Aug 12
Bildergalerie, Sanssouci Palace, Potsdam, Germany
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Bildergalerie, Sanssouci Palace, Potsdam, Germany
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Title: Ceres (Summer) Artist: Jean-Antoine Watteau (French, 1684-1721) Date: ca. 1717-1718 Genre: allegorical art Movement: Rococo Medium: oil on canvas Dimensions: 141.6 cm (55.7 in) high x 115.7 cm (45.6 in) wide Location: National Gallery of Art, Washington, DC, USA
In this oval painting, Watteau -- one of the most important artists of the French Rococo period -- depicts Summer as Ceres, the ancient Roman goddess of agriculture and the harvest (=Greek Demeter). Ceres, seated atop a cloud, wears a crown of wheat, cornflowers, and poppies. She grasps a sickle in her left hand to symbolize her patronage of reapers. On this side, two figures, a woman and child, appear among sheaves of grain. At Ceres's right hand crouches a lion, representing the summer constellation Leo.
La Mode illustrée, no. 19, 7 mai 1882, Paris. Robe de chambre en mousseline de laine. Modèles de chez Mme Delaunay, rue Godot-de-Mauroy, 49. Ville de Paris / Bibliothèque Forney
Nymph and Satyr, or Jupiter and Antiope, Jean-Antoine Watteau, 1715 (detail)
US Vogue June 1958
The model wears Schiaparelli apricot-colored stockings, Delman caramel-yellow Fleming-Joffe alligator shoes, a Lilly Daché turquoise straw hat, and Verdura jewelry.
June colors: Juliette Marglen’s "Watteau Rose" lipstick and nail polish. Sofa by Eero Saarinen for Knoll Associates.
Le mannequin porte des bas abricot Schiaparelli, des chaussures en alligator Fleming-Joffe jaune caramel Delman, un chapeau de paille turquoise Lilly Daché, des bijoux Verdura .
Couleurs de juin : rouge à lèvres et vernis à ongles Watteau Rose de Juliette Marglen. Canapé Eero Saarinen pour Knoll Associates.
Photo John Rawlings
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Antoine Watteau (1684–1721) Five Studies of a Seated Woman, ca. 1714–1715 Red chalk
British Museum, 1895,0915.944
Antoine Watteau, L'embarquement pour Cythère, 1719, huile sur toile, détail, Chateau de Charlottenburg, Berlin / source photo : @cheminer-poesie-cressant
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après le naufrage, l’amour finit toujours par se faire radeau
la flottaison qui n’est plus celle d’un navire mais qui existe encore
qui permet à quelques émotions de reprendre le large du présent
ce qui sombre a parfois la qualité de renaître sous une autre forme
sous un autre drapeau, sous une autre merveille
.
© Pierre Cressant
(vendredi 29 novembre 2024)
"Robe de Style Watteau" (détail) de Jeanne Lanvin en organdi de lin bleu, tulle de soie bleu, crin et broderie de Lunéville, point de chaînette, fil de coton rose, vert, doré, broderie d'application, perles de verre, gouttes et paillettes de nacre (1922) à l'exposition “La Mode du 18e Siècle. Un Héritage Fantasmé” du Palais Galliera, mars 2026.
