My wooden recorders!
I have a full modern consort, (from smallest) Soprano, Alto, Tenor, and Bass (also called the bassett). The smallest, the Soprano, is the one most people play in school. (or at least, it's the one I played in middle school)
the larger ones are kinda my babies, they were all in very poor condition when I got them, and even so it took me a long time to find wooden recorders of larger sizes that I could afford.
The bass was in horrible condition, it had a giant dust bunnies in it and disintegrating cork, and it's still missing it's breath tube, so I play it with the cap off, which is not the most comfortable.
I had to replace the keywork on both the Tenor and Bass, and remove damaged finish from the Tenor and Alto. the Tenor had lipstick stains that didn’t come off until I stripped the varnish. the Alto was just a very cheep varnish, not instrument grade, and an ugly flat brown which completely hid the beautiful dark wood the instrument was made from.
I also installed comfort extensions on the first keys of the Bass and Tenor, because I have very short pinkies
In my latest video ( youtu.be/piwt1amXNdU ) I am playing the three largest, (Alto, Tenor, and Bass, but mostly the Bass), and then filling harmony with the (free!) BBC symphony plugin from spitfire www.spitfireaudio.com/en-us/product... ) (I think I used an oboe and some horns). I'm playing all the trills and tremolo parts, because the plugin can't do those, and the very first lines heard in the piece are the bass recorder
(and Im not using the soprano because I agree with Michael Praetorius (wiki en.wikipedia.org/wiki/Michael_... ) that it should be avoided "because of how it screams" lol)













