An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: Voltron: Legendary Defender
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Keith/Lance (Voltron)
Characters: Lance (Voltron), Keith (Voltron)
Additional Tags: Pre-Relationship, Fluff, Light Angst, Emotional Hurt/Comfort, Team as Family, Pining Keith (Voltron), Socially Awkward Keith (Voltron), Oblivious Lance (Voltron), Homesick Lance (Voltron), Canon Compliant, Season/Series 02, JuLance Challenge 2026
Summary:
âWhat kind of shells?â Keith asks.
Lance blinks over at him. âWhat?â
âYou said you collected shells.â
âOh. Uh, all kinds? Anything pretty. I wasnât exactly doing scientific research.â
Keith nods like that answers something.
Weird.
---
Lanceâs first birthday in space isnât home. Thereâs no Varadero Beach, no family party, and no chocolate cake. But there are purple garlic knots, friendship bracelets, chaotic dance lessons, and a gift from Keith he never saw coming.
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a motorcycle lasts a lifetime if you ride it fast enough (VLD Keith-Centric)
Summary
Nobody has seen or heard from Keith in days. When Shiro finally checks his apartment, he finds a note that reads, "everything's fine, don't look for me." After all they had been through together, the paladins are both concerned and furious about Keith leaving them... again.
Or,
Keith disappears and the paladins hunt him down post-canon.
Summary: Twelve years after the lions leave for good, Keith returns to Earth and finds that everything has changed. Lance gives him a place to crash.
Warnings: Angst, mentions of mental health
Word Count: 2.4k
Chapter One: Man, I hate this part of Texas
. . .
The events of the party are breezed under the rug as some dreadful culmination of exhaustion and injury. At least, thatâs what the others say to Keith as theyâre cleaning up.
He finds Hunk in the yard, halfway to the barn where theyâve all parked their cars. Keithâs crutches sink into the soft earth, but he hobbles after his friend, desperate to make some gesture that will show the world just how sorry he is. If he looks pitiful enough stranded in the muck, maybe they will forgive him.
âHunk,â he calls. It is dark in the grassy field. He can see only the broad slope of Hunkâs shoulders turn in the darkness, the light of Lanceâs distant farmhouse flashing in his eyes.
Hunk, of course, drops what heâs doing and meets him halfway.
âKeith, what are you-â
âIâm sorry.â
âHey, itâs okay.â
âNo, itâs not.â Keith canât find his footing. He scrabbles at his crutches, fighting to see Hunk in the low light. âIâm notâŚâ The words escape him. Sputtering, uncertain, he manages, âIâm not myself.â
Hunk lays a hand on his shoulder. Keith knows that itâs meant to be a comforting gesture, but the weight of it throws him off balance all over again. Heâs fighting to stand upright while Hunk says, âThereâs leftover cake in the fridge. Hang in there, buddy.â
Keith watches him go.
Too embarrassed to walk back when someone could see, he sinks onto his ass and waits for the last of the cars to leave. They move slowly, one by one, headlights tracing tire tracks in the dirt.
Even Shiro is gone by the time he returns to the farmhouse.
He finds his duffle bag on a bed in a room just off the kitchen. A note from Shiro is folded on top: Call me. I love you. Like the party, like Hunkâs warm hand on his shoulder, this kindness puts a pit in Keithâs stomach. He stuffs the note into his duffle, kicks off his shoe.
Somewhere upstairs, a shower hisses to life.
Keith climbs into bed and does not move for a day.
Shiro had said it would be just like old times, like bunking down the hall from each other in the Castle of Lions, but it isnât; space is quiet.
Here, there is the squeal and smack of the back door. Drifting in and out of sleep, Keith learns the path of Lanceâs heavy work boots on the hardwood. He knows now how one or two stairs in the old farmhouse creak more than the others, how the banister groans under Lanceâs hand. In the morning and at night, he hears Lance cook. His voice dances with the radio; dishes clatter in the sink. Nothing he makes smells particularly good, but the sound of meat sizzling on the stovetop, of his breathy high notes and the low tones that snake beneath the bedroom doorâŚ
He never sleeps better than when Lance is in the kitchen.
