#victorfeldman

Bill Perkins – tenor saxophone, baritone saxophone, bass clarinet, flute Victor Feldman – piano, organ, vibraphone Red Mitchell – bass Larry Bunker – drums John Pisano – electric guitar, classical guitar

“Victor Feldman’s one Riverside date as a leader (which has been reissued on CD) features him playing piano on five songs and vibes on four others (three of which add Hank Jones on piano). Joined by bassist Sam Jones and drummer Louis Hayes (both of whom were at the time, with Feldman, the rhythm section of the Cannonball Adderley Quintet), Feldman is in excellent form on a straight-ahead set. The trio/quartet performs five standards that for the most part are not overly familiar, plus four of the leader’s originals. Tasteful and swinging music.” – Scott Yanow/AllMusic.

Photo: by Antarctic96 via Wikimedia Commons, licensed under CC BY-SA 3.0

Victor Feldman – vibraphone Composer: George Gershwin

Bass – Monty Budwig Drums – Shelly Manne Piano – Victor Feldman

Victor Feldman – piano, vibes Buddy Collette – tenor sax, flute Leroy Vinnegar – bass Ron Jefferson – drums Laurindo Almeida – guitar Clifford Scott – tenor sax, flute Al McKibbon – bass Frank Guerrero – percussion Nino Tempo – tenor sax Bob Whitlock – bass Colin Bailey – drums

“The Cannonball Adderley Quintet at the Lighthouse” was the third album by this outstanding quintet led by the great #CannonballAdderley and probably the best at this point. The setting is probably the most celebrated jazz spots in Southern California, The Lighthouse which is in a suburb of Los Angeles. On this one-day occasion it was a beautiful Sunday afternoon-and-night stand by the quintet which was a culmination of a month-long triumphal stay in and around L.A. At the time The Lighthouse itself was something special located at 30 Pier Avenue in Hermosa Beach, California. It has been active as a jazz showcase since 1949 and, under the name "The Lighthouse", was one of the best-known West Coast jazz clubs from the 1950s through the late 1970s. When Lee Morgan’s “Live at the Lighthouse” was released last week, I started to listen all my albums recorded there and this is one of the best in my opinion. Because Cannonball’s quintet at the time was one of the few Eastern groups to have played there that the response from an earlier session there that month, they became the first non-cool jazz group to record there. It’s not too surprising in the Californians’ reaction to the quintet, because it had become quite clear had established a universal recognition as one of the most invigorating groups during that time. The group which had been organized in the Fall of 1959, from the start they enjoyed an overwhelmingly widespread and passionate public acceptance. The group was amazingly close knit with Cannonball on alto, his brother #NatAdderley on trumpet, #VictorFeldman on piano, #SamJones on bass and #LouisHayes on drums. It was recorded on October 16, 1960 for #RiversideRecords . . . . . #Jazzrecords #classicjazz #jazzvinyl #jazzjunkie #vinylcollector #vinyllove #recordoftheday #johncoltrane #igvinylclub #igjazzvinyl #3rdStreetJazz #roonlabs #JazzRecordoftheDay #JazzRecordCollector #JazzVinylCollector #VinylJazz https://www.instagram.com/p/CS-a2KvLf7B/?utm_medium=tumblr

In honor of Frank Rosolino, born this day in 1926. “Blue Daniel” (Frank Rosolino) Cannonball Adderley - alto saxophone, Nat Adderley - cornet, Victor Feldman - piano, Sam Jones - bass, Louis Hayes - drums; October 16, 1960 Such a beautiful melody; I wish there was a bridge. #CannonballAdderley #LouisHayes #SamJones #VictorFeldman #NatAdderley #Jazz #1960sJazz #60sJazz #FrankRosolino #AugustBirthdays https://www.instagram.com/p/B1Y0pXYAYpD/?igshid=homhuvxpjps