WIP Wednesday: week #8 of crochet raven shawl 🐦⬛ continuing the second panel (of three) with 25 of 38 feathers complete.
Last week's WIP pic with the first (and largest) panel complete with 40 feathers.
Intro post with pattern link here 🐦⬛🐦⬛🐦⬛
seen from Poland
seen from United States
seen from United Kingdom

seen from United States
seen from France
seen from Türkiye
seen from Brunei
seen from China
seen from Poland
seen from China
seen from Poland
seen from Italy
seen from United States
seen from Sweden
seen from United States
seen from Latvia

seen from Spain
seen from United Kingdom
seen from United States
seen from Brazil
WIP Wednesday: week #8 of crochet raven shawl 🐦⬛ continuing the second panel (of three) with 25 of 38 feathers complete.
Last week's WIP pic with the first (and largest) panel complete with 40 feathers.
Intro post with pattern link here 🐦⬛🐦⬛🐦⬛

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Let them eat cake... Or maybe apples!
Hi, hello there. I’m making my comeback on Tumblr lolol.
So, Kpop has never been a stranger to body modification. I’m used to it, and a lot of people are too. Idols get procedures, surgeries, to make their faces look better, to align more with the Korean Beauty Standards (Yes, there’s a whole list for it).
Some of my idols went through procedures too, maybe some of your idols did too, I will not name any names for the sake of my own digital footprint.
But holy, kpop doesn’t quite stop there. They don’t call the entertainment companies factories for no reason. Other than just getting facial plastic surgeries, an average idol, no matter the gender, has been put through a tough diet schedule. Now, you can argue that your idol hasn't got surgery, but can you truly say that your idol has not been forced to lose weight so that they look better on camera? I don’t think so, unfortunately. The reality of the Kpop industry is as cruel as it’s all glitter and sparkle on camera.
I’d like to mention the IU diet. Anyone familiar with this? It was back in 2013 when solo singer-actor IU revealed in front of the TV about a diet she went through when she was preparing for her album: one type of fruit for breakfast, such as an apple or a banana. And then having a small portion of sweet potato or brown rice for lunch and dinner. It sparked conversations on the internet and social media back in that time. Lots of young girls were adopting this unhealthy diet at the time, which made this diet go even more viral than it’s supposed to be. Many were consuming under 400–500 calories a day.
Research has shown this is part of a larger issue. Lin and Raval (2020) examined body image and appearance management behaviors among South Korean women, highlighting how sociocultural pressures drive extreme practices. While Laughter et al. (2023) connect social media aesthetics to body dysmorphic disorder, noting how constant exposure to filtered, idealized images worsens insecurities.
IU's diet in graphic.
I feel like this is a perfect example of how digital platforms amplify body modification trends. What idols share (or what gets shared about them) doesn’t stay private, it never does— it gets spread like wildfire, then it shapes perceptions, influences behavior, and suddenly it’s spreading unhealthy standards.
Korean beauty standards are heavily promoted through K-pop’s visual culture. Studies show that exposure to these ideals via music videos and social media contributes to negative body image, increased desire for cosmetic procedures, and even body dysmorphic tendencies (Laughter et al., 2023; Lin & Raval, 2020).
And the worst thing about this is that it’s not happening only within Korea. Social media doesn’t respect borders. A girl in Malaysia, Brazil, the US, or Nigeria can spend hours daily consuming perfectly edited K-pop content. Algorithms act as the fertiliser for these harmful practices like unhealthy diets and plastic surgery trends, pushing such content more onto the recommendations page of teenagers’ social media platforms (yes, it’s not only girls), creating an echo chamber of idealized images.
We consume these perfect images daily on visual platforms like Instagram, TikTok, and YouTube. So when idols’ diets or “glow-ups” trend, they don’t just entertain; they set dangerous benchmarks for young people, especially those who aren’t able to differentiate the good or bad for themselves. They look up to these sparkly idols on stages, and they’ll try to mirror their way of doing things in hopes of being more like them, often unaware that these decisions might hurt them mentally and physically. Dorfman et al. (2018) highlight how plastic surgery-related hashtags on Instagram are used for both education and marketing, often normalising procedures among young people. Mackinney-Valentin (2013) further discusses how subversive (yet still narrow) beauty ideals in fashion and media create pressure to conform.