For most of the day, though, Lance works outside, and Keith is alone. Alone and awake, unmoving.
The weeks stretch out before him.
By the third day of this, Lance startles Keith awake by tossing a ring of keys at his chest.
âThis has gotten way too depressing,â he says, breezing past and tugging open the roomâs curtains. Keith hadnât noticed the curtains. âGet up. Weâre going for a drive.â
Keith scowls. The room is so bright, and Lance is moving so fastâdumping half-empty cups of water onto a drooping house plant. He sits up onto his elbows.
âMaybe you can.â He pulls back his blankets, baring the hard shell of his cast. This, at least, stops Lance in his tracks. He leans over the bed for a good look. Keith is quick to cover it back up. He mumbles, âIn case youâve forgotten.â
âJesus wept. Can I sign it?â
âWhat? No!â
Lance throws up his hands and gets back to work. Lance, Keith remembers, is a lot louder when theyâre in the same room. âIâm serious about that drive,â he says, snatching up a handful of Keithâs dirty laundry with a wrinkled nose. He turns to Keith, free hand outstretched. âGive me your shirt.â
Keith pulls his blankets up to his chin, knocking the keys Lance had thrown at him to the floor. He is worn out and bleary-eyed, certain he must have heard Lance wrong. Maybe, he thinks, this is an awful fever dream.
But Lance says again, âKeith, your shirt,â and Keith still does not wake up.
âIâm not taking off my shirt,â he says, incredulous. Then, remembering himself, âAnd I can do my own laundry!â
Judging by Lanceâs raised eyebrows, he has some doubts about that. But he drops Keithâs clothes where he found them and heads for the door, spinning around at the threshold. âIâm serious about that drive,â he says, jabbing a finger at Keith. âBe ready in ten, and change your shirt. You smell like shit.â
Keith, who has felt very little for a lot longer than three days, is nearly knocked off his feet by the twinge of pleasure he feels at the sight of Lance and his truck.
Itâs an old thing, a sun-bleached baby blue and light on its tires. Lance, whoâs got a straw hat pulled low over his eyes, runs a hand along its body, smirking at the car like heâs trying to pick it up at a bar. Itâs familiar. Lance always had better luck talking engines into starting than women into his bed.
Keith, hovering in the shade of the front porch, clears his throat. Lance doesnât even look up. âNice, right?â he calls, and itâs not a question. He loves this truck. He knows what itâs worth better than anyone. His hand catches on the driverâs-side door handle, and he turns to Keith. âGot the keys?â
Keith lifts them into the air. They glint in the sunlight. Lance cracks a smile. âAlright,â he says, âletâs go,â and pulls open the door for Keith to climb inside.
âYouâre joking.â
âNope.â
Keith shuffles onto the driveway, keys still outstretched. âLance-â
âCanât drive manual?â
His face burns under the late-summer sun. Is Lance stupid? Well, he knows Lance is stupid; Keithâs the idiot for thinking otherwise. He jabs a free hand at his broken right leg, bulky beneath a baggy pair of jeans. âNot right now.â
Lance barks a laugh, teasing. He doesnât bother looking down, just gets in Keithâs face like theyâre back at the Garrison. âCome on, man,â he says, voice low. âYouâve flown in worse. Itâs a truck.â
Keith squints up at him, mouth twisted into a thin line. That rage returns to him, the anger he felt bubbling up in his stomach at the sight of Lance with a beer and his work boots and a shit-eating grin. He could punch him. He could set a course for the sharp corner of his mouth or-
âYou know you want to.â
Or he could drive. Lance is right; he wants to drive.
He shoulders past him and pulls himself into the driverâs seat by the ceiling handle. Lance claps his hands together. Heâs rounded the cab and is in the passenger seat by the time Keith starts the engine.
Predictably, driving the old truck with one foot is damn near impossible.
Keith kills the engine three, four, six times before theyâre off. The first time it happens, Keith lurches forward in his seat, but says nothing. He grits his teeth and tries again.
The last time it happens, heâs swearing in alien languages even Lance hasnât heard, and Lance is cackling like itâs the funniest thing on Earth. He draws his hat from his head, fanning himself with it as they bump along empty country roads. âIâve got a good feeling about this time,â he says, voice frayed by laughter.
