -> https://jackiebranc.site/witches-on-the-roof/
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WITCHES ON THE ROOF No.3
SEE FULL PROJECT -> https://jackiebranc.site/witches-on-the-roof/
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Season of the Witch
- The origins (and places) of the Cailleach
The Cailleach, divine Hag/Crone of Gaelic folklore, is often portrayed as the embodiment of Winter. She is said to appear as the earth is dying, and is known as a bringer of storms. She is said to control the weather and determine the length of Winter and its harshness.
She is also said to be responsible for the formation of many of the country’s most prominent landmarks, and there are probably more geographical and archaeological features on the Irish landscape, that are associated with the Cailleach, than any other character in Irish folklore (see pics for landmarks & associations).
As a creator of the land and controller of the weather, the Cailleach would appear to represent an archetypal sovereignty/land goddess, whose origins may be traced back to Bronze-Age, or even Neolithic cosmologies.
However, despite her presence on the landscape, the Cailleach does not appear in ANY of the Irish literary myths. In fact, most of the traditions we now associate with the Cailleach (such as her association with winter), can only be traced back as far as the late-19th Century Gaelic revival in Scotland, where she features much more prominently than in Irish folklore.
Her earliest appearance in any written form is in an ‘untitled’ poem from a 16th Century manuscript (though its language suggests some of it was written at a much earlier date - possibly 10th Century) which, after it was first translated in 1899, has come to be known as ‘The Lament of the Old Woman of Beare’.
In the poem, the woman (name unknown) describes herself as an aging Queen of the Beara Peninsula in southwest Ireland; lamenting the passing of her youth and the riches and attention that went with it. The poem’s essentially christian narrative holds no hope of redemption or regeneration for the the old woman or the ‘old ways’ that she seems to represent.
Although the poem is untitled, the original introduction line reads… “Sentainne Bérri Cecenit íarna senad don chríni” (The Old Woman of Beare said this when senility had aged her).
The Old-Irish word ‘Sentainne’ meaning ‘Old-Woman’ would come to be replaced in later Middle-Irish with the word ‘Caillech’ - which in Old-Irish means “the veiled one” (specifically a ‘Nun’) but by the 10th Century, had come to signify any woman beyond childbearing years (which was OLD in those days).
The Old Irish ‘caillech’ ('veiled one'), from Old Irish ‘caille’ (‘veil/cloak’) is generally thought to be a loan-word from the Latin ‘pallium/palli(i)’ meaning ‘cover’ or ‘cloak’ (usually in reference to religious vestments - hence the 'nun' translation).
If so, this would make the Cailleach a ‘relative’ newcomer (etymologically speaking), which has led many medievalist academics to propound that she is an early-medieval folk figure rather than an ancient divinity (no surprise there !). . . However, this could be yet another ‘folk-etymology’ - where the meaning of a word changes due to a popular misconception regarding its origins.
Classical writings indicate that the “Cailleach” may have been known as early as the 5th Century BC; in the area known today as Galicia, which gets its name from a Celtic tribe known as the Callaeci. This tribe on the north-west of the Iberian Peninsula were first named as the ‘Kallaikoi’ by the Greek historian Herodotus in the 5th Century BC; before being Latinised by Roman writers to ‘Callaeci’ in the 2nd Century BC - a name which Ptolemy suggested as meaning ‘worshippers of the Callaec’.
Interestingly, in Spanish folklore, another name for Galicia is "Terra Meiga" (Land of the Witches).
Given that recent archaeological, linguistic and genetic evidence points to a migration into Ireland by ‘Proto-Indo European/Proto-Celtic’ speakers during the Bronze-Age (c.2000 BCE); rather than the traditional view of a later migration of ‘Celtic/Old Irish’ speakers during the Iron-Age, (c.500-100 BCE): It seems unlikely that the word(s) ’caillech/caille’ would be ‘borrowed’ from Latin into Irish at such a late date.
Both Italic (Latin) and Celtic (Irish) are closely related branches of the Indo-European language family; with both languages diverging from the original Proto Indo-European (PIE) language sometime after 2000BCE (The similarity between the Celtic & Italic languages has even led some scholars to believe that there was a Proto Italo-Celtic language spoken prior to their divergence from each other).
Therefore, it now seems likely that the word ‘caille’ derives directly from the PIE root word, *kel- meaning ‘to conceal/hide/cover’.
