some Styx (an oc) & Van Goh quote
Most of this crap is older from sketchbook that I went through a few weeks ago. Currently I’m in Italy rn, goin through my Pinterest & uploading what’s on there here. So what’s good yall

seen from Türkiye
seen from United States
seen from United States
seen from Jamaica
seen from France
seen from France

seen from United States
seen from Israel

seen from United States
seen from Kosovo
seen from Paraguay
seen from China
seen from United States
seen from France

seen from Canada
seen from Germany

seen from Indonesia
seen from Malaysia
seen from France

seen from Netherlands
some Styx (an oc) & Van Goh quote
Most of this crap is older from sketchbook that I went through a few weeks ago. Currently I’m in Italy rn, goin through my Pinterest & uploading what’s on there here. So what’s good yall

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Paint by Numbers
I attempted to do this paint by number . It’s based on Van Gogh’s Impressionism (don’t come for me if I got this wrong). Back in another lifetime, I took an Art History course and surprisingly enjoyed it. But all the other art classes, I dropped … (Sorry art 100, art 101, photography 100). I do appreciate art especially interactive art exhibits. I love the artist Ai Wei Wei and Banksy.
I didn’t upload my finish product, I have no courage ( I can paraglide and jump off a mountain but cannot show my painting ) For me, it looked a lot harder than it seemed. The numbers were so tiny. Now, I have a new found appreciation for people who create art and a little better understanding of Rafayel and how he searches for inspiration and gets lost in his creation.
I wish I could see the world through his eyes. It must be full of beauty and adventures.
Confidence, humility and the trope of a crowd warrior(my thinking of what Van Gogh might say)
confidence is the quiet alignment between what one can do and what one is willing to attempt. It does not shout; it stands. Humility is not the shrinking of the self, but the accurate measurement of it—knowing the scale of the world and choosing to act anyway. Where confidence without humility becomes noise, humility without confidence becomes silence. Strength lives in their balance, like tension in a bow that neither snaps nor slackens.
The trope of the crowd warrior is often misunderstood. We imagine the hero as one who rises above others, but the truer image is one who rises with them—who can carry momentum without claiming ownership of it. The crowd warrior is not fueled by applause but by responsibility; they move because stillness would cost others. Their courage is social, not theatrical. They are formidable precisely because they are not alone, and not pretending to be.
Thus, the highest form of confidence is service, and the deepest humility is action. To know you are one among many, yet to step forward when the moment requires it—that is not contradiction, it is coherence. The warrior of the crowd does not seek to be remembered as singular; they seek to be useful when it matters. And in that usefulness, they become quietly extraordinary.
Corridor in the Asylum
Vincent van Gogh Dutch
September 1889
The Met | Open Access Artwork

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
THE STORY OF STARRY NIGHT
Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of Saint-Paul-de-Mausole. Van Gogh lived well in the hospital; he was allowed more freedoms than any of the other patients. He was allowed to paint, read, and withdraw into his own room. He was even given a studio. Officially, he had been diagnosed with epileptic fits - He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift. Blue dominates the painting, blending hills into the sky. The little village lays at the base in the painting in browns, greys, and blues. Even though each building is clearly outlined in black, the yellow and white of the stars and the moon stand out against the sky, drawing the eyes to the sky. They are the big attention grabber of the painting.