Keith glowers out the windshield. âFuck you.â
He creeps from the third gear to fourth, his good foot slipping from the gas to the clutch, then back again. The truck growls. He doesnât back down.
Soon enough, theyâre going seventy and Lance has got the windows down. EarthâNebraska, Keith reminds himself, Iâm in Nebraskaâunfolds before them. Thereâs dune grass as far as the eye can see, the sandy rock formations of Keithâs childhood butting out of the horizon. His hand slips from the gear shift. He takes the wheel, letting his other hand trail out the open window. Wind buffets his skin, his hair. He breathes.
Lance, for once, is wordless beside him. His face is turned away from Keith, watching the Sandhills fly by. In the corner of his eye, though, Keith catches the bright blue edge of one Altean mark.
Lance can play cowboy all he wants, but the universe is vast, and he has a history.
âBet you canât go any faster,â Lance calls over the roar of the engine, the wind. Keith tears his eyes away, feeling caught. But Lance doesnât know. He has no idea.
Keith shakes his head. His hand flutters back to the gear shift, his foot easing up on the gas. âItâs your truck,â he warns.
Lance reaches over the bench seat, surprising Keith with a brush of his hand on his thigh. The touch is fleeting, light, but it trails fire.
âPunch it,â Lance says.
Keith doesnât think; he just does.
They end up at a gas station three towns over according to Lance. It might as well be a history museum, with gas you have to pay for at the counter and a campaign sign in one dusty window for Richard Nixon circa 1960.
Lance goes inside to settle up. Keith leans against the truck bed.
When Lance returns, heâs got two bottles of Coca-Cola and a bag of peach rings between his teeth. He hands one Coke to Keith, then tears open the peach rings. âWant one?â Keith shakes his head. Lance shrugs. He falls against the truck beside Keith and says, âWe need to talk.â
When Keith broke his leg, he had been rocketing planetside in a light cargoship carrying Galran dictionaries to an inhabited moon off of the restored planet Daibazaal. He had been the only passenger.
He canât recall what exactly went wrong, only that, when it came time to fix it, he had been too tired to lift a finger. Fighter pilot, defender of the universe, and a bone-deep exhaustion would be the thing to kill him. He was thirty-four. He was ready to die.
We need to talk, Lance had said, and Keith feels that weariness return to him. He feels like falling. He takes a swig of his cola. It is cool and syrupy-sweet slipping down his throat. Condensation gathers between his fingers. He presses the bottle to his temple.
âKeith?â
He hates the obvious worry in Lanceâs voice. Itâs a voice made for laughing, for ribbing and indignation. This pityâit sounds all wrong. Keith waves him off. âIâm fine.â
Lance snorts. The world steadies. âWhere were you for the last three days, Keith? Was that fine?â
âI need rest.â
âEver heard of moderation?â
Keith looks up at Lance, brows furrowed. âHave you?â The two face each other in the empty parking lot, each one daring the other to back down. Lance is the first to roll his eyes and turn away. He sips at his soda.
âAlright,â he says. âI asked Shiro to let you stay with me.â
Keith blinks. âWhat?â Heâs not sure what Lance has just admitted to. Thereâs a weight to his words, and he wonât look up from his drink, but the situation isnât exactly a secret. At least, not that Keith knows of. âI know that,â he says, trying to catch Lanceâs eye. âShiro told me. His house is being renovated, there was a change of plans-â
âNo oneâs house is getting renovated, Keith.â
The bottle of soda in his hand grows heavy. He sets it on the rear lip of the truck. Lance keeps talking.
âShiro could have taken you in just fine. Hunk offered up his place too, and Pidge. Hellââhe breathes a laughââhalf the Garrison would have taken you in.â Keith watches with growing dread as Lance frowns. When he does, his forehead wrinkles. Thereâs a crease between his eyebrows that Keith hasnât noticed before, a roughness to his sun-tanned face. âAll of these people, but I insisted.â He faces Keith. âDo you know why?â
Keith shakes his head.
