brazilian werewolf sketches

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brazilian werewolf sketches

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Vitrais/ Stained glass
Victoria and Albert Museum
London/Londres
Through the stained glass windows everyone could see each other, but they never met. They had been exchanging glances every day for years, no words, just admiration on both sides of those magnificently colored panes of glass that transformed into people, animals and plants. Everyone thought it was impossible for anyone to know who was on the other side, even though their eyes were focused on each other from opposite sides of the large central window. A tremor, scares and screams, a few seconds of apprehension and terror, people moving away and the shards of glass on the floor spreading. Less than a minute passed and everything calmed down. A brief silence followed by sighs of relief dominated the scene. The beauty was now spread out at their feet. No one was looking at them anymore. Now they were touching each other, talking and asking repeatedly, "Are you okay?" A doctor on one side, worried about the pregnant woman on the other. Could that scare affect the baby? The ice cream man over there, bringing ice cream over here, calming the children who were starting to cry with the noise of the people. The florist on one side, a couple of boyfriends of the other, she brought a rose for him to give to her, who was scared by a small cut on her face, the children looking for their father, who was helping another father look for his children, the almost deaf old man who was with his back turned, waiting for the doves to return, since the tremor scared them, so he could throw the rest of the corn, many thanking, others shouting, the most excited saying nonsense, and right there in the corner you could see a couple kissing, with the world ending, all this happened and they didn't even realize, because there was a much bigger tremor when they joined their lips, it was love being born in the hearts of Zeca and Nice.
Jonas r Cezar
The stained glass windows from the main altar of the Parish Church of Alter do Chão (also known as Church of Our Lady of Assumption). No, these ones are not medieval - these ones are from the first half of the XX Century.
Light Forms, 2015
@ Saint Nicholas Church, Ghent, Bélgica

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As oferendas faunas Foram condensadas Em uma única fileira de dentes Os teus mais bélicos caninos Natureza em coma Espetáculo eloquente da vista Para a convincente jornada Sempre precisada celebrar a recompensa explícita A carne artística Banha-te em azeites de Olivia Em outros retornos de mercúrio Antevê-se espirituosíssima Filo destoa-se do substantivo Agrega-se o mesmo sobrenome francês de seu realiziador Se sou cria, porque não deveria tê-lo como nome? Não me amas o suficiente, pai? Ou sou bastarda? Somos todos o estudo imaginário Do artista que ainda não fomos Famintos em celebrar o infinito Baco bebe de nosso pranto no jantar no final do mês Paisagismo caricato humano Idealiza rosas e lírios Recebes cravos enviados de si mesmo Diretamente do futuro como prova que não há acaso Primazia vidros temperados Vês além, decora e invoca Narcisos e visitas os tens à seus pés Mais admirado do que ondulações em vitrais Amam-lhe com o toque Com a língua áspera coçando a fissura Leiloam inseticidas água com açúcar Para afastar-se de todas as formigas que já estão em teus lábios...
Bustos, Pierrot Ruivo
Sussurro (whisper)
Arte feita com base em um sketch antigo.
Art made with antique sketch
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