#batman#dc comics#bruce wayne#dc#dick grayson#batfamily#batfam#tim drake#dc fanart
seen from United States
seen from Czechia
seen from United States
seen from France
seen from United States
seen from Austria
seen from Japan
seen from Malaysia
seen from Netherlands
seen from United States
seen from China
seen from Taiwan
seen from Malaysia
seen from Kuwait
seen from United States
seen from United States
seen from United Kingdom
seen from China
seen from Malaysia
seen from Russia
This video essay by @7catbag is innnnnnnsane 😱💖!!!
Thank you for the time and love you put into analyzing my game 🥰💕🥹
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I completed a 3 hour video essay on Code Lyoko! :D
I hope you all enjoy and reward me with compliments for spending a month on this!
🎬 ‘Why Every Chicago Home Had a Bar in the Basement.’
In mid-century Chicago, the party didn’t happen at the corner tavern — it happened downstairs. Across the city’s bungalow belt, families built real bars in their basements, complete with wood paneling, neon signs, and mirrored shelves. For generations of Chicagoans, this wasn’t strange — it was part of everyday life.
An Interesting Video / I watched this week: 👉 direct YouTube link: https://youtu.be/05pzaHeIKUQ
via: @ITSHISTORY www.youtube.com/@ITSHISTORY
#Chicago #BasementBars #MidWest #MidCentury #VideoEssay
(🎬 Click the Pic 👇 to Watch the Video.)
How Dr. Stone Breaks the Rules to Make a Better Story
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
[FRENCH BELOW]
Hello there! ✨🗡️🌹
We are two french friends working on a video essay project about ✨Mozart l’Opéra Rock✨! We are opening a survey to help further our investigations.
Hello there! We are two people working on a video essay project about the French musical Mozart l’Opera Rock (abbreviated MOR, 2009), and w
It’s not gonna take you more than 10 minutes, you can answer it even if you’re not particularly into Mozart l’Opera Rock, as we are trying to get as many answers as possible. Also don’t hesitate to share it, that’d be really rad af.
There’s no deadline for the moment, but we’ll tell you when we decide to close this survey so that you have the time to answer it. (It will probably be in a few weeks, maybe months maximum.)
If you want to learn more about our project, you can check out our instagram page right here : https://www.instagram.com/_metacringe_/
That’s all folks!!! Thanks very much to everyone who will take the time to answer and share the survey,
XoXoXo,
Métacringe 🤡
***
FRENCH BELOW
Buffy the Vampire Slayer was framed as a story about empowerment.
A girl chosen to stand alone. To fight. To save the world.
But the more you actually follow the story, the more something quietly unsettles that idea.
Buffy wins every battle.
So why does she never seem truly happy?
There’s a deeper tension at the heart of the show—between strength and isolation, purpose and identity, power and fulfillment.
What does it really mean to be “empowered” if it doesn’t lead to peace?
I just uploaded a full breakdown exploring this in more depth.
Mickey 17 wants to be a movie about capitalism, disposability, and systems that treat people like they’re replaceable. Mickey dies over and over again, gets reprinted, and is constantly reminded that his life doesn’t really matter. But what fascinated me wasn’t just Mickey’s disposability. It was Nasha. In a genre that loves to sacrifice Black women emotionally, morally, and narratively, Mickey 17 does something rare: it lets the Black girlfriend live, win, and dismantle the system that tried to erase her and the man she loved. This video breaks down how Nasha resists the logic of disposability at every turn, how the film flirts with the “disposable Black girlfriend” trope, and why her survival and rise to power actually matters. We’ll talk about emotional labor, moral authority, sci-fi tropes, and why Nasha is the only character who consistently chooses life.
