Bet ain't Worth the Hand by Leon Bridges from the album Good Thing [samples Curtis Mayfield] - Director: Natalie Rae
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Bet ain't Worth the Hand by Leon Bridges from the album Good Thing [samples Curtis Mayfield] - Director: Natalie Rae

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Louis is registered as composer/author in "Whatever She Wants" with Harry, Liam, Niall, Zayn, Stephen Robson, Claude Kelly and Wayne Hector.Â
Full list of song's registered and not published.
Take It Back and All Along are two songs registered on GEMA with Louis as co-songwriter in 2018.
Take It Back had been registered by 30 April 2018. All Along was noted in 18 September 2018.
THINKING OF ME
Writers: Olly Murs, Steve Robson and Wayne Hector
Producers: FutureCut, Steve Robson
Album: Olly Murs
Release Date: 22/11/2010
B-Side: 'Sophie' (Writers: Olly Murs, James Bryan, Jason Pebworth, George Astasio, Jon Shave / Producers: The Invisible Men)
Chart Positions: #4 (UK), #3 (Scotland), #13 (Ireland)
Certifications: Gold (UK, 400k)
If you'd stopped and asked most people who'd watched The X Factor on the street c. early 2010 how they anticipated a single by Olly to sound, then 'Thinking Of Me' probably wouldn't have been too wild an approximation. In fact, where his first album is concerned, it seems to be this and another single we'll meet in a couple of weeks from now which are the most easily and fondly remembered from that era.
One thing we neglected to mention on 'Please Don't Let Me Go', but that we will now, is that the final mixing and production on both that single and this were helmed by FutureCut, a Mancunian team of producers with a leaning towards the retro ska/reggae pop feel that Olly and Epic Records had been establishing him in, with a slight feel of more cooler, British urban sounds, hence their roll call of previous work with artists in that mould like Lily Allen, Dizzee Rascal and Professor Green.
The latter was almost meant to appear on this single, but clearance by his label (Virgin EMI) couldn't be made in time for him to feature on it, although they have remained good industry pals since. Although still leaning towards the sonic inclinations of light ska influenced pop as on the debut, it's slightly less pronounced on 'Thinking Of Me', and its verses and melody are rooted in peak 90s Britpop.
In fact, of all Olly's singles, it's probably the one with the least conventional structure. The verses lead into the one sentenced chorus 'And I know that you're somewhere, thinking of me', a second chorus in the latter half that kind of isn't, and two disparate middle 8 bits that don't really fit anywhere else in the song, before it closes on the second demi-chorus again and then the hallmark of many a great pop song: a built in whistle. If postmen the land over weren't going to whistle it before, then they definitely were now.
Described in one review as a ‘gap year anthem’, owing to its lyrics of reminiscing on ‘picking up seashells on a pebble beach’ and ‘rocking Converse with your old Raybans … somewhere listening to Bob Marley’ with a holiday romance, ‘Thinking Of Me’ came out when it was quite literally the wintertime in London referenced in the opening of the song – the coldest British November on record for this decade, in fact.
Not for the last time in his career, Olly had to don a harness for the flying sequences in the accompanying video, where he plays a down and out ice cream truck driver on a typical rainy British day. It was also the first of his singles to be premiered via a homecoming performance on the very stage he’d been introduced on a year previously, that was all red phone boxes, bowler hats and braces – and a tongue in cheek change of the lyrics to reference Cheryl, who was then still a judge on The X Factor at the time.
Although it proved a bit of a stretch to repeat the chart topping success of ‘Please Don’t Let Me Go’ (partly thanks to the collective charity single from that year’s finalists, a cover of David Bowie’s ‘Heroes’ to raise money for the Help For Heroes charity, sweeping all before it), ‘Thinking Of Me’ secured Olly’s second top 5 hit of his career, and was still inside the top 10 by the time the new year rolled around, as well as awarding him with his second gold record. So far, so good.
OTHER THOUGHTS
The Invisible Men were also on hand for co-writing and production of this single’s B-side, a stripped back acoustic ditty titled ‘Sophie’, which lyrically foreshadowed the same topic of his biggest hit two years later, being as it was lyrically a song about a lady friend who proved irresistible despite being a bit of a no-gooder. It’s definitely in keeping with the material from his first album era and is worth reinvestigation.
Louis is listed as composer/author in "Take It Back" with Edward Drewett, Wayne Hector, Jordan Riley and Stephen Robson.
Full list of song's registered and not published.

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Easy Way Out
Im too tired of hear your excuses If I hear one more Im gonna lose it I just know Im not gonna beg to stay You always got one foot at the door I know Ive seen it before I just want somebody to love me And you dont even have to say it Cuz I know whats really about You got a little closer to scare now Say you looking for a easy way out Im showing the you can take it The way you get it to your…
I was looking at song credits for temporary fix (I love Louis’ solo in it sue me) and I noticed BMG Publishing is listed as a source under Syco Music. What do you make of this, Sea? I’m excited about Louis’ partnership with BMG but if they were associated with 1D maybe it’s not as good as we’re hoping
My first guess is that one of the songwriters is signed with BMG publishing. It turns out Wayne Hector is.
I'm a million miles farther and a long way from home