âBecause I know you.â Lanceâs words cut through Keithâs panicked fog. His mouth moves carefully, like heâs thought about this moment and what heâll say: âI know what you think of us for staying when you took off and never looked back.â Keith thinks of the farmhouse. He remembers the party, all of them in one place, smiling and eating cake. He remembers heaving on Lanceâs back porch, counting down the days.
âI donât blame you,â Lance says. âIâm happy for you, Keith. I really am.â His eyes slip from Keithâs face, back to his bottle and the open bag of peach rings, untouched. âBut I couldnât let you break their hearts like you broke mine.â
Keith looks down too. He feels the force of Earthâs gravity weigh on his neck, his shoulders. Lanceâs words should hurt, he thinks. Propped up against the pickup, nothing more than a speck in the middle of nowhere, he should flinch at the truth. But he doesnât. It washes over him like the wind in the cab of the truck in high gear. He feels relieved.
âWhy are you telling me this?â he asks. Maybe thereâs absolution to be found at this gas station at the end of the world.
But Lance smiles. âBecause I want you to know the effect you have on people,â he says. âThey worship the ground you walk on, Keith. They have ever since they met you.â An old jealousy creeps into his voice. He nudges Keithâs shoulder with his own. Keith turns to him. âAnd Iâm telling you so that you know, you can be yourself around me.â
Keith cocks his head. âMyself?â
âYeah. A major asshole.â Keith shoves off the truck, rolling his eyes while Lance makes himself laugh. âI know how it is!â he calls after Keith, who is already at the driverâs-side door with one hand on the handle. âJust go easy on them, and I wonât ask anything more from you. Deal?â
Keith catches his eyes over the bed of the truck, a clear and startling blue. âOkay,â he says. âIâll hold you to that.â
and with the latest upload of chapter 43, that wraps up part 3 of when it all is said and done (i know that you're the only one)!! what a journey for literally everyone it has been to get to this point and boy am i excited to get into part 4 w/ everything that will bring đ¤ đ
An Archive of Our Own, a project of the
Organization for Transformative Works
As Lance's phone rang rather late at night, he figured it was Hunk, one of his sisters, or another friend from the Garrison calling to ask him to a pub or a dinner. But it was Shiroâs name that came up on screen.
âHey Shiro, whatâs up?â Lance answered
âHey Lance, is Keith with you?â
âNo, heâs not. Everything okay?â
Shiro was silent for a moment. âKeithâs gone. Nobodyâs seen or heard from him in days. And he left a note in his apartment for us to find.â A paper crinkled faintly in the background. ââEverythingâs fine, donât look for me.ââ
âSo that means everything is not fine.â
âKosmo got me into his apartment. His knife, jacket, and a few pictures are gone.â
âHe left Kosmo?â
âYeah, he did,â Shiro said with a sigh. âHe really doesnât want to be found.â
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Summary: Twelve years after the lions leave for good, Keith returns to Earth and finds that everything has changed. Lance gives him a place to crash.
Warnings: Angst
Word Count: 2.3k
Chapter Two: Get up and lay back down
. . .
For the first time in his life, Keith is not piloting the ship that brings him back to planet Earth.
Dust settles on the tarmac, orange and brown. His heart rattles in his chest. The not-unfamiliar heat of this solar systemâs sun wraps a hand around his neck, and burns.
He is grounded.
Which, if you ask him, is synonymous with âtrapped.â
But no one is asking Keith, not these days. Not since the accident on Trappist and his right leg in a cast. With a duffle bag slung over one shoulder and crutches tucked under the other, he stumbles onto Earth soil.
Shiro follows close behind. âYouâre sure this is everything? I know some things never change, but thisâŚ?â He gestures to the sagging duffle bag, not even half full. âPlease tell me you brought a change of underwear.â
âHa, ha.â
âIâm not joking. Did you?â
A year ago, Keith would have flipped off the old man without hesitation or remorse. Even now, the impulse to make light of it all, to slip into their old routine as if nothing has changed, flares in his chest. But he canât. He canât even face Shiro, who looks⌠different. Softer. New glasses, maybe. The white scruff on his face. If the car on the tarmac is any indication, heâs even traded in his sleek, black motorcycle for a busted-up minivan. Keith is used to not seeing his old crew for months on end, but, this time, it seems Shiro has crossed some irrevocable milestone.
