A replica of Antonio Stradivariusâ 1727 âCassavettiâ viola, featuring a flamed maple back and neck, oil varnish, and mountain mahogany âLa Pucelleâ tuning pegs
seen from Malaysia

seen from Canada

seen from TĂźrkiye

seen from Malaysia

seen from TĂźrkiye

seen from TĂźrkiye

seen from TĂźrkiye

seen from United States
seen from Brunei

seen from Canada
seen from United States
seen from Brazil
seen from United States
seen from China

seen from United States
seen from United States

seen from TĂźrkiye

seen from United States

seen from Philippines
seen from China
A replica of Antonio Stradivariusâ 1727 âCassavettiâ viola, featuring a flamed maple back and neck, oil varnish, and mountain mahogany âLa Pucelleâ tuning pegs

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Violinist Chris Avergonđťâ¨
It was a terribly difficult idea. I spent more than a week bringing it to life. BUT DAMN IT! It exceeded all my expectations!
This is the magic of the crystal in the tiara. I have a little story connected with this.
â¨I remind! Chris is a master of crystals, not sound! She just knows how to play the violin!âŠ
The magic of this stone reacts to the sounds of the violin. Some random melody is not always suitable or will cause unpredictable phenomena. Many people hunted for this stone, but only three maps leading to the temple of the first master of sound were found. (yes, it probably sounds corny). One was lost, the other fell into the hands of the ninja, and the third to the thieves. The instrument of the first master of sound was a violin with silver strings.
The key to the safe passage of all the traps of the temple was also one magical music, the notes of which were attached to the map of the temple and the ninja were lucky that they had one familiar violinist. (ęŞăŽęŞ)
In the process of searching for the stone and passing deep into the temple, there was a battle with bandits intending to steal this magic crystal, musical notes were destroyed. But Chris remembered the notes, because she had previously managed to look through them to the end. So when they got to the center of the temple, she was able to activate the mechanism of the temple and use the magic of music.
When Chris started playing music, the first sound master appeared in front of everyone in the form of a spirit and played music with her. In the process, Chris's clothes were changed to this outfit, and a tiara with the same magic stone appeared on her forehead.
Finally, the first music master thanked Chris for performing his first music, which he composed in his youth, and disappeared.
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This is all in brief. But if I still find the strength, I will write my whole story from beginning to end.
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Mountain Mahogany âLady Bluntâ violin pegs on an original Hellweg & Cloutier violin. Now available at hellwegandcloutier.com
A âRoseâ violin tailpiece, depicted here carved in Southern Live Oak wood. Also available for violas and cellos in either Mountain Mahogany, Boxwood, Richlite, or Katalox

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F-holes on a replica 1704 Stradivarius violin Since our violins are 0.001" accurate to the dimensions of original Strad models, we first oil varnish with a pristine finish, but then use artistic antiquing processes to match the roughly 300 years of wear found on violins that have withstood the test of time
Kauri Collection âBettsâ violin with a âSt. Cecilleâ mountain mahogany tailpiece
Assorted Violin Fittings in Mountain Mahogany and Southern Live Oak