Digital citizenship comes into frame here where we’re responsible for how we engage with and spread content around body image and health. It’s absolutely normal to post and appreciate, or even be envious of our idol’s beautiful faces, perfect body and physiques, but we might want to think twice if this discourse is shaping any dangerous mindset or worldview to young adolescents who are still navigating their way into life and forming self-esteem. Maybe it’s about time we can be more accepting of normal, healthy bodies (even if they look a little chubby on camera due to distortion) in the Kpop world. Yet again, this conversation has been dragging for years with little improvement.
So have you ever tried these extreme idol diets? I mean, I could never LOL. I have the worst perseverance.
References:
Dorfman, R & Vaca, E & Mahmood, E & Fine, N & Schierle, C 2018, ‘Plastic Surgery-Related Hashtag Utilization on Instagram: Implications for Education and Marketing’, Aesthetic Surgery Journal, vol. 38, no. 3, pp 332–338.
Laughter, M.R., Anderson, J.B., Maymone, M.B.C. and Kroumpouzos, G. (2023). Psychology of Aesthetics: Beauty, Social Media, and Body Dysmorphic Disorder. Clinics in Dermatology. doi:https://doi.org/10.1016/j.clindermatol.2023.03.002.
Mackinney-Valentin, M 2013, ‘Face value: Subversive beauty ideals in contemporary fashion marketing’, Fashion, Style & Popular Culture, vol. 1, no. 1, pp. 13–27.
Lin, KL & Raval, VV 2020, ‘Understanding body Image and appearance management behaviors among adult women in South Korea within a sociocultural context’, International Perspectives in Psychology, vol. 9, no. 2, Hogrefe Publishing, pp. 96–122.
Me looking at all of my friends getting their Deltarune Chapter 5 while I have to accept that Friday Night Funkin' Week 8 might not even drop this decade (if it drops at all)
The correlation between social media and body modification.
According to studies, body modification refers to the deliberate physical or semi-permanent alteration of the body for the non-medical, aesthetic, or cultural reasons. (Mironica et al., 2024)
Has beauty lost its value today? The amount of pictures online showing replicas of men and women in almost the same look, almost without any difference from one another is sometimes ghastly to think, if we care to pay greater attention. The pressing concern is that body modification is being taken too far in the digitalised generation, though the concept of body modification dates back to previous decades. Therefore, we need to consider the extent of influence which social media has over how people treat and present their bodies, and whether this is within a range acceptable, and if not so, what can we do then?
When I coin the term social media, I refer to all the social media platforms and the kind of network chain effect that it creates when it comes to influencing people everywhere. In 2026, social media promotes beauty through various multiple means, delivering an impact at a velocity unprecedented in the pre-digital era. The omnipresent digital images distort the idea of genuine aesthetic and create unrealistic expectations in beauty standards. This phenomenon transcends beyond an individual’s self perception and its impacts are evident through records of attempts to bring these standards to life through the process of body modification. When the images you see online start to appear in the way people dress and appear out there in the street, the problem has extended from being just a digital projection.
(Lael Hansen, 2026)
Everybody wants to look the same. But why???
The digital world has inevitable impacts for the channels it provides - a great hub which stores the doctrines of “beauty” which spread, recur and channelled into people’s mind. Social media in particular, provides a vast environment where ideals of attractiveness are constantly created, circulated, and amplified. This phenomenon can be linked to the concept of aesthetic templates, which refers to recurring and standardised visual patterns that guide self-presentation online. Rather than encouraging complete individuality, social media often promotes recognisable aesthetic formats that users repeatedly adopt and imitate.
The most current dominant online aesthetic template displays what researchers and commentators would point as “Instagram face” or “Tiktok face”. And it usually looks like this:
1. Clear “glass” skin
2. Highly Symmetrical Face
3. Full lips
4. Defined jawlines
5. Slim facial features
Ironically, these appearances are often framed as authenticity and individuality, yet their repetitive visibility creates narrow standards of attractiveness. Social media amplifies these ideals and aesthetic templates through the widespread use of filters, editing applications, AI-enhanced imagery, and highly curated content that selectively presents idealised appearances. Platform algorithms further intensify this process by prioritising content that generates high engagement and repeatedly promoting similar faces, appearances, and visual styles. The Social Comparison Theory which argues that individuals evaluate themselves through comparisons with others (Festinger, 1954).
This is the main reason why individuals imitate algorithmically rewarded aesthetic templates rather than natural forms of beauty. Constant exposure to these digital tools conditions the human brain to these aesthetic templates, as they perceive matching features as attractiveness. As a result, individuals actualise the promoted ideals and conform to the standards in hopes to be among the “beautiful ones”.