When he had seen him at first, crossing the docking bay of the space station with his phone pressed to his ear and a small, watery smile on his face, he hadnât even recognized him.
âYes,â Keith says flatly, eyes on the ground, âI packed underwear.â His hand wraps around the passenger-side door handle. Sun-warmed metal cuts into his palm.
Four weeks. Four weeks, and heâd be back in the air.
Shiro unlocks the minivan. Keith climbs inside.
He watches his ship through the window while Shiro wrestles with the ignition, the carâs engine turning over a few too many times. Its sleek, metal frame glints back.
âThank you,â Keith says. He feels Shiro stiffen beside him. This, at least, hasnât changed: Shiro is worried about him⌠and failing miserably at being cool about it. He throws the car in reverse, stretches an arm behind Keithâs headrest.
âSure,â he says, easing them onto the runway. âFor what, exactly?â
Keith shrugs. âFor coming to get me.â
âOf course, man.â Shiroâs hand slips from the headrest to his shoulder, giving it a squeeze. Heâs got that old mentor voice, the one that could talk him down from any ledge, the one he scoured the universe for all those years ago. If Keith closed his eyes, he could be a kid again. Fifteen, eighteen, twenty-two. âKeith,â he hears him say, âthatâs what weâre here for.â
âIâm not ready.â
âWhat?â
âI needed it just to be you. I canât-â He shifts his broken foot out of sight. âIâm not ready for the rest of them to see me like this. Iâm glad it was you. Just you.â
Shiroâs hand drops from his shoulder.
Keithâs eyes flutter open.
He risks a look at Shiro, terrified he had said something wrong, given too much away. Shiro stares studiously out the windshield, even as a beam of sunlight falls into his eyes, even when it must hurt. At last, he clears his throat to speak.
âYeah. About that."
The last time Keith saw Lance had been across a dinner table at their yearly celebration of Allura. He had been himself, which is to say, light. Laughing. There were the soft blue arcs of Altean marks on his face that Keith had never gotten used to, but the rest was like the lyrics to an old song he knew by heart. Or something.
Keith doesnât think much of Lance. Not anymore.
Heâd heard stories of his farmhouse, the fields of Juniberry flowers he kept tirelessly. From what he gathered, Lance didnât leave Earth much. Didnât have to. He had built a life for himself here, that much is clear.
Shiroâs minivan bounces its way down Lanceâs long, gravel drive while Keith tries to get a read on the squat cottage that Lance calls home.
Like Shiro and his car, his glasses, it seems wrong. Panic feathers Keithâs breathing. His hands clench into fists in his lap. Four weeks, he thinks. Four weeks, four weeks, fourâ
He might as well be shacking up with a stranger.
âYouâll be fine,â Shiro says. Then again, âItâll be fine. Just like the old days, right?â and Keith gets the feeling that heâs trying to convince himself of this fact.
âShiroâŚâ Keith searches for the words that will spell out just how disastrous this is, how many places heâd rather be than right here, right now. All he can manage is, âLance!?â
Shiro parks the car with a grin. âSee? Just like old days.â
The farmhouse is quiet. Thereâs a barn twice its size at the edge of the property, flush against swaying fields of purple-pink Juniberry flowers. The nearest neighbors are a smudge in the distance; they might as well be on another planet.
Shiroâs voice changes, gets low againââKeithââand he has to face him. Shiro, former paladin of Voltron, defender of the universe, behind the wheel of a minivan. âI know this isnât what we planned, but I am here for you. You can call me. You can always call me-â
âI know, I know.â He laughs lightly, but Shiro is unconvinced. âLike you said,â Keith says, throwing open the car door, âjust like old times.â He fumbles with his crutches, unsteady on his feet. When heâs righted himself enough to reach for his duffle bag, he finds that Shiro has already slung it over his own shoulder.
âThatâs reassuring,â he calls over the hood of the car. He nudges Keith as he passes, leading the way to Lanceâs front door. âBecause you have always been so good at asking for help.â
This time, Keith finds he can manage the middle finger.