However. *kel- is also the root of another PIE word - *Kolyo - meaning ‘the coverer’, which is thought to describe a (hypothetical) goddess who is half maiden / half grotesque, governing the realm of death, but also the life which is sustained by death… sound familiar?
It is therefore possible that the modern Cailleach is a variation of this ancient female deity/character (*Kolyo), brought here in the Bronze Age by the same Indo-European speakers, from whom the peoples of Ireland and Scotland are descended ?
- Jane Brideson
The Labbacallee (Hag’s Bed) Wedge Tomb in Co. Cork is said to be another of the Cailleach’s dwellings; which in this instance, she shared with her husband, the druid Mog Roith. Local folklore tells us that during an argument, a huge rock lying in the nearby river was thrown by the Cailleach at her fleeing husband, pinning him to the riverbed. . .
The completed Crone’s Cottage illustration. 🍂 If you follow my stories, you’ll have seen that I’m in the process of creating the 8-color screen print of this design, which will be released on Halloween at Noon ET. Mark your calendars and set your alarms because this will be a limited edition! More info soon. 🎃 #poisonappleprintshop #crone #cronescottage #wisewoman #wisewomanscottage #witchcottage #cronepower #witchgift #sketchbook #supporthandmade https://www.instagram.com/p/CjnpY19L8m-/?igshid=NGJjMDIxMWI=
Moon To Moon; Crone
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This quote hits deep 💯 • “If anyone guides someone to a good (deed), he will get the reward like the reward of the one who does it.” -Prophet Muhammad ﷺ • مَنْ دَلَّ عَلَى خَيْرٍ فَلَهُ مِثْلُ أَجْرِ فَاعِلِه" -محمد ﷺ" • Like ❤️ Comment 💭 Share to get rewards 💖 • 🤲🏻 share for a good deed 🤲🏻 Follow @justmakeduaa ❤️ • • #justmakeduaa • #alhamdulillahforeverything❤️ #اقتباسات #islamicquotes #اقوال #شكرا #muslimlivesmatter #اقوال_وحكم #اقوال_الحكماء #muslims #muslimwomen #islam❤️ #death #halal #حب #الموت #ندم #deepquotes #deepthoughts #sabr #regret #deen #annefrank #islamicreminder #wisdomquote #wisdomquotes #wisdom #wisequotes #wise #wisewords
The Oracle of Delphi, a city in Phocis, was the most famous oracular centre in Greece, and it had established itself on all other oracles since the VII century BC. It was located on the slopes of Mount Parnassus, and had originated from the killing by Apollo of the monstrous snake Python, which had been once placed there to guard a sacred source. According to the myth, Apollo then installed the Phythian sanctuary and ordered that a virgin, the Phythia, uttered prophecies inspired by the divine exalations coming up from a crack in the ground, believed to be the very point where the Universe was born from. The pilgrims were admitted one by one inside the temple of Apollo. First, however, they had to purify themselves with the water from the source Castalia - just as Apollo himself had done after killing the Python - pay a tax and offer a goat as sacrifice to the god. From that moment the pilgrims were ready to meet the Phythia who, in the innermost cell of the temple, hidden from the gaze of men, was sitting on a high three-legged stool, the tripod, placed over the crack from which water from the Cassiotis sprung, along with psychoactive exalations. Originally the Phythia was a young virgin: later, a woman of older age was chosen, and she would live inside the sanctuary and observe rigorous chastity. Like the pilgrims, the Phythia also underwent a ceremony before uttering the response of the god Apollo: she would drink water from the Cassiotis source, chew some laurel leaves and absorbe the vapors that rose from some fissures in the ground and that would put her in a state of trance. The more or less intelligible sounds that came out of her mouth were reformulated by the priests often with ambiguous words: the risk of being contradicted by future events could definitively compromise the prestige of the Phythia. Therefore any wrong responses were attributed to the inability of the priests to understand the oracle, rather than the inability of the Phythia to predict the future. #oracle #oracleofdelphi #meditation #grounding #divination #scrying #oldworldwitchcraft #oldwalnuttree #oldreligion #witch #witchesofinstagram #wildwomanrising #wisewoman #witchywoman (presso Δελφοί (Delphi)) https://www.instagram.com/p/CB_5rtKqGLE/?igshid=NGJjMDIxMWI=
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