The phenomenon becomes more concerning when individuals manifest the perceived ideals by undergoing cosmetic surgeries and body modification practices in an effort to conform to online beauty standards. It is when natural features do not align with those from the template, people start to feel pressured and begin to go through heavy, painful steps just to reach for the beauty standards which may not fully exist. Meanwhile, the psychology aligns with Jean Baudrillard’s (1994) sociological concept of hyperreality—a state where the distinction between the real and the simulated collapses, and the simulation becomes preferred.
In the end, people lose their original physical features which naturally make them who they are and shape unique self identities, and transform into images deemed as “perfect” but far from being real and authentic. This is also a stark example of how digital citizenship affects physical reality and mass society. The images online come to life under the label of beauty. These digital aesthetic templates are diffusing into society and slowly replacing the definition of beauty.
If you're reading this, you may want to picture: what do you think of a world where everyone looks almost identical to one another.
Week 8: Digital Citizenship and Health Education: Body Modification on Visual Social Media
References:
Baudrillard, J. (1994). Simulacra and Simulation (S. Glaser, Trans.). University of Michigan Press.
Festinger, L. (1954). A theory of social comparison processes. Human Relations, 7(2), 117–140. https://doi.org/10.1177/001872675400700202
Lael Hansen. (2026, February 11). EVERYONE LOOKS IDENTICAL NOW... (and it’s horrifying). YouTube. https://www.youtube.com/watch?v=8wSlFx0IUl8
Mironica, A., Popescu, C. A., George, D., Tegzeșiu, A. M., & Gherman, C. D. (2024). Social Media Influence on Body Image and Cosmetic Surgery Considerations: A Systematic Review. Cureus, 16(7). https://doi.org/10.7759/cureus.65626
Why Does Everyone Look So Perfect Online? 📱✨ Lately I have been thinking about something kind of weird 🤔. For real, the longer I spend my time scrolling through social media, the more it feels like everyone is slowly starting to look the same😭. Okay, not exactly identical, but similar enough that you start noticing the same features, the same makeup styles and even the same beauty standards appearing over again.
Honestly, that's what got me thinking about body modification in the first place. When most people hear the term body modification, they usually think about cosmetic surgery straight away. However, body modification can actually include many different ways people alter or manage their appearance such as makeup, fashion, dieting, fitness, beauty treatments, fillers and cosmetic procedures. These are some visual examples these forms of body modification 👁️👄👁️.
Sometimes it is simply about trying to get closer to an ideal version of yourself. Well... social media seems to be making that ideal version harder and harder to escape. The Internet Loves Beauty Standard✨ One thing I keep noticing online is how certain appearances get praised over and over again.
If you are scrolling through Instagram, TikTok or even Pinterest, you'll notice many of the same features you see repeat. Features like clear skin, symmetrical faces, slim body proportions and perfectly styled hair keep showing up everywhere. Aesthetic templates are the specific and repetitive visual aesthetics that are shared on social media, such as poses, body work, and certain styles, and are becoming an element in the perception of beauty in society.
Beauty becomes less a matter of personal preference and more like a social standard that people do feel pressured to follow. Sometimes it feels like everyone is chasing the same look, even if they don't realise it.
Then K-pop Entered The Chat 💬 And this is where K-pop becomes really interesting. If there's an industry that has a perfect aesthetic template, it is probably K-pop. Even if someone doesn't actively listen to K-pop, there's a chance they have still seen K-pop beauty standards online. Most K-pop idols are constantly featured in TikTok edits, Instagram posts and even their beauty tutorials. Based on their visual, it becomes a reference point for what beauty is supposed to look like.
Cha Eun-woo from Astro is often referred to as a "face genius" because his facial proportions are widely viewed as the ideal male beauty standard in Korean media. Many fans are inspired to recreate his hairstyle, fashion choices and clean aesthetic.
Then there's Karina from Aespa.
Many people have become so mesmerised by her appearance that her visuals are often described as AI-like because of her symmetry, clear skin, large eyes and sharp facial features. In fact, her visuals have become so widely discussed online that many TikTok videos and beauty forums use her as a reference point when discussing modern K-pop beauty standards.
Recently, her Met Gala look captured everyone's attention, it has quickly going viral and inspiring fans across social media to recreate Karina's beauty and styling. What makes this interesting is that both idols function as visual templates that many fans compare themselves to online. According to Hu et al., 2024, this is part of micro-celebrity culture where people carefully manage their online image as like their personal brand. They are made visible as digital personalities through Instagram, TikTok and other platforms where their face is constantly spread, discussed and admired online.