It is worse than he could have imagined. Even Shiro, ever-prepared, ever-the-optimist, stands beside Keith at a complete loss for words.
The sound of the word, Surprise! still buzzes in the air.
Keith just stares.
Before him is a living room spilling over with people. Some, he recognizes; many more, he doesnât. There is a cake hissing with sparklers, balloons skidding along the floor. Tacked to the wall behind them is a hand-painted banner that reads, âWELCOME HOME, KEITH!â
He opens his mouth, closes it.
Thankfully, there is Hunk.
âKeith!â He slams into Keith with enough force to knock him off his feet, if not for the arms wrapping around his back, holding him upright. âItâs so good to see you, buddy.â
âYou tooâŚâ Keith wheezes, gripping his crutches for dear life. Even with his face pressed to Hunkâs chest, inhaling kitchen smoke, flour, and something elseâsomething warmâhe can feel the roomâs eyes on him. He sinks further into Hunkâs embrace, willing himself to disappear.
âJeez, Hunk. Donât break him.â Pidgeâs voice cuts through the darkness. Hunk draws back, holding Keith at armâs-length, and there they are, eyeing Keithâs cast with open curiosity. âDonât break him again, I should say.â Their eyes flick up to Keithâs. âHey. Long time no see.â
Stupidly, Keith says again, âYou too.â
Hunk looks between them, near tears. âCoranâs here,â he says, letting go of Keith to count off on his fingers. âAnd Shay. And Romelle, you remember Romelle.â
Keith catches their eyes over Hunkâs shoulder. Coran nearly falls over, heâs waving so hard. Keith raises a hand back. Romelle giggles.
The party remembers itself, and the room is filled with the sounds of chatter once more. With Hunk and Pidge standing between him and these strangers, Keith catches his breath. Beside him, Shiro leans close. âI had no idea-â
Keith shakes his head. âItâs okay,â he says. And because Shiro is still frowning, because Hunk is watching him with his heart in his eyes and no one can keep anything from Pidge, he adds, âReally.â
Hunk wipes at his eyes. âI just wish it didnât take, wellâŚâ He gestures to Keithâs cast. Keith shuffles on his feet but, even in a pair of baggy sweatpants, there is no hiding the bright white plaster wrapping his ankle and foot. âItâs a shame we donât see each other more often.â
âYouâre absolutely right, Hunk.â Shiro claps a hand on his back. âLucky for us, weâve got Keith for a few more weeks.â He steers the two of them into the living room, shooting a wink over his shoulder. âItâs been a long day. I know Keith and I could use some cake.â
Pidge hangs back. Theyâre doing an awful job looking Keith in the eye, but he doesnât mind. Itâs not like heâd do much better. âYouâd think theyâd have better ways to treat this,â they murmur, craning their head for a better look. âWhatâs a broken leg to advanced alien technology, right? I mean, I could probably fix you right up, and medicine isnât exactly my wheelhouse...â
âDoesnât matter.â
âWhat?â
Keith surprises even himself. He hadnât planned on telling anyone what happened on Trappist and in the days that followed, not even Shiro. He was supposed to lay low, keep to himself until he could return to his post with the Blade and live life as if none of this had happened.
Already, though, nothing is how he imagined it.
He scans the room, keeping his voice low. âThey sent me here on purpose. Broken leg or not, Iâm grounded.â
âWhy?â Pidge isnât looking at his leg anymore; they are searching his face. Keith only shrugs.
âEverybody takes breaks, right?â
They both know heâs lying. Pidge follows his gaze to the crowd where, sure enough, Hunk is slicing into the cake. Shay hands out red paper plates of it to smiling partygoers, waving off Shiro when he tries to help. Itâs a happy scene, but Keithâs skin is crawling. He canât focus on any one person for too long, canât find his footing with crutches digging into his armpits.
âLooking for Lance?â Pidge asks.
He isnât. But Pidge points down the hall, to a kitchen with a back door, and suddenly there is nowhere Keith would rather be than outside. Well, maybe airborn. Maybe on another planet entirely. But he could settle for a backyard.
He slips silently from the room. Laughter follows him down the hall.
