Nov 9, 2025
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sunny Disposition By Jeff Stanford, 2026 Buy prints of this image at: https://fineartamerica.com/featured/sunny-disposition-jeff-stanford.html or more of my images at: https://jeff-stanford.pixels.com/
This piece took longer than I would like to admit, but I say the results speak for itself.
Sorry for the gap between art pieces. I've been trying to branch out and do pieces that I enjoy making, not to say *this* wasn't a joy to work on. That and whenever I make progress on one, I start sketching up another.
Hell, I'm just happy to complete a piece in of itself nowadays. Got more stuff cooking both in and out of this fandom, so get hyped I guess. Have a good weekend, sinners!
Want this piece as more than just a poster? Check out my shop! I got options for your particular preferences.
Like to think this is a step-up from the last graffiti piece I did for a character. Who knew a one year difference could be so significant?
untitled (2023) by canonically online
Woman with a Fan
Artist: Pierre-Auguste Renoir (French, 1841–1919)
Date: c. 1879
Medium: Oil on canvas
Collection: The Clark Art Institute, Williamstown, Massachusetts, United States
Description
The actress Jeanne Samary may have posed for this painting in her cheerfully decorated dressing room at the Comédie-Française, a theater in Paris. Yet the image, as indicated by its title, was not intended as a portrait. The informal subject freed Renoir to experiment with composition - the figure occupies a compressed space, a vibrant bouquet competing with her features. She holds an uchiwa fan, reflecting a fascination with all things Japanese in late nineteenth-century France.
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Flowers in a Blue Vase
Artist: Adolphe Monticelli (French, 1824–1886)
Date: 1879–1883
Medium: Oil on wood
Collection: Metropolitan Museum of Art, New York City, NY, United States
The Deceitfulness of Riches
Artist: Eleanor Fortescue-Brickdale (British, 1872-1945)
Date: 1901
Medium: Oil on canvas
Collection: Private collection
Description
This painting was first exhibited in 1901 at the Royal Academy, and in 1902 at Leighton House in an exhibition entitled Such Stuff as Dreams are made of (a loose quotation from Shakespeare's The Tempest)
When first displayed, there was much debate as to the meaning of the allegory. An article in the 1902 Magazine of Art offered this interpretation: “A mighty princess, clothed in orange garments, is pictured for us so closely guarded by jealous attendants as to be shut out altogether from the outside world. No harsh breath from the common air may touch the lady's cheek. The orphan and the widow are turned from her gates in order that she may not look upon the face of sorrow. Not willingly hard or callous is this prisoner of a luxurious place, only oblivious from force of circumstances. … The Deceitfulness of Riches is a lay sermon on the tyranny of soft environment and on the unwitting cruelty which lurks in ignorance”
Described by critics as a “Pre-Raphaelite revivalist”, Fortescue-Brickdale was famous for her meticulous techniques and luminous colors. Oxford professor Henry Scott Holland commented on a watercolors exhibition by the artist: “Color? The room glows with it, as if it were flung out of live jewels. The flaming crimsons, the crisp greens, the sheen of rose, speak and sing out of their frames; and you find yourself laughing aloud unawares, for sheer delight, in response. The pictures recall the small gems that Rossetti painted … They are vivid and delicate like young Millais' Ferdinand”.
“They’re alone. They’ll all be alone soon.”
I got possessed by the rendering holy mackerel,,, TPOT 20 TPOT TPOT TPOT AAUUAUAAUAU
yeahand these are kinsonas of One Two and Three heggeh
the one kinsona design’s by RekeKeeks (aka yours truly)
the two kinsona design’s by itzlotusthedragon on DA
the three kinsona’s design’s by @0-a-random-artist-0