Looking Perfect Becomes Part Of The Job 💅 Another thing I find fascinating about K-pop is that appearance is almost treated like part of the performance itself. But they are also expected to maintain a carefully managed public image 😭.
This can be seen in idols like Wonyoung from IVE. Whenever she has a comeback or viral clip, people often end up analysing everything from her posture and makeup to her body proportions, fashion choices, and even small moments like how she eats strawberries💀.
It also relates to visibility labour where maintaining a public image becomes part of the work itself (Xie et al., 2023). K-pop idols are expected to be constantly online and would present a polished and aspirational version of themselves. Since fans are exposed to these images on a regular basis, they begin to copy the same makeup style, fashion sense and beauty routine.
From Inspiration To Modification 💉 This is where things start getting a little complicated. Some people only get inspired when it comes to makeup, skincare or fashion. Maybe they buy a new lipstick because their favourite idol uses it or try a new hairstyle after seeing it on TikTok. But for some people, it can go further.
Body modification can include cosmetic procedures, fillers, skin treatments and surgery. People would bring up Park Bom from 2NE1 when discussing cosmetic enhancement and beauty expectations in the K-pop industry. In more extreme cases, celebrity aesthetics can start to blur into identity itself. One famous case is Oli London who had multiple cosmetic surgeries and openly admitted his obsession to look like Park Jimin from BTS.
Although the case was controversial, it shows how online admiration can sometimes turn into physical transformation. What makes social media powerful is that online beauty ideals do not always stay online. Sometimes they have an impact on real life appearance. The Problem With Chasing Perfection ⚠️ I believe this is the part people don't talk about enough. Most of K-pop images we see online are edited.
There is a team of professional photographers, stylists, editors and sometimes filters involved with the K-pop idols' photoshoots. But people still compare themselves with those edited pictures. Identity dissonance can occur when there is a growing gap between how people see themselves and the idealised identities they encounter online (Mehrotra et al., 2025). Frequent exposure to edited photos can make some people feel dissatisfied with their own looks.
Social media comparisons have also been associated with body image issues and symptoms of Body Dysmorphic Disorder (BDD) among younger users (Gupta et al., 2023). That doesn't mean that K-pop is bad. But I think it shows what social media can do to shape the conversation about beauty including bodies and self-worth.
So... What Does Beauty Even Look Like Anymore? 🌙 The thing about body modification that make it interesting is that it's not about changing bodies. It's also about understanding where our ideas about beauty come from in the first place. And social media is a huge factor in influencing those ideas right now. K-pop is one of the best examples to talk about how online platforms, celebrity culture and beauty standards all work together. Because sometimes it feels like social media keeps telling us to be ourselves... At the same time showing us the same face again and again.
References Gupta, M., Jassi, A., & Krebs, G. (2023). The Association between Social Media Use and Body Dysmorphic Symptoms in Young People. Frontiers in Psychology, 14(1). https://doi.org/10.3389/fpsyg.2023.1231801 Hu, A., Yuan, R., Chen, R., & Liu, M. J. (2024). A glamorous but highly stressful job: The role of social media-afforded status in micro-celebrity stress coping. Technological Forecasting and Social Change, 209, 123791. https://doi.org/10.1016/j.techfore.2024.123791 Mehrotra, A., Vishnoi, S. K., Alshaghdali, N. O., Galgotia, D., & Shahzadi, I. (2025). The Dissonance Within. Journal of Global Information Management, 33(1), 1–21. https://doi.org/10.4018/jgim.392502 Xie, S., Wei, H., & Liu, F. (2023). Is beauty always good? Effects of visual presentation of Influencer’s aesthetic labor on brand purchase intention. Journal of Retailing and Consumer Services, 75, 103528–103528. https://doi.org/10.1016/j.jretconser.2023.103528

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Week 8 Follow-up! Photobook Version 2 This week I continued developing Version 2 of my photobook, focusing entirely on Karangahape Road (K Road) and experimenting with how a sequence of photographs can create a visual narrative. Rather than treating each image as a standalone photograph, I started thinking about how the images could work together to tell a story about the people, businesses, culture, and atmosphere that make K Road unique. I spent time arranging and reordering photographs to create a natural flow throughout the book. The sequence begins with environmental and architectural images that introduce the location, before moving into photographs of local residents, visitors, workers, and small businesses. I wanted viewers to feel as if they were walking through K Road and experiencing the area from different perspectives. One of the most interesting parts of this process was exploring how composition, colour, and lighting could guide the viewer’s attention between pages. Some images worked particularly well because of their strong leading lines and contrast, while others helped establish the mood and character of the street. Through this version of the photobook, I learned that storytelling is not only created by individual photographs but also by how images are placed together. Overall, this was a valuable experiment that helped strengthen the narrative structure and visual identity of my K Road photobook project.