The sun is low in the sky, washing the yard in red-orange light like the back of Keithâs eyelids. He stumbles onto a screened in porch, breathing hard. Cicada song roars in his ears, or maybe thatâs his own blood. He doubles over and tries, tries to breathe.
âFour weeks,â he gasps. He counts the days down in his head, one of them nearly over. âFour weeks.â The words are like breathing, in and out. âFour. I can do this.â
âWow.â
And, of course, just as Keith has nearly gotten his bearings, his stomach drops to his feet. His eyes crack open. He peers to his left, through locks of dark hair.
Sitting on an old church pew in blue jeans and a flannel is Lance.
âFuck.â
Lance cracks a smile. âIâll say.â
Keith unfolds himself, shakes his hair out of his face. Lance watches him with that self-satisfied smile and, Keith sees now, a beer in his hand. He raises the bottle to his lips. âShiro said you wouldnât be happy about the change of plans, but this-â
âItâs been a long day, Lance.â
âWell, Iâve got beer. And I hear thereâs cake inside. What do you need, Keith?â
Keith feels the wrongness of the day unfurl inside him. He is tired and sore and mortified from all of this unexpected attention. Lance of all people had caught him doubled over and gasping for breath; and here he is, grinning. Lance. Lance in muddied work boots, with hair so long that itâs begun to curl at the nape of his neck. Lance and his farmhouse, nursing, of all things, a bottle of beer. The Lance that he knew wouldnât touch a drink that didnât come in a color of the rainbow.
Then again, the Lance that he knew had been nineteen years old.
Keith grits his teeth. âScrew you.â
Lance lowers his bottle of beer. He sits up straighter, brows drawing together. âExcuse me?â
âItâs just like you to throw a party.â Keithâs voice climbs higher and higher. It feels good to yell. Like speeding. Or pressing a thumb to the purpled skin of a bruise. He throws out his arms, leaning into the feeling, into the way that smile falls from Lanceâs face. âI can hardly walk,â he cries, âand thereâs a fucking cake!â
âKeith-â
âIf any of you cared what I wanted, youâd leave me alone.â
Lanceâs eyes darken. âYou donât mean that,â he says, lowering his bottle of beer to the deck between his feet. He moves as if Keith is a wild animal, easily startled. Maybe he is.
âYouâre so selfish, Lance.â The words make his heart race. He is floating off-planet, watching their small bodies with a bottomless helplessness. He knows this will hurt, knows what heâll say next and how it will end this conversation completely.
He knows this, and he says it anyway: âSome things never change.â
Lance stands from the pew.
Keith faces him, panting. Heâs holding his crutches loose at his sides, pain striking the length of his injured leg. He looks up at Lance, who crosses the porch, pausing at Keithâs shoulder to speak low in his ear. âWe better pick this up another time.â
Keith turns. Standing at the back door, slice of cake in hand, is Hunk. Pidge peers around him, then Shiro. The kitchen is full of partygoers, and all of them have gone silent.
âFor the record,â Lance says, âthe party wasnât even my idea. I knew you would hate it.â
Keith smothers his face with his hands. He hears the back door squeal open, then smack closed. Cicada song returns to him.
The paladins are urgently called to the planet Oxyvera, whose inhabitants ask for their assisance in curing a galactic disease that will soon infect the entire solar system. The oxyverans know how to cure the disease, but need something only the Red Paladin of Voltron can give them.
Or,
Keith is asked to sacrifice himself to save the oxyverans and their galaxy.
from my multi-pov post-canon klance fic (yeah, I finished my old gen fic)
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1. Lance
"That's never been documented on any star chart," says Lance, offhand, casual. "Popped into existence at the same time as Altea. Visible everywhere. Perpetually inaccessible. It's like a permanent watermark on reality."
"What?" Pidge says, half-distracted by the beauty of space, ever so new and surprisingâbut then it hits her.
The shape of the blue celestial clouds depicts a woman. It's a silhouette she knowsâhead bowed, curled up, gently cradling the center of the universeâthe Lion-Mother, the Princess, the Paladin.
Allura has become a constellation.
Pidge rips herself away from the telescope and stares up at Lance in wordless horror. He meets her accusing gaze, silent and expressionless, and she sees it in the heavy grief that paints itself over his eyesâhe knows what he's done to her. He's done this on purpose.
He's shown her proof that Allura isn't simply lost. He's given her an ultimatum, that this is one disappearance she can't solve. This is irreversible.
"You fucker," Pidge hisses.
Lance snorts. "What, you think I should've let you chase a star cloud for the rest of your life?"
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2. Iverson
"Katie!" Matt takes her hand. "Talk to you in private, yeah?"
"It would be pointless to withhold information from you," Iverson says to her. "You would find a way to view them, regardless of what we do."
"Damn right I will," Pidge says, disturbed for a reason she can't put her finger on.
"I'm not your enemy, Holt," says her oldest foe. "You are a defender of this planet. That makes you a valuable asset."
It's the last straw.
"I am not your tool!" Pidge yells at him as her brother bodily drags her away. "We owe you nothing! If you touch my family, I will make you regret it!"
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3. Shiro
"Katie," says Shiro, sounding shocked. "It's not your responsibilityâ"
"I keep letting this happen. It's everywhere around me, Shiro, I'm not old enough to legally drink and it's fucking everywhere!" There is an invisible rock in her throat and it hurts her with every syllable she spits out. "Why, why, why can't I save them? Why does this keep happening?"
Shiro's voice is shaky. "It's not your fault. The people we lostâ those who have given their lives, in defense of the universe, you weren't responsible for them. You saved so many worlds, you couldn't have saved everyone."
"I can, though! I could! That was the point, wasn't it, that was the entire point of us! Voltron!" Pidge starts crying in earnest, heaving sobs shaking her body as she thumps her chest. "It was supposed to be us. You know that. You know that. Not Allura, not the crew, not anyone on Earth. It was supposed to be us."
". . . Yes," Shiro agrees.
Of course he agrees. He was the first one of them who understood what they were being asked for, and gave himself up to the cause.
.
(that was the Hurt, now Comfort under the cut)
4. Keith
"Hey," says Pidge, putting her foot down. "With or without a Lion, we're still Paladins. Once a king or queen of Narnia, always a king or queen."
Keith squints at her in visible confusion.
Pidge sighs. "You've never heard of Narnia, have you."
"I need you to understand how little I know about cultural references," says Keith. "We've been telepathically linked for years. This should not be news."
"We've been telepathically linked for years. You could've picked up some things via osmosis."
"We were busy fighting space nazis!"
"Yeah, okay." Pidge takes a breath, mentally re-orienting herself. "So you're into Lance. That's fine. Nothing wrong with that."
"I can hear you judging me in your brain," Keith complains.
"I am trying to be supportive. Let me be supportive, okay?! Now, let's workshop a minimum of five potential plans of action."
"I should've gone to Shiro," Keith groans.
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5. Matt
"We do what we gotta do."
"That's right." The rebel leader with a mean bo staff and a meaner facial scar still grins like her brother. "Are we cool enough for fist bumps now?"
"No, we're nerds forever. Hug me."
"Alright, Baby Katie, c'mere."
"I could suplex you," Pidge threatens, but obligingly lets herself be squashed.
The galactic war hero with lichtenberg scars and permanently altered brain waves is still Matt's little sister. Even when she is nothing else, she will still be Matt's little sister. This is her sworn oath, her life's goal. I will see you home.
"You'd better get me a good souvenir," Katie grumbles.
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6. Hunk (& Allura)
She sticks to Earth, still. Matt's doing his job and meeting up with his partner. Katie is holding down the fort.
But, one day. When Matt comes home, and her parents no longer look at her like she showed up dead in their nightmares.
Maybe one day, she might tag along with Hunk and get back out there.
She discarded her adoration of rockets on the same night that her childhood ended. It's been years since, and Pidge Gunderson and Katie Holt are both changed people. In the privacy of her midnight musings, she can finally admit it to herself: that little girl who watched launch countdowns like they were superhero cartoons always wanted to fly a spaceship.
Because spaceships were fucking cool, and so was the galaxy.
Pidge lies awake with starlight for company, dreaming up an Intergalactic Transponder that could reach the center of the universe.