Week 8 Follow-up!
I had a great time continuing to develop my photobook this week, focusing mainly on Karangahape Road and exploring how people coexist with the local environment and businesses. My goal was to document the everyday life of K Road by capturing a mixture of people, shopfronts, historic architecture, street art, alleyways, and small urban details that contribute to the character of the area.
Throughout the shoot, I experimented with different compositions, focal lengths, and points of view to better understand how visual storytelling can communicate a sense of place. I was particularly interested in photographing the interaction between people and their surroundings, whether that was customers visiting local cafés, workers moving through the street, or pedestrians simply going about their daily routines. I also spent time documenting details such as posters, stickers, graffiti, signage, and architectural textures, as these elements help reveal the identity and history of K Road.
Some photographs were more successful than others, particularly those where natural light highlighted textures and created depth within the scene. A few images felt visually cluttered or lacked a clear subject, but reviewing these photographs helped me better understand what works within the overall narrative of my photobook. Overall, this shoot strengthened my ability to observe everyday moments and helped me continue building the visual story of “Another World” through the unique culture, people, and local businesses of Karangahape Road.
Body Modification: Transgender 🧒🏻 🔄 👧🏻
In social media culture📱, users' identity and appearance are no longer fixed. Moreover, users are expressing themselves through social media to build a community🌐. Content such as fashion👠, makeup💄, cosplay, filters🎦, and online personas allows creators to modify their bodies👬. However, some users tend to use deepfake body modification to scam⚠️ people.
👤Real Life Example (Nanjing Sister Hong Incident)
Nanjing Sister Hong news went viral🔥, and gained massive attention online after Jiao disguised as a woman's on social media📲. According to the news📰, he secretly recording🎥sexual moments with more than 1000 of men👨🏻. Besides, he shared and sold online copy for charging 150 Yuan💸 membership to those men’s👨🏻without any knowledge. In the end, Jiao was placed under criminal detention by the Jiangning police on dissemination of obscene materials. This incident spread rapidly🔥across every social media platform📲, and users are posting their opinion/ discussion💬, creating memes😂 about the gender identity🧒🏻👧🏻and how they present online🌐.
This situation reflects Goffman's (2023) dramaturgical theory of self-presentation. He argues that social interactions🧑🧑🧒🧒are like a performance💃 on a stage, with people enacting👀 various roles according to the situation and the audience. The key term is “sign vehicles”, meaning it conveys identity even before we speak🗣️(Goffman, 2023). Jiao disguised as a woman news shapes how they are perceived on the front stage.
🌈Transgender
Transgender refer to those people who live in another gender🧒🏻 🔄 👧🏻(Butler, 2004). Before that, I have a question for you: Do you agree with transgender people?
My answer is Agree.
People tend to be transgender because they may hate🤢their actual appearance or want to experiment🧪 with changing gender through living. Transgender people are still human; they have to survive. Some of my friends had transgender too, from woman to man, man to woman. When transgender user post something on social media, online audiences🧑🧑🧒🧒react🤔differently due to their different perspective. Some users support🟢self-expression and creativity, while some users criticise🔴other peoples appearance and challenge social expectation. This demonstrates how social media📲has evolved into a place where people can explore their identities👥and public judgment⚖️.
✨Conclusion
Nowadays, our appearance and identity are heavily connected to the current Internet culture🛜. Cases like Jiao show social media transforms how our personal expression to the public and seek our appearance and identity in the Internet era🌐.
📚Reference
Butler, J. (2004). Undoing gender. routledge.
China, R. (2025, July 8). He disguised as woman, secretly film private videos apprehended. https://www.referchina.com/2025/07/he-disguised-as-woman-secretly-film.html
Goffman, E. (2023). The presentation of self in everyday life. In Social theory re-wired (pp. 450-459).
Routledge.Staff, B., & Desk, T. (2025). China’s Cross-Dressing influencer ‘Films sex with 1,600 men without consent.’ News18. https://www.news18.com/viral/cross-dressing-influencer-accused-of-filming-1600-men-without-consent-in-china-ws-l-aa-aa-9436232.html